The Andromeda Strain and The Terminal Man

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Overview

#1 New York Times bestselling author Michael Crichton has been called "one of the great storytellers of our age,"* a master at seamlessly blending cutting-edge science and technology with spellbinding adventure. Now two of his most electrifying thrillers have been combined in one volume, to astonish and terrify a new generation of readers with brilliant and disturbing visions of the frighteningly possible.

The Andromeda Strain

A satellite sent into the outer fringes of space to "collect organisms and dust for study" falls back to earth, crash-landing ...

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Overview

#1 New York Times bestselling author Michael Crichton has been called "one of the great storytellers of our age,"* a master at seamlessly blending cutting-edge science and technology with spellbinding adventure. Now two of his most electrifying thrillers have been combined in one volume, to astonish and terrify a new generation of readers with brilliant and disturbing visions of the frighteningly possible.

The Andromeda Strain

A satellite sent into the outer fringes of space to "collect organisms and dust for study" falls back to earth, crash-landing in a desolate area of Arizona, twelve miles from the tiny town of Piedmont. The terror has begun . . .

The Terminal Man

The brain of a patient prone to violent, uncontrollable seizures has been implanted with experimental electrodes designed to soothe his homicidal impulses. But the doctors never dreamed he’d learn to control the monitor inside his head. Now an unstoppable maniac is loose in an unsuspecting city.

Product Details

  • ISBN-13: 9780061172274
  • Publisher: HarperCollins Publishers
  • Publication date: 1/30/2007
  • Pages: 624
  • Product dimensions: 5.31 (w) x 8.00 (h) x 1.00 (d)

Meet the Author

Michael Crichton
Michael Crichton

Michael Crichton’s novels include Pirate Latitudes, Next, State of Fear, Prey, Timeline, Jurassic Park, and The Andromeda Strain. He is also known as a filmmaker and the creator of ER. One of the most popular writers in the world, he has sold over 150 million books, which have been translated into thirty-six languages; thirteen have been made into films. He remains the only writer to have had the number one book, movie and TV show at the same time.

Richard Preston is an internationally acclaimed bestselling author of eight books, including The Hot Zone and The Wild Trees. Many of Preston’s books have first appeared in The New Yorker. He has won numerous awards, including the American Institute of Physics Award and the National Magazine Award, and he is the only person not a medical doctor ever to receive the Centers for Disease Control’s Champion of Prevention Award for public health. He lives with his wife and three children near Princeton, New Jersey.

Biography

Michael Crichton's oeuvre is so vivid and varied that it hard to believe everything sprang from the mind of a single writer. There's the dino-movie franchise and merchandising behemoth Jurassic Park; the long-running, top-rated TV series ER, which Crichton created; and sci-fi tales so cinematic a few were filmed more than once. He's even had a dinosaur named after him.

Ironically, for someone who is credited with selling over 150 million books, Crichton initially avoided writing because he didn't think he would make a living at it. So he turned to medical school instead, graduating with an M.D. from Harvard in 1969. The budding doctor had already written one award-winning novel pseudonymically (1968's A Case of Need) to help pay the bills through school; but when The Andromeda Strain came out in the same year of his med school graduation, Crichton's new career path became obvious.

The Andromeda Strain brilliantly and convincingly sets out an American scientific crisis in the form of a deadly epidemic. Its tone -- both critical of and sympathetic toward the scientific community -- set a precedent for Crichton works to come. A 1970 nonfiction work, Five Patients offers the same tone in a very different form, that being an inside look at a hospital.

Crichton's works were inspired by a remarkably curious mind. His plots often explored scientific issues -- but not always. Some of his most compelling thrillers were set against the backdrop of global trade relations (Rising Sun), corporate treachery (Disclosure) and good old-fashioned Victorian-era theft (The Great Train Robbery). The author never shied away from challenging topics, but it's obvious from his phenomenal sales that he never waxed pedantic. Writing about Prey, Crichton's cautionary tale of nanotech gone awry, The New York Times Book Review put it this way: "You're entertained on one level and you learn something on another."

