Analog Days: The Invention and Impact of the Moog Synthesizer

Paperback (Print)
Used and New from Other Sellers
Used and New from Other Sellers
from $20.99
Usually ships in 1-2 business days
(Save 14%)
Other sellers (Paperback)
  • All (13) from $20.99   
  • New (9) from $20.99   
  • Used (4) from $23.51   

Overview

Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.

The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound.

Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.

Read More Show Less

Editorial Reviews

Time Out New York
How many retrowavey, electroclashy hipsters really know the true roots of the sound they're preening and prancing to? We're not talking about '80s swill like Human League or Erasure--we're referring to Robert Moog, the inventor of the eponymous sound-generating device that, more than any other single contraption, made the whole electronic-music world possible. Analog Days, penned by Trevor Pinch and Frank Trocco, is a richly detailed look at the early days of synthesized sounds, and is quite fascinating.
Entertainment Today

On the subject of discovery, Analog Days covers with polished authority the invention of the electronic music synthesizer by Robert Moog and its usage, between 1964 and the mid-'70s by such sonic explorers as Wendy Carlos, the Beatles and Emerson, Lake and Palmer, as well as the work done by electronic music pioneers Morton Subotnik, Don Buchla and Vladimir Ussachevsky, detailing the battle to use or not use the keyboard which so affected popular music.
— Brad Schreiber

New Scientist
[Pinch and Trocco] have a fascinating story to tell. Today, it is hard to recall what music was like when sounds were restricted to those made by blowing, plucking or hitting things. Music is ubiquitous as never before, and so are synthesized sounds: the two facts go together. So Analog Days is more than a chronicle of an encounter between old arts and new technology: it illuminates a defining technology of our culture.
The Wire

Through a series of detailed interviews with people associated with the Moog's development, ranging from Bob Moog himself to assorted technicians, sound gurus, marketing people and musicians who had input into the Moog's development, they reconstruct, with the care of anthropologists studying the habits of some obscure tribe, how exactly it was that the Moog became a significant force in musical culture in the 1960s.
— Marcus Boon

Science

In Analog Days, Trevor Pinch and Frank Trocco tell the story of how the Moog synthesizer came about. They discuss how synthesizers reflected and reinforced cultural aspirations for transformation and transcendence, which were so prevalent in the 1960s. And they explore how this particular synthesizer—developed by Robert Moog and colleagues in a funky storefront in Trumansburg, New York...managed to beat out a host of competitors for commercial success and popular acceptance...Pinch and Trocco have crafted an informative and entertaining account of the complex process by which new instruments and inventions come about, and they analyze the relationship among inventor, user, and general public that leads to widespread acceptance of a new medium or tool...The book is crammed with wonderful stories and details about the many colorful scientists, musicians, salesmen, and cult figures...whose lives intersected through the lure of new musical possibilities...This is a story well worth telling, and Pinch and Trocco do it well.
— Tod Machover

Year's Work in Critical and Cultural Theory

A compelling narrative presented in a thoroughly readable style and told with real affection for its subject matter, the book tells the reader pretty much everything they could want to know about the topic, and if it didn't make even the most unmusical reader desperate to get their hands on an analogue synth and a set of patch cords, I'd be very surprised.
— Jeremy Gilbert

