Anastasis

( 1 )

Editorial Reviews

All Music Guide - Thom Jurek
In English, the Greek word "anastasis" is literally translated as "resurrection." The definition is apt as the title to Dead Can Dance's reunion offering, their first recording of new studio material since 1996's Spiritchaser. Lisa Gerrard and Brendan Perry established a well-deserved global reputation for pushing boundaries in popular music. Coming from the fringes of the gothic music world on the iconic 4AD label, they brought a sense of near classical discipline (and pretension) into their sound. They incorporated cutting-edge production techniques and also folded in -- mostly accurately -- several international musical traditions; combined, they created a deeply ...
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Editorial Reviews

All Music Guide - Thom Jurek
In English, the Greek word "anastasis" is literally translated as "resurrection." The definition is apt as the title to Dead Can Dance's reunion offering, their first recording of new studio material since 1996's Spiritchaser. Lisa Gerrard and Brendan Perry established a well-deserved global reputation for pushing boundaries in popular music. Coming from the fringes of the gothic music world on the iconic 4AD label, they brought a sense of near classical discipline (and pretension) into their sound. They incorporated cutting-edge production techniques and also folded in -- mostly accurately -- several international musical traditions; combined, they created a deeply atmospheric, lushly textured, dramatic brand of post-gothic pop. Self-produced and released by PIAS, Anastasis features eight songs, and clocks in at just under an hour. The trace elements will be very familiar to DCD fans. In fact, Anastasis can be called, for the most apart, an album of tropes; it is much more a tour through much of the band's previous history than an exercise in delivering anything new. This is surprising given Gerrard's vast soundtrack experience and Perry's solo albums, various collaborative contributions, and film work. The musical tenets here derive from near-Eastern Mediterranean sources (mainly Greek and Turkish folk forms), and some from the various nations of North Africa. Immediately noticeable is Perry's voice (which holds forth on the fine meta-mystical opener "Children of the Sun" and the hollowed-out bliss of "Opium"); it is deeper, richer, more restrained in its delivery, but more powerful because of it. He and Gerrard rarely sing on the same tune. For Gerrard, her instantly recognizable instrument shines forth on "Agape" and "Kiko," with their Arab-scaled strings, dumbeks, ouds, and cymbaloms. The set's finest moment is "Return of the She-King," whose drones, and the processional multi-tracked vocals by Gerrard, are matched by strings, deep tom-toms, swooping ethereal guitars, ouds, and numerous instruments. Perry joins in at the end, and their twin voices meet in a gauzy dexterity and contrast amid a swirl of neo-classical strings. While Anastasis doesn't have any problems per se, it does feel all of a piece, and given the track lengths, they can seem to bleed together. With the exception of the surprising snare cadences on "Children of the Sun," the rhythmic palettes are surprisingly uniform, making the album feel as if it is devoid of a clear center. Anastasis will more than likely please longtime fans -- and to be fair that is who it seems geared to -- rather than win many new ones.
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Product Details

  • Release Date: 8/14/2012
  • Label: Play It Again Sam
  • UPC: 843798000933
  • Catalog Number: 55
  • Sales rank: 8,533

Tracks

Disc 1
  1. 1 Children of The Sun (7:37)
  2. 2 Anabasis (6:52)
  3. 3 Agape (6:55)
  4. 4 Amnesia (6:38)
  5. 5 Kiko (8:02)
  6. 6 Opium (5:46)
  7. 7 Return of The She-King (7:52)
  8. 8 All In Good Time (6:39)
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Album Credits

Performance Credits
Dead Can Dance Primary Artist
Technical Credits
Dead Can Dance Composer, Producer
Brendan Perry Sleeve Design
Aiden Foley Mastering
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Customer Reviews

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Sort by: Showing 1 Customer Review

  • Anonymous

    Posted November 10, 2012

    Dead can dance have always been band that transcends the mindway

    Dead can dance have always been band that transcends the mindways of the musical thresholds. This is journey like no other on this cd that brings the past to present. Music to move your spirit to a higher state of consciousness, an awareness that brings a serenity to the heart and mind. Lisa and Brendan - thank you for the music and the words that will inspire for many man years to come. Just take this cd with you on on next road trip and on a clear evening -- Stop the car look up towards the skies and let your mind travel to places you only dreamed about..... DCD -- music that was built to last and stir the minds of the dreamers....

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Sort by: Showing 1 Customer Review