And Justice There Is None (Duncan Kincaid and Gemma James Series #8)

And Justice There Is None (Duncan Kincaid and Gemma James Series #8)

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by Deborah Crombie

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Award-winning author Deborah Crombie has elevated the modern mystery novel to new heights of human drama and multilayered suspense with her critically acclaimed tales of intrigue featuring Scotland Yard Detective Superintendent Duncan Kincaid and Sergeant Gemma James. In their latest outing, Kincaid and his former partner--and soon-to-be roommate--follow a twisting


Award-winning author Deborah Crombie has elevated the modern mystery novel to new heights of human drama and multilayered suspense with her critically acclaimed tales of intrigue featuring Scotland Yard Detective Superintendent Duncan Kincaid and Sergeant Gemma James. In their latest outing, Kincaid and his former partner--and soon-to-be roommate--follow a twisting trail of rage and retribution whose buried roots are about to exact a deadly toll on the living.

And Justice There is None

Gemma James is adjusting to professional and personal changes that include her eagerly sought promotion to the rank of inspector--and a future now intricately entwined with Duncan Kincaid. But her new responsibilities are put to the test when she is placed in charge of a particularly brutal homicide: The lovely young wife of a wealthy antiques dealer has been found murdered on fashionable Notting Hill.

Dawn Arrowood was six weeks pregnant. Her lover, Alex Dunn, a porcelain dealer in London’s bustling Portobello Market, appears absolutely devastated by her death, but Gemma’s the main focus of investigation is soon Karl Arrowood, who had the most powerful motive for killing his unfaithful wife. But this case sets off warning bells for Duncan: it’s far too similar to an unsolved murder in which an antiques dealer was killed in precisely the same way and when the escalating violence claims yet another victim, he and Gemma find themselves at increasing odds with each other--as two separate investigations become linked in the most startling of ways. Their hunt for a killer will traverse the teeming stalls of the city’s antiques markets to a decades-in-the-making vendetta of history and hatred that has been honed to a flawless, deadly point. To solve this case, Gemma and Duncan must walk a merciless razor’s edge through a place where true justice will be a long time coming.

