And the Hippos Were Boiled in Their Tanks

by Jack Kerouac, William S. Burroughs

Overview

The legendary novel whose true events inspired the film KILL YOUR DARLINGS

In the summer of 1944, a shocking murder rocked the fledgling Beats. William S. Burroughs and Jack Kerouac, both still unknown, we inspired by the crime to collaborate on a novel, a hard-boiled tale of bohemian New York during World War II, full of drugs and art, obsession and brutality, with scenes and characters drawn from their own lives. Finally published after more than sixty years, this is a captivating read, and incomparable literary artifact, and a window into the lives and art of two of the twentieth century’s most influential writers.

Product Details

ISBN-13:	9780802144348
Publisher:	Grove/Atlantic, Inc.
Publication date:	11/10/2009
Edition description:	First Trade Paper Edition
Pages:	224
Sales rank:	359,598
Product dimensions:	5.40(w) x 8.20(h) x 0.70(d)

About the Author

Jack Kerouac (1922-1969) was an American author and painter and the central figure of the Beat Generation of the 1950s. His most famous books include On the Road, The Dharma Bums, and Big Sur. Several of his novels have been adapted into popular films. In 1959 Kerouac released his long-form poem, Mexico City Blues, which is his most important work of poetry. Few authors can claim as large an influence on American culture as Jack Kerouac and his examinations of youth and rebellion.

Table of Contents

CONTENTS

Prologue

Book I. IHTFP

Introduction

I. Halos and Horns

2. Imagination Is Funny

3. Showdown

Book II. Fields of Fire

Introduction

4. Fire at Sea

5. Music Bingo, Dummy Math, and Gamma Rays

6. Welcome to the Gallant Marines

7. The Crown Prince

8. The Bloody Filter

9. Do You Want to Go Home?

10. The Cherry Boy

11. The Natural

12. Trusting the System

13. 'Tis the Season to Be Jolly

14. Stranger in a Strange Land

15. The Reasonable and Honest War Criminal

16. Long Tall Sally

17. The Water Walker

18. Adult Education

19. A Tutorial with the Greats

20. Reentry

21. A Change of Heart

22. Pug Henry

23. Women Can't Fight

24. Guerrilla Warfare

25. Garlic in a Crowded Elevator

Book III. The Nightingale's Song

Introduction

26. Ollie, Bud, and John

27. The Candidate from Hanoi

28. Scorpions in a Jar

29. Noble Cause Redux

30. The Doubters

31. The Presbyterian Climax

32. Put 'Em Up, Put 'Em Up

33. Remember Yamamoto

34. An Alien Presence

35. I Don't Have Any Life

36. The White Tornado

37. The Biggest Hawk and the Biggest Dove

38. Where Was Al Krekich When We Needed Him?

39. Chinatown

Epilogue

A Note on Research Methods

Notes

Bibliography

Interviews

Acknowledgments

Index

Editorial Reviews

The legendary novel whose true events inspired the film KILL YOUR DARLINGS

“A combination hard-boiled murder mystery and existentialist lament– think Dashiell Hammett meets Albert Camus…an essential document of the Beat Generation.” –Gerald Nicosia, San Francisco Chronicle

“[A] persuasive portrait of la vie boheme in all its aimlessness and squalor.” –Amanda Heller, The Boston Globe

“A literary curiosity, a genuine collectible.” –Carolyn See, The Washington Post

“Reveals two giants-to-be in the development stages of their craft…With its evocative rendition of now-vanished saloons, bygone diners, and other landmarks of yesteryear, Burroughs and Kerouac may have inadvertently done for 1944 Greenwich Village what Joyce did for 1904 Dublin.” –George Kimball, The Phoenix (Boston)

"The appearance in print of And the Hippos Were Boiled In Their Tanks by William S. Burroughs and Jack Kerouac is a literary event, not only because it drew two of the three leading Beat writers into confederacy, but because the book told a story – of male friendship, gay obsession, and murder – that came to fascinate a score of American authors… It’s a fascinating snapshot from a lost era. If you’re looking for the link between Hemingway’s impotent post-war drifters in The Sun Also Rises, the barflies and Tralalas of Last Exit to Brooklyn and the zonked-out kids of Bret Easton Ellis’s Less Than Zero, look no further.” —John Walsh, The Independent

“In alternating chapters, Burroughs and Kerouac serve up a noir vision of Manhattan… Of the two, Kerouac, then in his early 20s, is the more developed writer, though Burroughs, an absolute beginner, already shows some of the interests and obsessions that will turn up in Naked Lunch and elsewhere, to say nothing of an obviously field-tested understanding of how syringes work… For his part, Kerouac recounts wartime experiences in the Merchant Marine, along with notes on the bar scene that would do Bukowski proud.”
—Kirkus Reviews