Sir George Martin
[An] unusually intelligent and straightforward cultural history.
Entertainment Today - Brad Schreiber
On the subject of discovery, Analog Days covers with polished authority the invention of the electronic music synthesizer by Robert Moog and its usage, between 1964 and the mid-'70s by such sonic explorers as Wendy Carlos, the Beatles and Emerson, Lake and Palmer, as well as the work done by electronic music pioneers Morton Subotnik, Don Buchla and Vladimir Ussachevsky, detailing the battle to use or not use the keyboard which so affected popular music.
New Scientist - Jon Turney
Pinch and Trocco interview the engineers and musicians who fashioned the new devices, and build up a satisfying picture of the one technology that caught the imagination of the "counterculture" of the 1960s and 1970s...[The authors] have a fascinating story to tell. Today, it is hard to recall what music was like when sounds were restricted to those made by blowing, plucking or hitting things. Music is ubiquitous as never before, and so are synthesized sounds: the two facts go together. So Analog Days is more than a chronicle of an encounter between old arts and new technology: it illuminates a defining technology of our culture.
The Wire - Marcus Boon
Through a series of detailed interviews with people associated with the Moog's development, ranging from Bob Moog himself to assorted technicians, sound gurus, marketing people and musicians who had input into the Moog's development, they reconstruct, with the care of anthropologists studying the habits of some obscure tribe, how exactly it was that the Moog became a significant force in musical culture in the 1960s.
Science - Tod Machover
In Analog Days, Trevor Pinch and Frank Trocco tell the story of how the Moog synthesizer came about. They discuss how synthesizers reflected and reinforced cultural aspirations for transformation and transcendence, which were so prevalent in the 1960s. And they explore how this particular synthesizer--developed by Robert Moog and colleagues in a funky storefront in Trumansburg, New York...managed to beat out a host of competitors for commercial success and popular acceptance...Pinch and Trocco have crafted an informative and entertaining account of the complex process by which new instruments and inventions come about, and they analyze the relationship among inventor, user, and general public that leads to widespread acceptance of a new medium or tool...The book is crammed with wonderful stories and details about the many colorful scientists, musicians, salesmen, and cult figures...whose lives intersected through the lure of new musical possibilities...This is a story well worth telling, and Pinch and Trocco do it well.
Year's Work in Critical and Cultural Theory - Jeremy Gilbert
A compelling narrative presented in a thoroughly readable style and told with real affection for its subject matter, the book tells the reader pretty much everything they could want to know about the topic, and if it didn't make even the most unmusical reader desperate to get their hands on an analogue synth and a set of patch cords, I'd be very surprised.
Science
In Analog Days, Trevor Pinch and Frank Trocco tell the story of how the Moog synthesizer came about. They discuss how synthesizers reflected and reinforced cultural aspirations for transformation and transcendence, which were so prevalent in the 1960s. And they explore how this particular synthesizer--developed by Robert Moog and colleagues in a funky storefront in Trumansburg, New York...managed to beat out a host of competitors for commercial success and popular acceptance...Pinch and Trocco have crafted an informative and entertaining account of the complex process by which new instruments and inventions come about, and they analyze the relationship among inventor, user, and general public that leads to widespread acceptance of a new medium or tool...The book is crammed with wonderful stories and details about the many colorful scientists, musicians, salesmen, and cult figures...whose lives intersected through the lure of new musical possibilities...This is a story well worth telling, and Pinch and Trocco do it well.
— Tod Machover
Entertainment Today
On the subject of discovery, Analog Days covers with polished authority the invention of the electronic music synthesizer by Robert Moog and its usage, between 1964 and the mid-'70s by such sonic explorers as Wendy Carlos, the Beatles and Emerson, Lake and Palmer, as well as the work done by electronic music pioneers Morton Subotnik, Don Buchla and Vladimir Ussachevsky, detailing the battle to use or not use the keyboard which so affected popular music.
— Brad Schreiber
The Wire
Through a series of detailed interviews with people associated with the Moog's development, ranging from Bob Moog himself to assorted technicians, sound gurus, marketing people and musicians who had input into the Moog's development, they reconstruct, with the care of anthropologists studying the habits of some obscure tribe, how exactly it was that the Moog became a significant force in musical culture in the 1960s.
— Marcus Boon
Year's Work in Critical and Cultural Theory
A compelling narrative presented in a thoroughly readable style and told with real affection for its subject matter, the book tells the reader pretty much everything they could want to know about the topic, and if it didn't make even the most unmusical reader desperate to get their hands on an analogue synth and a set of patch cords, I'd be very surprised.
— Jeremy Gilbert
Read More Show Less

Product Details

  • ISBN-13: 9780674016170
  • Publisher: Harvard University Press
  • Publication date: 8/23/2004
  • Edition description: New Edition
  • Pages: 384
  • Sales rank: 628,474
  • Product dimensions: 7.00 (w) x 8.00 (h) x 1.00 (d)

Meet the Author

Trevor Pinch is Professor and Chairperson of Science and Technology Studies, Cornell University.

Frank Trocco is Assistant Professor of Adult Baccalaureate Studies, Lesley University.

Read More Show Less

Table of Contents

Foreword by Robert Moog

Preface

Introduction: Sculpting Sound

1. Subterranean Homesick Blues

2. Buchla's Box

3. Shaping the Synthesizer

4. The Funky Factory in Trumansburg

5. Haight-Asbury's Psychedelic Sound

6. An Odd Couple in the Summer of Love

7. Switched-On Bach

8. In Love with a Machine

9. Music of My Mind

10. Live!

11. Hard-Wired-the Minimoog

12. Inventing the Market

13. Close Encounters with the ARP

14. From Daleks to the Dark Side of the Moon

Conclusion: Performance

Discography

Sources

Notes

Glossary

Index

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)