Editorial Reviews

Scotland Yard's Superintendent Duncan Kincaid and newly promoted Inspector Gemma James have just settled into a life together in London's Notting Hill when an antique dealer's wealthy wife dies nearby. Was the lovely young victim murdered by her jealous husband? Or this case somehow connected with an unsolved homicide that Duncan had investigated? This skillful novel bears comparison with the British police procedurals of P. D. James and Elizabeth George.
Publishers Weekly
There's more truth than humor in Crombie's eighth thriller set in contemporary London. When someone does in Dawn Arrowood, the young, pregnant wife of a wealthy antiques dealer, in her soign Notting Hill home, Inspector Gemma James is put in charge of the investigation. Gemma's lover, Det. Supt. Duncan Kincaid, believes the murder is the work of a serial killer, but Gemma suspects the victim's husband, Karl Arrowood. Despite their combined efforts, the slasher strikes again. Fearful of igniting a new Jack the Ripper-style panic, Duncan and Gemma soon find themselves at odds when their investigations become linked in startling, unexpected ways, culminating in an exciting denouement with serious undercurrents. Crombie keeps the action moving throughout, providing a cook's tour of London, from Tower Bridge to Portobello Market, as well as plenty of gruesome detail ("Kincaid felt the bile rise in the back of his throat as he squatted, using his pocket torch to illuminate Dawn Arrowood's motionless form"). There's some amusing sociological commentary interspersed throughout, plus the occasional frisson ("A jogger brushed past, startling him a tall, slender, hooded figure. Alex felt a shock of familiarity, but when he turned, the man had vanished"). The result is a competently plotted, reasonably engaging mystery that blazes no new pathways, but keeps the reader involved all the way to its predictably sanguinary conclusion. (Sept. 3) FYI: The author has been nominated for Edgar, Agatha and Macavity awards. The Independent Mystery Booksellers Association named Crombie's Dreaming of the Bones one of the 20th century's best mystery novels. Copyright 2002 Cahners Business Information.
Library Journal
In Crombie's eighth masterly police procedural featuring Scotland Yard Superintendent Duncan Kincaid and Inspector Gemma James, the pair's relationship deepens. With the progression of Gemma's pregnancy (revealed in A Finer End), they consolidate households while working together to solve three murders. Dawn Arrowood, wife of prominent Notting Hill antiques dealer Karl, 25 years her senior, is newly pregnant and is having an affair when she is killed (her throat cut, her lung pierced) outside her home. It's no longer an isolated case when Kincaid finds similarities in the murder of antiques dealer Marianne Hoffman two months earlier, and police lose a prime suspect when Karl himself is found dead. The earlier history of a young woman, threaded through the narrative, becomes part of the intricate weave of the lives of the small cast of characters and the revelation of the damage done to so many by one man's ruthlessness. If the level of coincidence is high, it's easily forgiven owing to native Texan Crombie's skill in fashioning a supremely satisfying traditional British mystery, updated with Gemma the modern career woman juggling her life as well as her cases. Essential for mystery lovers, particularly for Anglophiles and fans of P.D. James. Michele Leber, Fairfax Cty. P.L., VA Copyright 2002 Cahners Business Information.
Kirkus Reviews
Just as newly promoted Inspector Gemma James's pregnancy is starting to show-and to remind her how little room her flat has for a new baby-her lover, Supt. Duncan Kincaid (A Finer End, 2001, etc.) happens onto a piece of incredible luck: a most reasonable five-year lease on a house in fashionable Notting Hill, with room enough for both of them, together with Kincaid's son Kit, Gemma's son Toby, and the imminent arrival. Their advent, however, is marked by tragedy when antiques dealer Karl Arrowood's much younger wife, Dawn, is found stabbed to death in her driveway. Dawn had also been in the early stages of pregnancy, a revelation that shocks both her lover, porcelain dealer Alex Dunn, and her husband, who insists that the child must have been his despite the vasectomy he got after his two grown sons, Richard and Sean, soured him on family life. Both those sons, resentful of the trophy wife who stands to inherit their father's considerable estate, have a powerful motive for killing Dawn, as do Karl himself and, it eventually seems, half the merchants on Portobello Road. But Gemma's arduous rounds of questioning provoke only anger or amusement among the suspects, and a second murder produces only more confusion. It'll take endless interrogations of several families' dim past histories, supplemented by repeated flashbacks, to disclose the truth. Anglophiles will cheer the sociological evocation of the changing London neighborhood, and there's plenty of justice, despite the title, though the detection is more dogged than inspired.
From the Publisher
Praise for the Acclaimed Novels of Deborah Crombie

A Finer End

“Crombie has laid claim to the literary territory of moody psychological suspense owned by P. D. James and Barbara Vine. Superbly creepy and melodramatic.”
The Washington Post

“Intricately layered.”
The New York Times

“Splendid entertainment.”
Chicago Tribune

Kissed a Sad Goodbye

The Washington Post Book World

“[Crombie] is writing in P. D. James territory, and she is a master.”
Associated Press

Dreaming of the Bones

The New York Times Book Review

“Dreaming of the Bones will make you cry and catch your breath in surprise.”
Chicago Tribune

A New York Times Notable Book

Product Details

Bantam Books
Publication date:
Duncan Kincaid and Gemma James Series, #8
Product dimensions:
6.58(w) x 9.56(h) x 1.10(d)

Read an Excerpt

Blood Hunt

A Novel
By Ian Rankin

Little, Brown

Copyright © 1995 John Rebus Limited
All right reserved.

ISBN: 0-316-00911-3

Chapter One

HE STOOD ON THE EDGE of the abyss, staring down.

Not afraid, not feeling anything very much except the burning in his lungs, the damp ache behind his legs. He knew staring was never a one-way thing. It was reciprocal. Okay, he thought, get your staring finished, get it over and done with now. The fall, he thought-it isn't the fall that kills you, it's the ground at the end of it. It's gravity, the fatal pull of the planet. There was water at the bottom of the chasm, the tide rising, foam churning against the sheer sides. He could hear the water, but in what was left of the daylight he could barely see it.

He took a deep breath at last and drew back, stretching his spine. There was an hour left till dusk: not much time. They wouldn't find him now. He'd had one piece of luck about seventy-five minutes ago, but reckoned he was allowed one lucky break per mission.

