Ancillary Justice

( 26 )

Overview

Winner of the Nebula, British Science Fiction, Locus and Arthur C. Clarke Awards, nominated for the Hugo and Philip K. Dick Awards.

On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest.

Once, she was the Justice of Toren - a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy.

...

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Overview

Winner of the Nebula, British Science Fiction, Locus and Arthur C. Clarke Awards, nominated for the Hugo and Philip K. Dick Awards.

On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest.

Once, she was the Justice of Toren - a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy.

Now, an act of treachery has ripped it all away, leaving her with one fragile human body, unanswered questions, and a burning desire for vengeance.

Winner of the 2013 Nebula Award for Best Novel
Winner of the 2014 Arthur C. Clarke Award

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Editorial Reviews

Publishers Weekly
An ill-fated encounter has forced Breq, the AI commanding the Radchaai troop carrier Justice of Toren, to take up residence in a single commandeered human body, impressive but mortal and no more powerful than any other person. Now this sorry wanderer searches the galaxy for a legendary weapon that may be able to do the impossible: grant Breq revenge on Anaander Mianaai, the many-bodied, immortal ruler of the brutal Radch. A double-threaded narrative proves seductive, drawing the reader into the naïve but determined protagonist’s efforts to transform an unjust universe. Leckie uses familiar set pieces—an expansionist galaxy-spanning empire, a protagonist on a single-minded quest for justice—to transcend space-opera conventions in innovative ways. This impressive debut succeeds in making Breq a protagonist readers will invest in, and establishes Leckie as a talent to watch closely. (Oct.)
John Scalzi
"Unexpected, compelling and very cool. Ann Leckie nails it...I've never met a heroine like Breq before. I consider this a very good thing indeed."
From the Publisher
"Unexpected, compelling and very cool. Ann Leckie nails it...I've never met a heroine like Breq before. I consider this a very good thing indeed."—John Scalzi

"Ancillary Justice is the mind-blowing space opera you've been needing...This is a novel that will thrill you like the page-turner it is, but stick with you for a long time afterward."—i09.com (included in 'This Fall's Must-Read Science Fiction and Fantasy Books')

"It's not every day a debut novel by an author you'd never heard of before derails your entire afternoon with its brilliance. But when my review copy of Ancillary Justice arrived, that's exactly what it did. In fact, it arrowed upward to reach a pretty high position on my list of best space opera novels ever."—Liz Bourke, Tor.com

"Establishes Leckie as an heir to Banks and Cherryh."—Elizabeth Bear

"A double-threaded narrative proves seductive, drawing the reader into the naive but determined protagonist's efforts to transform an unjust universe. Leckie uses...an expansionist galaxy-spinning empire [and] a protagonist on a single-minded quest for justice to transcend space-opera conventions in innovative ways. This impressive debut succeeds in making Breq a protagonist readers will invest in, and establishes Leckie as a talent to watch."—Publishers Weekly

"By turns thrilling, moving and awe-inspiring."—The Guardian

"Leckie does a very good job of setting this complex equation up... This is an altogether promising debut."—Kirkus

"Using the format of SF military adventure blended with hints of space opera, Leckie explores the expanded meaning of human nature and the uneasy balance between individuality and membership in a group identity. Leckie is a newcomer to watch as she expands on the history and future of her new and exciting universe."—Library Journal

"Leckie's debut gives casual and hardcore sci-fi fans alike a wonderful read."—RT Book Reviews

"A sharply written space opera with a richly imagined sense of detail and place, this debut novel from Ann Leckie works as both an evocative science fiction tale and an involving character study...it's also a strongly female-driven piece, tackling ideas about politics and gender in a way that's both engaging and provocative...Ancillary Justice is a gripping read that's well worth a look."—SFX (UK)

"It engages, it excites, and it challenges the way the reader views our world. Leckie may be a former Secretary of the Science Fiction Writers of America, but she's the President of this year's crop of debut novelists. Ancillary Justice might be the best science fiction novel of this very young decade."—Justin Landon Staffer's Book Review

"Total gamechanger. Get it, read it, wish to hell you'd written it. Ann
Leckie's Ancillary Justice may well be the most important book Orbit have published in ages."—Paul Graham Raven

