Ancient Faces: Mummy Portraits in Roman Egypt

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From the first major discoveries a century ago, the painted portraits of Roman Egypt were a revelation to scholars and the public alike, and the recent finding of a new cache of these gilded images, which made national headlines, have only heightened their mystery and appeal. Published to coincide with a new major exhibition of these portraits, Ancient Faces is the most comprehensive, up-to-date survey of these astonishing works of art.

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Overview

From the first major discoveries a century ago, the painted portraits of Roman Egypt were a revelation to scholars and the public alike, and the recent finding of a new cache of these gilded images, which made national headlines, have only heightened their mystery and appeal. Published to coincide with a new major exhibition of these portraits, Ancient Faces is the most comprehensive, up-to-date survey of these astonishing works of art.

Dating from the later period of Roman rule in Egypt, shortly before the birth of Christ, the painted mummy portraits are among the most remarkable products of the ancient world, a fusion of the traditions of pharonic Egypt and the Classical world. They are historical and cultural objects of outstanding importance and beauty, superb works of art that represent some of the earliest known examples of life-like portraiture. Though the subjects of the portraits believed in the traditional Egyptian cults, which offered them a firm prospect of life after death, they also wished to be commemorated in the Roman manner, with their fashion of dress and adornment signaling their status in life. Despite their ancient history, these portraits speak to the modern eye with a beauty and intensity that would be lost to portraiture until the Renaissance.
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Editorial Reviews

Library Journal
When Rome conquered Egypt, two great cultures combined, taking some of the best qualities of each to form an amalgam. The Egyptian belief in the afterlife held strong appeal, but so did the Roman practice of portraiture. As a result, portrait painting was added to traditional Egyptian funerary practices to produce the unique and haunting "mummy portraits," some of the earliest portraits still in existence. The first "ancient faces" exhibit appeared at the British Museum in 1997. When the Metropolitan Museum of Art decided to do its own version, it expanded on the original core group of portraits by adding material from European and North American collections. Walker, deputy keeper of Greek and Roman Antiquities at the British Museum, edited the catalog for both shows. Consequently, they are very similar in most respects; five of the seven essays in this volume appeared first in the British catalog. Recommended for academic and larger public libraries not owning the British catalog.--Mary Morgan Smith, Northland P.L., Pittsburgh Copyright 2000 Cahners Business Information.\
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Product Details

Meet the Author

Susan Walker is Deputy Keeper of the Department of Greek and Roman Antiquities, the British Museum. Her publications include Greek and Roman Portraits and Roman Art.

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Table of Contents

Acknowledgements 6
Director's Foreword 7
Map 8
Before the Portraits: Burial Practices in Pharaonic Egypt 9
Graeco-Roman Portraiture 14
Mummy Portraits and Roman Portraiture 23
The Fayum and its People 26
Technique 30
The Discovery of the Mummy Portraits 32
A Note on the Dating of Mummy Portraits 34
Portraits and Mummies from Hawara 38
Gilded Masks from Hawara 66
Portraits from er-Rubayat (Philadelphia) 69
Portraits from Antinoopolis and other Sites 88
Portraits of Technical Interest 120
Pagan Icons 124
Portraits on Painted Plaster Masks 128
Stone Funerary Stelae 141
Portraits of the Later Third Century A.D. from Dier el-Bahri and Antinoopolis 145
The Cultural and Archaeological Context 149
Select Bibliography 161
Glossary 163
Egyptian Deities and Chronology 164
Lenders to the Exhibition and Photographic Acknowledgements 165
Concordance of Catalogue and Museum Numbers 166
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