At least they were quiet now, his pursuers. They weren't yelling ill-considered commands back and forth, their words carrying on the sweet, still air all the way to where he lay listening. And they'd split into two-man patrols: also well-learned. He wondered whose idea that had been. They would know by now that time was against them, know too that they were tired, cold, and hungry.They'd give up before he did.

That was the edge he had on them. Not a physical edge-some of them were younger, fitter, stronger than him-but a psychological one. The sharpest edge there was.

He looked up and listened, breathed in the wet bracken, the small dull buds, the charged air. There were thunderclouds in the distance, moving farther away. A torrent of rain had swept the land yet again. There was nothing worse for the spirits than a periodical drenching. Their spirits, not his. They weren't within a mile of him. They weren't anywhere close. None of them would be blooded today.

He checked himself. Overconfidence. It had to be avoided. The most dangerous part of a mission, any mission, was the last part-those final few hours, or minutes, or even seconds. Your brain starts winding down, your tired body doing the same. And you start to make mistakes. He shook his head roughly, feeling the pain across his shoulders. He was carrying seventy-five pounds, which would have been nothing five or ten years before-he'd carried double that in the Falklands; some Special Air Service missions in the Gulf War had carried even more-but now he'd been carrying the rucksack for thirty-six hours, and the pack was wet and heavy.

He set off again after checking his map, walking backwards through the mud, sometimes circling so he crossed over his own tracks. He took a pride in all this confusion-a confusion his pursuers probably wouldn't even notice. They had, perhaps, turned back already. But this wasn't about them at all. It was about him. He'd never doubted it for a moment.

He started to climb again, with his back to the ground, heels pushing into the soil, his rucksack transferred to his chest. Near the top of the ridge he paused, listened, and heard a sound he could identify all too easily: paper tearing, being crushed. The ball of silver foil bounced close to him and stopped. He could hear no footsteps, no advance, no retreat-and no conversation. A sentry, then; a lone lookout. Maybe part of an observation post, which would mean two men. They had, after all, split into two-man patrols. He heard a bar of chocolate being snapped in two. He became certain he was dealing with a stand-alone; the other man must be out on recce.

The close of daylight being so near, it was tempting to take a prisoner, a hostage. But he knew it was only tempting because he was tired. Overconfidence again. He was trying to evade the enemy, not engage it. But if feet shuffled towards the overhang, if toecaps sent crumpled earth showering down, if a pair of eyes wondered what was below ... The gun was ready.

He hugged the soil and grass, feeling the damp soaking into his back. To take his mind off it, he did a little mental check, ensuring he was ready for anything.

He was.

A sigh from above, barely ten feet away. Then: "Sod this for a lark," and the sound of feet shuffling away, a throat being cleared, phlegm hawked onto the ground. Minus points, he thought-traces left for any pursuer: a gob of spit, some silver foil. Plus speaking out loud. Very minus points.

One day, he thought, one day not so very long ago, I'd have crept up behind you and dug my knife into your throat. Not a slit-a throat was tougher than you thought; a slit often wouldn't be enough-you went for maximum damage in minimum time, and above all you wanted to get the voice box. So you stuffed the point of the dagger into the throat and poked around with it.


He had that nightmare sometimes. Not so often these days. It worried him that he didn't dream about Joan and Allan. He never dreamed about them at all, yet they were his whole life-they were his saving.

He was wondering where the other man was, the one the chocolate-eater had gone to find. Last thing he wanted was for the bastard to stumble on him lying here, exposed, with the rucksack on his chest getting in the way of his gun.

Go back down the slope, or head up over the rise? He gave it another minute, then wormed his way upwards, peering over the lip. Open countryside, a rounded dip to the land like a giant saucer; and a hundred yards away, stumbling along, the chocolate-eater. He recognized the young man, even from behind, even in this light and from this distance. He recognized his useful bulk, not too much of which was flab. A quick check of the map confirmed he was headed back to the enemy base. He wasn't looking for anyone. He just wanted to be indoors with a mug of something hot and wet. He'd had enough.

A final look at the map, committing it to memory. Soon it would be too dark to read, and the use of a torch, even the thinnest pencil-lead beam, was dangerous. So dangerous it was verboten during most active missions except in the direst emergency. There'd be no dire emergency this time.