“[Hippos] significantly predates Kerouac’s major novels and illuminates his dynamic and productive literary friendship with William S. Burroughs. … it is very charming. … The conceit of switching back and forth between narrators every chapter also keeps things speeding along—it creates the illusion that one is listening to a radio broadcast from one station, only to have the frequency changed every few minutes, with the narrative sometimes overlapping and the two voices bleeding into another.”
—Andrew Martin, Open Letters Monthly

“Illuminates the links between Sam Spade and Sal Paradise, noir nihilism and Beat exuberance.” —Timothy Hodler, Details

“If you care about either of these beat masters … I don’t see how you can fail to enjoy [And the Hippos Were Boiled in Their Tanks]. Slight as it may seem at first glance, it’s an invaluable document of literary history, glimmering with nascent genius.”
—Craig Seligman, Bloomberg News

“Naughtily sexual and emotionally grimy, written is a prose style that is deadpan-dry and larded with hardboiled atmosphere. This oddly titled novel is an engaging literary and historical curio.” —Richard Labone, Between the Lines

“Spellbinding. …with spot-on dialogue and descriptions of seedy bars and jam-packed apartments, the authors serve up a fascinating look at a time of late night parties, casual sex and a devil-may-care approach to life.” —Jackie Crosby, Minneapolis Star-Tribune

“An eccentric, engaging, and readable novel… What makes the novel particularly fascinating, however, is its ability to provide a window into the early autobiographical styles of both Burroughs and Kerouac as emerging, unpublished writers.”
—Marcus Niski, The Sydney Morning Herald

“As an insight into the formative years of the Beats, it’s fascinating.”
—Nick Rennison, The Sunday Times (London)

From the Publisher

Distinctly different from their later works, Burroughs and Kerouac's collaborative 1945 novel (unpublished until 2008) reimagines their experience when one of their friends killed his lover. The narrative switches back and forth between authors as each write interweaving chapters through the eyes of the characters Mike Ryko (Kerouac) and Will Dennison (Burroughs), cataloguing the descent in Al and Philip's relationship. Ray Porter's impressive reading captures such distinct performances for the alternating chapters that one has trouble believing the Dennison and Ryko chapters are read by the same person. His tone and attitude evoke a sense of grittiness inherent in the text. His strong delivery of the straight narrative along with convincing and consistent vocal characterizations keep the performance lively and engaging. Given how the edgy and almost pulp fiction writing is so different from the two authors' typical works, listeners may be more impressed with Porter's performance than the actual text. A Grove/Atlantic hardcover (reviewed online). (Dec.)

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Publishers Weekly

In 1940s New York, Lucien Carr, Allen Ginsberg's roommate and friend to both Kerouac and Burroughs, confessed to and was imprisoned for murder. Burroughs and Kerouac collaborated on this novelization of the crime, writing alternating chapters from alternating points of view. While the not-yet-famous Beats submitted the novel to various U.S. publishers, it remained unpublished until 2008. The alternating chapters can feel a bit disjointed, highlighting the stylistic differences between these iconic writers, but two-time Audie nominee Ray Porter's exceptional narration brings cohesion to this bleak period piece. Absolutely essential for all literary collections. [Audio clip available through www.blackstoneaudio.com.-Ed.]
—Beth Farrell

Library Journal

A potboiler by two noted authors written in 1945, long before they were famous, and published now for the first time. In alternating chapters, Burroughs (then known as William Lee and writing in the persona of Will Dennison) and Kerouac (then bearing the first name John and writing in the persona of Mike Ryko) serve up a noir vision of Manhattan as it might have appeared if Edward Hopper had had only dark pencils at his disposal. Its spirit is more Spillane than Hammett, its opening very much a signal of things to come: "The bars close at 3:00 A.M. on Saturday nights so I got home about 3:45 after eating breakfast at Riker's on the corner of Christopher Street and Seventh Avenue." Taking their title from a true incident involving a zoo fire, the authors proceed to deliver a tale of booze-soaked weirdness that culminates in a murder that has some echoes with another real-life event, when proto-Beat Lucien Carr stabbed a suitor to death and was packed off to an asylum. Of the two, Kerouac, then in his early 20s, is the more developed writer, though Burroughs, an absolute beginner, already shows some of the interests and obsessions that will turn up in Naked Lunch and elsewhere, to say nothing of an obviously field-tested understanding of how syringes work ("I let the solution cool, then sucked it up into the hypodermic, fitted on the needle, and started looking around for a high vein on my arm"). For his part, Kerouac recounts wartime experiences in the Merchant Marine, along with notes on the bar scene that would do Bukowski proud. When the manuscript made the rounds back in 1945, it found no publisher, for reasons that will soon become apparent to the reader, and ended up in a filingcabinet. Its publication will (possibly) benefit American literature. More likely it will benefit agents and estates. More of interest as a literary curio than as a work of art, though shrewd neobopsters will probably want to be seen with copies in hand.

Kirkus Reviews