"The sort of book that the Clarke Award wishes it had last year ... be prepared to see Ancillary Justice bandied around a lot come awards season. (As it should be)."—Jared Shurin Pornokitsch

i09
"We are incredibly excited about this first novel from Leckie."
Staffer's Book Review
"Ancillary Justice might be the best science fiction novel of this very young decade."
Liz Bourke
"It's not every day a debut novel by an author you'd never heard of before derails your entire afternoon with its brilliance. But when my review copy of Ancillary Justice arrived, that's exactly what it did. In fact, it arrowed upward to reach a pretty high position on my list of best space opera novels ever."
i09.com (included in 'This Fall's Must-Read Science Fiction and Fantasy Books')
"Ancillary Justice is the mind-blowing space opera you've been needing...This is a novel that will thrill you like the page-turner it is, but stick with you for a long time afterward."
Elizabeth Bear
"Establishes Leckie as an heir to Banks and Cherryh."
RT Book Reviews
"Leckie's debut gives casual and hardcore sci-fi fans alike a wonderful read."
SFX (UK)
"A sharply written space opera with a richly imagined sense of detail and place, this debut novel from Ann Leckie works as both an evocative science fiction tale and an involving character study...it's also a strongly female-driven piece, tackling ideas about politics and gender in a way that's both engaging and provocative...Ancillary Justice is a gripping read that's well worth a look."
Justin Landon Staffer's Book Review
"It engages, it excites, and it challenges the way the reader views our world. Leckie may be a former Secretary of the Science Fiction Writers of America, but she's the President of this year's crop of debut novelists. Ancillary Justice might be the best science fiction novel of this very young decade."
Paul Graham Raven
"Total gamechanger. Get it, read it, wish to hell you'd written it. Ann
Leckie's Ancillary Justice may well be the most important book Orbit have published in ages."
Jared Shurin Pornokitsch
"The sort of book that the Clarke Award wishes it had last year ... be prepared to see Ancillary Justice bandied around a lot come awards season. (As it should be)."
The Guardian
"By turns thrilling, moving and awe-inspiring."
Kirkus Reviews
2013-09-01
In which a zombie imperialist space cop gets caught up in a complex plot to--well, this enjoyable sci-fi outing gets even more complicated than all that. Those who have seen the film Event Horizon will remember that a starship that got caught up in a time-space-continuum eddy got all, well, weird--or, as its creator puts it, "[w]hen she crossed over, she was just a ship. But when she came back--she was alive!" Debut novelist Leckie's premise dips into the same well, only her spaceship has become, over thousands of years, a sort-of human that is also a sort-of borg made up of interchangeable-parts-bearing dead people. Breq, aka One Esk, aka Justice of Toren, has his/her/its work cut out for him/her/it: There's a strange plot afoot in the far-flung Radch, and it's about to make Breq violate the prime directive, or whatever the Radchaai call the rule that says that multisegmented, ancillary humanoids are not supposed to shoot their masters, no matter how bad their masters might be. Leckie does a very good job of setting this complex equation up in not many pages, letting detail build on detail, as when Breq finds--well, let's say "herself" for the moment--in an increasingly tangled conspiracy that involves the baddest guy of all, the even more multifaceted head honcho of the Radch. As the action picks up, one just knows there's going to be some battering and bruising out on the shoulder of Orion. Leckie's novel cast of characters serves her well-plotted story nicely. This is an altogether promising debut.
Library Journal
★ 09/15/2013
Years ago, a soldier called Breq was one part of the starship Justice of Toren, whose artificial intelligence (AI) expressed itself in thousands of corpse soldiers serving the empire of the Radch. Now an act of treachery has left Breq with a single fragile human body and an unquenchable desire for revenge against the Lord of the Radch, a multibodied intelligence known as Anaander Mianaai. Leckie's debut constructs a far-future world with a heroine who, despite her apparent lack of individuality, nevertheless grows increasingly human as her search for justice takes her into close contact withboth allies and enemies. Using the format of sf military adventure blended with hints of space opera, Leckie explores the expanded meaning of human nature and the uneasy balance between individuality and membership in a group identity. VERDICT Leckie is a newcomer to watch as she expands on the history and future of her new and exciting universe. [Previewed in Kristi Chadwick's Genre Spotlight feature "New Worlds To Explore," [ow.ly/odoSr] LJ 8/13.—Ed.]
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Product Details