He tracked the chocolate-eater, keeping a steady distance. After a while a tall, thin man joined up with the chocolate-eater and they had a muted discussion, pointing their arms in various directions like windblown weather vanes. Together they set off for camp, unaware that they were being watched by the very man they were supposed to capture at any cost.

Eventually, the "camp" itself came into view: two olive-green Land Rovers with roofs that had once been white. There were three men already there, hovering around a steaming kettle on a Campingaz stove. They were shuffling their feet and checking their watches.

He knew this land fairly well by now, and decided to get closer. It would mean a hike of a couple of miles, around to the other side of the encampment where the ground cover was thicker. He set off, crouching low, crawling on his belly when necessary. Another two-man patrol was coming home, and passed within a hundred yards of him. He made himself part of the scenery. They weren't really concentrating anymore-they were too close to home, not expecting anything. The most dangerous time.

At one point he heard a cry of "Come out, come out!" followed by laughter. The laughter had an embarrassed edge to it. They'd be even more embarrassed if he walked into their camp, his gun trained on them.

He was where he wanted to be now, separated by the vehicles from the campfire and the men. They hadn't set guards; they hadn't done anything. Overconfidence. He lay his rucksack on the ground and started to crawl in towards their position. He knew his target. He was going to crawl right under one of the Land Rovers and point his gun up at them as they drank their tea. Then he was going to say hello.


The voice behind him, over him. A woman's voice, sounding amused, as well she might. He rolled over onto his back and looked up at her, at the gun she was carrying. In her free hand, she held his rucksack. She was tutting now, shaking her head.

"Traces," she said. She meant the rucksack. He'd made no attempt to hide it. She glanced at her wristwatch. It was a man's chronometer with a time-lapse function.

"Thirty-six hours and three minutes," she said. "You almost didn't make it."

They were close enough to the Land Rovers for her voice to carry. The men in their camouflage uniforms came around to the back of the vehicles to see what was happening. He stood up and looked towards them, finding the chocolate-eater.

"Traces," he said, tossing the ball of silver paper. It landed in the young man's tin mug and floated in his tea.

They couldn't head back until everyone had returned to camp. Eventually, the last few stragglers came limping home. One of them, the car dealer, had twisted his ankle and was being supported by his two friends, one of whom-a school PE instructor-had badly blistered feet, the result of wearing the wrong kind of socks with nearly new boots.

"I think I've caught pneumonia," the man with the blisters said. He looked at the man they'd all been trying to catch for the past day and a half. Ten of them against one of him, within an area of six square miles outside which he was not allowed to operate. He was removing his belt-kit, always the last thing he shed. It comprised his survival kit, knife, compass, first-aid kit, water bottle, and chocolate bars. The PE instructor hobbled over and touched his arm, then his chest.

"How come you're not soaked like the rest of us?" He sounded aggrieved. "There's not a bit of shelter out there, hardly a bloody tree. You been cheating, Reeve?"

Gordon Reeve stared at the man. "I never need to cheat, Mr. Matthews." He looked at the other men. "Anyone know how I kept my clothes dry?" Nobody spoke up. "Try some lateral thinking. How can you keep your clothes dry if you've nothing to cover them with?" They still didn't answer. Reeve looked towards his wife. "Tell them, Joan."

She had placed his rucksack against a Land Rover and was using it as a seat. She smiled towards Reeve. "You take them off," she said.

Reeve nodded at the men. "You take them off and you stash them in your pack. You let the rain do its stuff, and when it stops you get dry again and you put your nice dry clothes back on. You've been cold and wet and miserable for a while, but you're dry afterwards. One final lesson learned, gentlemen." He took a mug from the ground and poured a brew into it. "And by the way, you were crap out there. You were absolute crap."

They drove back to the house for debriefing. The Reeves had turned the stables into an annex that included a shower room with a dozen spray nozzles; a changing room with metal lockers, so each man could store his civvy clothes and all the other paraphernalia of the life they were leaving behind for seventy-two hours; a well-equipped gym; and a small conference room.

The conference room was where Reeve did most of the initial teaching. Not the physical stuff-that was done in the gym, or outside in the courtyard and surrounding countryside-but the other lessons, the show-and-tell. There was a monitor and a video machine; a slide projector; various blackboards, wall maps, and diagrammatic charts; a big oval table and a dozen or so functional chairs. There were no ashtrays; no smoking was allowed indoors. Smoking, as Reeve reminded each new intake, is bad for your health. He wasn't talking about lung cancer; he was talking about traces.

After showering, the men dressed in their civvies and headed for the conference room. There was a bottle of whiskey on the table, but none of them would sniff a drop until the debriefing-and then there'd be just the single glass apiece, as most of them were driving home after dinner. Joan Reeve was in the kitchen, making sure the oven had done its work. Allan would have laid the table, then made a tactical retreat to his room to play another computer game.

When they were all seated, Gordon Reeve stood up and went to the blackboard. He wrote the letter P seven times with lime-green chalk. "The seven P's, gentlemen. Not the seven dwarves, not the Magnificent Seven, and not the seven moons of Jupiter. I couldn't name the seven dwarves, I couldn't name the Magnificent Seven, and sure as shit sticks to your arse I couldn't name the seven moons of Jupiter. But I can tell you the seven P's. Can you tell me?"

They shifted in their seats and offered up a few words. When they got a word right, Reeve chalked it on the board.

"Piss," he said, writing it down. "Planning ... Poor ... Proper ..." He saw they were struggling, so he turned away from the board. "Proper Planning and Preparation Prevent Piss-Poor Performance. I could add an eighth P today: Procedure. You were a shambles out there. A barefoot Cub Scout blind from birth could have avoided you these past thirty-six hours. An elephant looking for the graveyard could have avoided you. The British Ladies' fucking Equestrian Team and their horses could have given you a run for your money. So now it's time to evaluate exactly what went so bloody disastrously wrong."

They exchanged sad glances; his captives. It was going to be a long time till dinner.

After dinner and good-byes, after seeing them all off in their cars, waving them back to their real lives, Reeve went upstairs to try to convince Allan that it was bedtime.

Allan was eleven and "bookish"-except that in his case the adjective referred to computers, computer games, and videos. Reeve didn't mind in the least that his son wasn't the outdoor type. Friends thought maybe Reeve would have preferred a musclebound son who was good at football or rugby. Friends were wrong. Allan was a lovely-looking kid, too, with a strawberry-cream complexion and peach fuzz on his cheeks. He had short fair hair which curled at the nape of his neck, and deep blue eyes. He looked like his mother; everybody said so.

He was in bed, apparently asleep, when Reeve opened the door. The room was still warm from computer-use. Reeve went over and touched the top of the monitor-it was hot. He lifted the plastic cover off the hard drive and found it was still switched on. Smiling, Reeve nudged the mouse and the screen came to life. A game screen was held on pause.

He walked over to the bed, crunching magazines and comics underfoot. The boy didn't move when Reeve sat down on the bed. His breathing sounded deep and regular; too deep, too regular.

Reeve stood up again. "Okay, partner, but no more games, right?"

He'd opened the door before Allan sat bolt upright, grinning.

Reeve smiled back at him from the doorway. "Get some sleep ... or else."

"Yes, Dad."

"How are you getting on with that game?"

"I'll beat it, just you wait. Uncle James always sends me games that're too hard."

Uncle James was Reeve's brother, a journalist. He was working out in the States, and had sent Allan a couple of computer games as a very belated birthday-and-Christmas-combined present. That was typical of James; kids always forgave him his forgetfulness because he made it up to them once a year or so.

"Well, maybe I can help you with it."

"I'll do it myself," Allan said determinedly. "There's one screen I can't get past, but after that it'll be okay."

Reeve nodded. "What about homework, is it done?"

"Done. Mum checked it this afternoon."

"And do you still hate Billy?"

Allan wrinkled his face. "I loathe Billy."

Reeve nodded again. "So who's your best friend now?"

Allan shrugged.

"Go to sleep now," his father said, closing the door. He waited in the hall, listening for the crackle of footsteps on paper as Allan left the bed and headed for the computer. But he didn't hear anything. He stayed a little longer, staring along the passageway. He could hear Joan downstairs, watching television. The dishwasher was busy in the kitchen. This is home, he thought. This is my place. This is where I'm happy. But part of him was still crouching in the rain while a patrol passed nearby ...