  • ISBN-13: 9780316246620
  • Publisher: Orbit
  • Publication date: 10/1/2013
  • Series: Imperial Radch Series
  • Pages: 416
  • Sales rank: 1,338
  • Product dimensions: 5.74 (w) x 8.20 (h) x 1.13 (d)

Meet the Author

Ann Leckie

Ann Leckie has worked as a waitress, a receptionist, a rodman on a land-surveying crew, a lunch lady, and a recording engineer. The author of many published short stories, and former secretary of the Science Fiction Writers of America, she lives in St. Louis, Missouri, with her husband, children, and cats.

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Read an Excerpt

Ancillary Justice


By Ann Leckie

Orbit

Copyright © 2013 Ann Leckie
All rights reserved.
ISBN: 978-0-316-24662-0



CHAPTER 1

The body lay naked and facedown, a deathly gray, spatters of blood staining the snow around it. It was minus fifteen degrees Celsius and a storm had passed just hours before. The snow stretched smooth in the wan sunrise, only a few tracks leading into a nearby ice-block building. A tavern. Or what passed for a tavern in this town.

There was something itchingly familiar about that outthrown arm, the line from shoulder down to hip. But it was hardly possible I knew this person. I didn't know anyone here. This was the icy back end of a cold and isolated planet, as far from Radchaai ideas of civilization as it was possible to be. I was only here, on this planet, in this town, because I had urgent business of my own. Bodies in the street were none of my concern.

Sometimes I don't know why I do the things I do. Even after all this time it's still a new thing for me not to know, not to have orders to follow from one moment to the next. So I can't explain to you why I stopped and with one foot lifted the naked shoulder so I could see the person's face.

Frozen, bruised, and bloody as she was, I knew her. Her name was Seivarden Vendaai, and a long time ago she had been one of my officers, a young lieutenant, eventually promoted to her own command, another ship. I had thought her a thousand years dead, but she was, undeniably, here. I crouched down and felt for a pulse, for the faintest stir of breath.

Still alive.

Seivarden Vendaai was no concern of mine anymore, wasn't my responsibility. And she had never been one of my favorite officers. I had obeyed her orders, of course, and she had never abused any ancillaries, never harmed any of my segments (as the occasional officer did). I had no reason to think badly of her. On the contrary, her manners were those of an educated, well-bred person of good family. Not toward me, of course—I wasn't a person, I was a piece of equipment, a part of the ship. But I had never particularly cared for her.

I rose and went into the tavern. The place was dark, the white of the ice walls long since covered over with grime or worse. The air smelled of alcohol and vomit. A barkeep stood behind a high bench. She was a native—short and fat, pale and wide-eyed. Three patrons sprawled in seats at a dirty table. Despite the cold they wore only trousers and quilted shirts—it was spring in this hemisphere of Nilt and they were enjoying the warm spell. They pretended not to see me, though they had certainly noticed me in the street and knew what motivated my entrance. Likely one or more of them had been involved; Seivarden hadn't been out there long, or she'd have been dead.

"I'll rent a sledge," I said, "and buy a hypothermia kit."

Behind me one of the patrons chuckled and said, voice mocking, "Aren't you a tough little girl."

I turned to look at her, to study her face. She was taller than most Nilters, but fat and pale as any of them. She out-bulked me, but I was taller, and I was also considerably stronger than I looked. She didn't realize what she was playing with. She was probably male, to judge from the angular mazelike patterns quilting her shirt. I wasn't entirely certain. It wouldn't have mattered, if I had been in Radch space. Radchaai don't care much about gender, and the language they speak—my own first language—doesn't mark gender in any way. This language we were speaking now did, and I could make trouble for myself if I used the wrong forms. It didn't help that cues meant to distinguish gender changed from place to place, sometimes radically, and rarely made much sense to me.

I decided to say nothing. After a couple of seconds she suddenly found something interesting in the tabletop. I could have killed her, right there, without much effort. I found the idea attractive. But right now Seivarden was my first priority. I turned back to the barkeep.

Slouching negligently she said, as though there had been no interruption, "What kind of place you think this is?"

"The kind of place," I said, still safely in linguistic territory that needed no gender marking, "that will rent me a sledge and sell me a hypothermia kit. How much?"

"Two hundred shen." At least twice the going rate, I was sure. "For the sledge. Out back. You'll have to get it yourself. Another hundred for the kit."

"Complete," I said. "Not used."

She pulled one out from under the bench, and the seal looked undamaged. "Your buddy out there had a tab."

Maybe a lie. Maybe not. Either way the number would be pure fiction. "How much?"

"Three hundred fifty."

I could find a way to keep avoiding referring to the barkeep's gender. Or I could guess. It was, at worst, a fifty-fifty chance. "You're very trusting," I said, guessing male, "to let such an indigent"—I knew Seivarden was male, that one was easy—"run up such a debt." The barkeep said nothing. "Six hundred and fifty covers all of it?"

"Yeah," said the barkeep. "Pretty much."

"No, all of it. We will agree now. And if anyone comes after me later demanding more, or tries to rob me, they die."

Silence. Then the sound behind me of someone spitting. "Radchaai scum."

"I'm not Radchaai." Which was true. You have to be human to be Radchaai.

"He is," said the barkeep, with the smallest shrug toward the door. "You don't have the accent but you stink like Radchaai."

"That's the swill you serve your customers." Hoots from the patrons behind me. I reached into a pocket, pulled out a handful of chits, and tossed them on the bench. "Keep the change." I turned to leave.

"Your money better be good."

"Your sledge had better be out back where you said." And I left.

The hypothermia kit first. I rolled Seivarden over. Then I tore the seal on the kit, snapped an internal off the card, and pushed it into her bloody, half- frozen mouth. Once the indicator on the card showed green I unfolded the thin wrap, made sure of the charge, wound it around her, and switched it on. Then I went around back for the sledge.

No one was waiting for me, which was fortunate. I didn't want to leave bodies behind just yet, I hadn't come here to cause trouble. I towed the sledge around front, loaded Seivarden onto it, and considered taking my outer coat off and laying it on her, but in the end I decided it wouldn't be that much of an improvement over the hypothermia wrap alone. I powered up the sledge and was off.

I rented a room at the edge of town, one of a dozen two-meter cubes of grimy, gray-green prefab plastic. No bedding, and blankets cost extra, as did heat. I paid—I had already wasted a ridiculous amount of money bringing Seivarden out of the snow.

I cleaned the blood off her as best I could, checked her pulse (still there) and temperature (rising). Once I would have known her core temperature without even thinking, her heart rate, blood oxygen, hormone levels. I would have seen any and every injury merely by wishing it. Now I was blind. Clearly she'd been beaten—her face was swollen, her torso bruised.

The hypothermia kit came with a very basic corrective, but only one, and only suitable for first aid. Seivarden might have internal injuries or severe head trauma, and I was only capable of fixing cuts or sprains. With any luck, the cold and the bruises were all I had to deal with. But I didn't have much medical knowledge, not anymore. Any diagnosis I could make would be of the most basic sort.

I pushed another internal down her throat. Another check—her skin was no more chill than one would expect, considering, and she didn't seem clammy. Her color, given the bruises, was returning to a more normal brown. I brought in a container of snow to melt, set it in a corner where I hoped she wouldn't kick it over if she woke, and then went out, locking the door behind me.

The sun had risen higher in the sky, but the light was hardly any stronger. By now more tracks marred the even snow of last night's storm, and one or two Nilters were about. I hauled the sledge back to the tavern, parked it behind. No one accosted me, no sounds came from the dark doorway. I headed for the center of town.

People were abroad, doing business. Fat, pale children in trousers and quilted shirts kicked snow at each other, and then stopped and stared with large surprised-looking eyes when they saw me. The adults pretended I didn't exist, but their eyes turned toward me as they passed. I went into a shop, going from what passed for daylight here to dimness, into a chill just barely five degrees warmer than outside.

A dozen people stood around talking, but instant silence descended as soon as I entered. I realized that I had no expression on my face, and set my facial muscles to something pleasant and noncommittal.