Downstairs, he made a couple of mugs of instant coffee and headed for the living room. This had been a farmhouse once, just a couple of rooms and an attic reached by a ladder. Reeve imagined that in the winters the farmer brought his animals into the house, keeping them warm and using them as central heating. The place had been uninhabited for eight years when they bought it. Joan had seen potential in the house-and Reeve had seen potential in the seclusion. They were close enough to civilization, but they were on their own.

It had taken time to settle on this location. The Scottish Borders would have provided better communications; clients driving up from London could have done the trip in half a day. But Reeve had finally opted for South Uist. He'd been here on holiday once as a child and had never really forgotten it. When he persuaded Joan to come with him to see it again he pretended it was just a holiday, but really he'd been sizing up the place. There were a few villages nearby; but for the most part there was nothing at all. Reeve liked that. He liked the wilderness and the hills. He liked the isolation.


Excerpted from Blood Hunt by Ian Rankin Copyright ©1995 by John Rebus Limited. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Deborah Crombie’s Duncan Kincaid/Gemma James novels have been nominated for the Agatha, Macavity, and Edgar Awards. Dreaming of the Bones, the fifth novel in the series, was named one of the century’s best mystery novels by the Independent Mystery Booksellers Association. She lives with her family in a small north Texas town, where she is at work on her next novel.

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And Justice There Is None (Duncan Kincaid and Gemma James Series #8) 4.1 out of 5 based on 0 ratings. 12 reviews.
TooManyBooks-SoLittleTime More than 1 year ago
Inspector Gemma James and Superintendent Duncan Kincaid are busy blending families and households when they are assigned to a case in their own new neighborhood. Investigating in their own patch is a touchy proposition, and new friends met become suspects one by one, as Gemma and Duncan have to juggle personal and professional relationships with their new neighbors. London's charming Notting Hill community is a vibrant backdrop for the story, but we get only tidbits about the Portobello Market and the Notting Hill Carnival. The main story is set in the present, interwoven with another story from the past. Old grudges and unexpected family connections lead back to the London culture of the 50s and 60s. We get a superficial view of the impact of immigration and the emerging drug scene - just enough to entice, but lacking in richness. James & Kincaid are appealing protagonists, and the story has sufficient twists and turns to keep the reader guessing. However, I think the supporting characters and settings could be drawn more deeply, providing a more engrossing read.
Billyt1 More than 1 year ago
Overall an improvement of the last few episodes. However it appears the series is becoming more focused on Gemma which I believe is a mistake. She is not as interesting as Duncan and Gemma as a team or Duncan alone. Gemma is certainly more likeable here as some of her nicer characteristics are apparent, but flaws are still apparent. She still can't open up to Duncan and her total commitment to her job harms their relationship. Duncan bends over backwards to make it work, but she makes everything a hassle. Most importantly, she made a vow at the conclusion of the previous book which she totally disregards with tragic consequences. She doesn't do what is necessary with her health concerns. There was enough foreshadowing that the ending does not come as a surprise and it could/should have been avoided. Finally not a big deal, but interesting, her perfect Christmas gift for Duncan which showed little thought or preparation is not mentioned after she purchased it. Clearly, not like his to her.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
This addition to the series really moved me. Gemma working through the case along with the joy and sorrow of blending her new family with Duncan.
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harstan More than 1 year ago
Deputy Inspector Gemma James and Scotland Yard Superintendent Duncan Kincaid are finally getting their act together. With a baby on the way, Gemma agrees to buy a house with Duncan so that his son and her son from previous marriages, and their son to be born baby from can live together as a family.

In her professional life, Gemma is assigned a high profile murder case to solve as quickly as possible. Dawn Arrowood, a trophy wife married to a rich antiques dealer twice her age, is brutally killed near her home, her throat slit. An autopsy shows that she was six weeks pregnant and since her husband had a vasectomy the probability is it was her lover¿s child. As Gemma burns the midnight out, Duncan joins the inquiry because there are similarities between this case and one he was investigating a few months ago.

The romantic relationship between the two protagonists is developing naturally and creates a sense of continuity throughout the whole series. Deborah Crombie has written a delicious mystery with so many viable suspects that readers really won¿t have a clue as the identity of the killer is until the stunning climax. AND JUSTICE THERE IS NONE is a clever police procedural as well as an exciting relationship drama.

Harriet Klausner