"What do you want?" growled the shopkeeper.

"Surely these others are before me." Hoping as I spoke that it was a mixed- gender group, as my sentence indicated. I received only silence in response. "I would like four loaves of bread and a slab of fat. Also two hypothermia kits and two general-purpose correctives, if such a thing is available."

"I've got tens, twenties, and thirties."

"Thirties, please."

She stacked my purchases on the counter. "Three hundred seventy-five." There was a cough from someone behind me—I was being overcharged again.

I paid and left. The children were still huddled, laughing, in the street. The adults still passed me as though I weren't there. I made one more stop—Seivarden would need clothes. Then I returned to the room.

Seivarden was still unconscious, and there were still no signs of shock as far as I could see. The snow in the container had mostly melted, and I put half of one brick-hard loaf of bread in it to soak.

A head injury and internal organ damage were the most dangerous possibilities. I broke open the two correctives I'd just bought and lifted the blanket to lay one across Seivarden's abdomen, watched it puddle and stretch and then harden into a clear shell. The other I held to the side of her face that seemed the most bruised. When that one had hardened, I took off my outer coat and lay down and slept.

Slightly more than seven and a half hours later, Seivarden stirred and I woke. "Are you awake?" I asked. The corrective I'd applied held one eye closed, and one half of her mouth, but the bruising and the swelling all over her face was much reduced. I considered for a moment what would be the right facial expression, and made it. "I found you in the snow, in front of a tavern. You looked like you needed help." She gave a faint rasp of breath but didn't turn her head toward me. "Are you hungry?" No answer, just a vacant stare. "Did you hit your head?"

"No," she said, quiet, her face relaxed and slack.

"Are you hungry?"

"No."

"When did you eat last?"

"I don't know." Her voice was calm, without inflection.

I pulled her upright and propped her against the gray-green wall, gingerly, not wanting to cause more injury, wary of her slumping over. She stayed sitting, so I slowly spooned some bread-and-water mush into her mouth, working cautiously around the corrective. "Swallow," I said, and she did. I gave her half of what was in the bowl that way and then I ate the rest myself, and brought in another pan of snow.

She watched me put another half-loaf of hard bread in the pan, but said nothing, her face still placid. "What's your name?" I asked. No answer.

She'd taken kef, I guessed. Most people will tell you that kef suppresses emotion, which it does, but that's not all it does. There was a time when I could have explained exactly what kef does, and how, but I'm not what I once was.

As far as I knew, people took kef so they could stop feeling something. Or because they believed that, emotions out of the way, supreme rationality would result, utter logic, true enlightenment. But it doesn't work that way.

Pulling Seivarden out of the snow had cost me time and money that I could ill afford, and for what? Left to her own devices she would find herself another hit or three of kef, and she would find her way into another place like that grimy tavern and get herself well and truly killed. If that was what she wanted I had no right to prevent her. But if she had wanted to die, why hadn't she done the thing cleanly, registered her intention and gone to the medic as anyone would? I didn't understand.

There was a good deal I didn't understand, and nineteen years pretending to be human hadn't taught me as much as I'd thought.

CHAPTER 2

Nineteen years, three months, and one week before I found Seivarden in the snow, I was a troop carrier orbiting the planet Shis'urna. Troop carriers are the most massive of Radchaai ships, sixteen decks stacked one on top of the other. Command, Administrative, Medical, Hydroponics, Engineering, Central Access, and a deck for each decade, living and working space for my officers, whose every breath, every twitch of every muscle, was known to me.

Troop carriers rarely move. I sat, as I had sat for most of my two-thousand-year existence in one system or another, feeling the bitter chill of vacuum outside my hull, the planet Shis'urna like a blue-and-white glass counter, its orbiting station coming and going around, a steady stream of ships arriving, docking, undocking, departing toward one or the other of the buoy-and beacon-surrounded gates. From my vantage the boundaries of Shis'urna's various nations and territories weren't visible, though on its night side the planet's cities glowed bright here and there, and webs of roads between them, where they'd been restored since the annexation.

I felt and heard—though didn't always see—the presence of my companion ships—the smaller, faster Swords and Mercies, and most numerous at that time, the Justices, troop carriers like me. The oldest of us was nearly three thousand years old. We had known each other for a long time, and by now we had little to say to each other that had not already been said many times. We were, by and large, companionably silent, not counting routine communications.

As I still had ancillaries, I could be in more than one place at a time. I was also on detached duty in the city of Ors, on the planet Shis'urna, under the command of Esk Decade Lieutenant Awn.

Ors sat half on waterlogged land, half in marshy lake, the lakeward side built on slabs atop foundations sunk deep in the marsh mud. Green slime grew in the canals and joints between slabs, along the lower edges of building columns, on anything stationary the water reached, which varied with the season. The constant stink of hydrogen sulfide only cleared occasionally, when summer storms made the lakeward half of the city tremble and shudder and walkways were knee- deep in water blown in from beyond the barrier islands. Occasionally. Usually the storms made the smell worse. They turned the air temporarily cooler, but the relief generally lasted no more than a few days. Otherwise, it was always humid and hot.

I couldn't see Ors from orbit. It was more village than city, though it had once sat at the mouth of a river, and been the capital of a country that stretched along the coastline. Trade had come up and down the river, and flat-bottomed boats had plied the coastal marsh, bringing people from one town to the next. The river had shifted away over the centuries, and now Ors was half ruins. What had once been miles of rectangular islands within a grid of channels was now a much smaller place, surrounded by and interspersed with broken, half-sunken slabs, sometimes with roofs and pillars, that emerged from the muddy green water in the dry season. It had once been home to millions. Only 6,318 people had lived here when Radchaai forces annexed Shis'urna five years earlier, and of course the annexation had reduced that number. In Ors less than in some other places: as soon as we had appeared—myself in the form of my Esk cohorts along with their decade lieutenants lined up in the streets of the town, armed and armored—the head priest of Ikkt had approached the most senior officer present—Lieutenant Awn, as I said—and offered immediate surrender. The head priest had told her followers what they needed to do to survive the annexation, and for the most part those followers did indeed survive. This wasn't as common as one might think—we always made it clear from the beginning that even breathing trouble during an annexation could mean death, and from the instant an annexation began we made demonstrations of just what that meant widely available, but there was always someone who couldn't resist trying us.


(Continues...)

Excerpted from Ancillary Justice by Ann Leckie. Copyright © 2013 Ann Leckie. Excerpted by permission of Orbit.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Customer Reviews

Average Rating 4.5
( 26 )
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See All Sort by: Showing 1 – 20 of 26 Customer Reviews
  • Anonymous

    Posted October 6, 2013

    I'm not certain this will be the Hugo winner in 2014, but I feel

    I'm not certain this will be the Hugo winner in 2014, but I feel confident in predicting that this will be one of the finalists.

    Leckie has crafted a gripping space opera story while updating the genre with modern SF sensibilities. She seamlessly integrates her flashback story structure with well-executed immersion into the universe of the Radcha. There's more than a few "We aren't in Kansas anymore" moments scattered throughout the novel which, rather than breaking that immersion, help add to the feeling of being in this place and time.

    Her treatment of gender and sexuality is both front and center, but never overbearing. This is partly accomplished by skimping on the physical descriptions of the characters, both primary and secondary, made possible by the unique viewpoint character. She also deftly handles the novel concept of that viewpoint character being, at times simultaneously, a single individual, a gestalt mind bridging 20 individual bodies, and a starship. The story is brought to a satisfying conclusion, but it's clear she has more to tell us about this person and this world; I look forward to seeing the remainder of the tale unfold.

    10 out of 10 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted December 4, 2013

    more from this reviewer

    It is no small feat that this is a novel narrated by a selfless

    It is no small feat that this is a novel narrated by a selfless AI who is also the most poignant personality. For me, books have flavors, superficial resonances that can usually be expressed verbally as “this books reminds me of FOO, but with BAR.”

    What Ann Leckie has accomplished in her debut novel is to give us a story that has all of the flavor markers and hallmarks of a classic C. J. Cherryh novel from the 1980’s, with the poignancy of a contemporary story. The novel is first and foremost a top notched space opera. But what has been fascinating for readers is that the language Leckie has chosen to use bring up questions of gender. This is certainly not the first book to talk to gender – even LeGuinn’s Left Hand of Darkness wasn’t the first genre book to go there. Leckie’s fresh approach, though, is in giving us a future society where gender is rendered equal not by neutering it, but by neutralizing it. By removing the bisect of male and female and using only the female gender to reference everything, the society of the Radch blurs the line. By submerging Breq, our AI product of Radch society, into other cultures, we begin to see the how arbitrary some attributes of gender are, and how much they can complicate what should otherwise be a simple worldview.

    One of the oldest tales is the tale of vengeance. What is justice, then, but vengeance wrought legal? But what if the system, the ruling mind that defines what is right and legal, is itself what has gone awry? Is the vengeance of ancillary component still justice? I am probably reading too much into this play of words between the title and the straightforward goal of Breq, but these are the kinds of thoughts you have when reading Ancillary Justice. Its really refreshing to find a book that satisfies both my simple interests (Space Opera with boom!) while still being thought provoking.

    And there was plenty of explosions and gun play. Just in case you were worried.

    Ancillary Justice was a wonderful read, and I look forward to more in this series.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted June 14, 2014

    Not bad at all...

    I began reading this in fits and spurts, which is not the best way to start any book, but about a third of the way through I finally wrapped my head around who and what the main character was and really started enjoying it.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 23, 2014

    Wow, a super book. It is one of the most creative premises for a

    Wow, a super book. It is one of the most creative premises for a sci-fi book I've read. I'm always a little afraid before starting a sci-fi book that it will be a little childish. But, this is no kids book, and I don't mean it's violent or has sex, but if you want a realistic look into what society may look like in the far future, then Ann Leckie has nailed it.

    Then throw in some intrigue, excitement, engaging characters... all while maintaining realistic science based writing... and you've got a winner.

    I know I liked a book, when I find myself missing the characters when I'm done. So, please Ms. Leckie start/finish the next book.

    1 out of 2 people found this review helpful.

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  • Posted April 9, 2014

    Brilliant. But, flawed. Deserving of a Hugo and Nebula award for

    Brilliant. But, flawed. Deserving of a Hugo and Nebula award for it's magnificent world building and uniqueness, but sometimes it just hurt my poor feeble brain trying to figure out what was going on. Like Alistair Reynolds' early books, I enjoyed my confusion. Hopefully, like Reynolds later books, she'll clue us lesser minds into what's going on. I'll keep reading her cause I'd rather be challenged than spoken down to.

    1 out of 2 people found this review helpful.

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  • Posted February 19, 2014

    I received a free early review copy of Ancillary Justice, and I'

    I received a free early review copy of Ancillary Justice, and I'm so glad that happened! The description had sounded interesting, and it definitely turned out to be my type of book. Leckie creates just enough mystery surrounding One Esk and Justice of Toren to keep you interested, but there are enough flash backs to help answer those questions when the timing is right. There's no sense of "too much suspense" or "too many questions"; it's nicely balanced. There is a large span of time covered, but handled in such a way that you don't feel as though you have missed anything significant. I really liked Breq/One Esk as a heroine, and Sieverian grew on me over time. This world of 1000 year old starships and their ancillaries fascinates me - excited that book 2 is available for pre-order and can't wait for it to be released in the fall!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 4, 2014

    What a book!

    Seriously, the only thing I could think while reading this book was: "how interesting!" This was such a different reading experience than I have ever had. Yes, in one sense it was standard science Fiction fare: huge, evil empire taking over space, group of rag tag heroes fighting the good fight against the on evil...and of course lots of spaceships and AI action, but what stood out the most for me was the society/world created.

    The main society in the book, is gender neutral, or more accurately, its default seems to be female. Everyone is referred to as SHE. They do not concern themselves with gender identifiers...so the default pronoun for everyone is she. So while reading the book, there were several points where I was still unsure what gender, as I know it based on my understanding, the main character was or any of the other characters. And at various points in the book, in my head...they switched back and forth based on the scene. One minute I am imagine a girl and the next, I see a male. Only during travels to other world where they do note gender do we have some hint of the physical appearance of the character, but mainly it is all ambiguous and could describe any gender. But it worked, because really...their gender did not matter. The actions of the main character, her heroics, her morals and drive, would still be her character whether she was "male" or "female." Being on or the other did not take away from you, the reader relating to her and rooting for her. And that is the point isn't it? That was the goal of the author no doubt, whether conscious or not, to make the statement that if we did not focus on so much on gender and it was not such a huge indicator in our society, it would be easier to understand that is really in the long run makes no difference as far as character. The brave will be brave; cowards will be cowards, and the crazy will be crazy. We are who we are based on our collective experience, not our gender. It is very refreshing.

    I know many people who won't read a book...because the main lead is a female, and lesser a male. They miss out on good stories and characters because of their gender bias.....both type would enjoy this tale, because it really doesn't matter once the story is told and you start rooting for Breq, or One Esk. So this makes for an interesting reading experience, and ultimately enjoyable. This was an A for sure.

    I am looking forward to reading the sequels and I hope One Esk, now that his main goal is complete, find another reason to live. Maybe some personal developments…like a romance? I see hints of some things to come and I hope I'm right. *rubs hands in glee* I

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 24, 2013

    A less than 300 page book that feels longer than War and Peace.

    I want to say this thing moves at a glacial pace, but that's not quite right. This thing moves at a pace that makes a glacier look like it could out run a cheetah. This is the most boring story of revenge I've ever encountered. Our point of view character is flat. Locations get more descriptive text than any of the characters because the author is trying to do something "interesting" with a society that doesn't place emphasis on gender. If I may borrow from a quote from Roald Dahl, she "gobblefunks around with words" so much that what I guess will be an important detail for the series going forward went sailing right over my head until someone pointed it out in a discussion thread. And yes, this is the first book in a series. So, while in the past I've given an point to books that pull out of the nose dive in the last chapter or two, here it feels like the author desperately trying to add something to hook the audience into buying the next one.

    It's not a good sign when an author puts the two lead characters in a life threatening situation, and my hope is that we'll get a good enough description of their corpses and the crater they'll leave. I should have listened to my instincts and abandoned the book when that didn't happen.

    1 out of 5 people found this review helpful.

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  • Anonymous

    Posted November 19, 2013

    Fantastic and unique

    An utterly entertaining scifi novel, which does what scifi is supposed to do, provide the reader with a unique conception of a future society while challenging our own understanding of life. The philosophical question of self/identity, spread throughout the book is well done and of course the plot is fun. A new protagonist that sticks out among the crowd of tropes endemic in so many works. One of the best books all year, the only drawback is having to wait for more. Highly recommended.

    1 out of 1 people found this review helpful.

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  • Posted June 21, 2014

    Unusual settings and characters, all well-constructed.  This is

    Unusual settings and characters, all well-constructed.  This is not an easy-read, a bit confusing at the start as the characters are reveal, but well worth the work of continuing on.  I am very much looking forward to the next book.

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  • Anonymous

    Posted May 29, 2014

    Dont know what the fuss is all about

    Peter f. Hamilton's commonwealth books are amazing. Dan Simmons Hyperion books were really good too. Vernor Vinge Deepness in the Sky omg. This.......... I dont get it. I've never disagreed with other reader's reviews before but this is not great writing.

    0 out of 1 people found this review helpful.

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  • Posted March 16, 2014

    Somehow it kept reminding me of Apocalypse Now. A large part of

    Somehow it kept reminding me of Apocalypse Now. A large part of the story takes place with some low level military officers trying to solve a complex political situation that is way over their heads.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 26, 2014

    Strong narrative thread and intriguing worlds. I bought it on a

    Strong narrative thread and intriguing worlds. I bought it on a flyer and now I'm looking for the next one!

    0 out of 1 people found this review helpful.

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  • Posted January 16, 2014

    This is, without a doubt, one of the best books I've ever read.

    This is, without a doubt, one of the best books I've ever read. I loved the characters, the world-building and the skill with which the author hooked me and made the story come to life.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 5, 2014

    If you like The Left Hand of Darkness

    I bet you will like this.

    0 out of 2 people found this review helpful.

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    Posted July 21, 2014

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    Posted August 20, 2014

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    Posted March 29, 2014

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    Posted May 29, 2014

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    Posted October 16, 2013

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