On the page, Crichton's storytelling was eerily nonfictional in style. His journalistic, almost professorial, and usually third-person narration lent an air of credibility to his often disturbing tales -- in The Andromeda Strain, he went so far as to provide a fake bibliography. Along the way, he revelled in flouting basic, often subconscious assumptions: Dinosaurs are long-gone; women are workplace victims, not predators; computers are, by and large, predictable machines.

The dazzling diversity of Crichton's interests and talents became ever more evident as the years progressed. In addition to penning bestselling novels, he wrote screenplays and a travel memoir, directed several movies, created Academy Award-winning movie production software, and testified before Congress about the science of global warming -- this last as a result of his controversial 2004 eco-thriller State of Fear, a novel that reflected Crichton's own skepticism about the true nature of climate change. His views on the subject were severely criticized by leading environmentalists.

On November 4, 2008, Michael Crichton died, following a long battle against cancer. Beloved by millions of readers, his techno-thrillers and science-inflected cautionary tales remain perennial bestsellers and have spawned a literary genre all its own.

Good To Know

Some interesting outtakes from our 2005 interview with Crichton:

"I'm very interested in 20th-century American art."

"I have always been interested in movies and television as well as books. I see all these as media for storytelling, and I don't discriminate among them. At some periods of my life I preferred to work on movies, and at others I preferred books."

"In the early 1990s, interviewers began calling me ‘the father of the techno-thriller.' Nobody ever had before. Finally I began asking the interviewers, ‘Why do you call me that?' They said, ‘Because Tom Clancy says you are the father of the techno-thriller.' So I called Tom up and said, ‘Listen, thank you, but I'm not the father of the techno-thriller.' He said, ‘Yes you are.' I said, ‘No, I'm not, before me there were thrillers like Failsafe and Seven Days in May and The Manchurian Candidate that were techno-thrillers.' He said, ‘No, those are all political. You're the father of the techno-thriller.' And there it ended."

"My favorite recreation is to hike in the wilderness. I am fond of Hawaii."

"I used to scuba dive a lot, but haven't lately. For a time I liked to photograph sharks but like anything else, the thrill wears off. Earlier in my life I took serious risks, but I stopped when I became a parent."

"I taught myself to cook by following Indian and Szechuan recipes. They each have about 20 ingredients. I used to grind my own spices, I was really into it. Now I don't have much time to cook anymore. When I do, I cook Italian food."

"I read almost exclusively nonfiction. Most times I am researching some topic, which may or may not lead to a book. So my reading is pretty focused, although the focus can shift quickly."

"I have always been interested in whatever is missing or excluded from conventional thought. As a result I am drawn to writers who are out of fashion, bypassed, irritating, difficult, or excessive. I also like the disreputable works of famous writers. Thus I end up reading and liking Paul Feyerabend (Against Method), G. K. Chesterton (Orthodoxy, What's Wrong with the World), John Stuart Mill, Hemingway (Garden of Eden), Nietzsche, Machiavelli, Alain Finkielkraut (Defeat of the Mind), Anton Ehrenzweig (Hidden Order of Art), Arthur Koestler (Midwife Toad, Beyond Reductionism), Ian McHarg (Design with Nature), Marguerite Duras, Jung, late James M. Cain (Serenade), Paul Campos.

"Because I get up so early to work, I tend to go to bed early, around 10 or 11. So I don't go out much. I suppose I am borderline reclusive. I don't care."

    1. Also Known As:
      John Michael Crichton (full name), Jeffery Hudson, John Lange
    2. Hometown:
      Los Angeles, California
    1. Date of Birth:
      October 23, 1942
    2. Place of Birth:
      Chicago, Illinois
    1. Date of Death:
      November 4, 2008
    2. Place of Death:
      Los Angeles, California

Read an Excerpt

The Andromeda Strain/The Terminal Man


By Michael Crichton

HarperCollins Publishers, Inc.

Copyright © 2007 Michael Crichton
All right reserved.

ISBN: 9780061172274

The Andromeda Strain

Chapter One

The Country of Lost Borders

A man with binoculars. That is how it began: with a man standing by the side of the road, on a crest overlooking a small Arizona town, on a winter night.

Lieutenant Roger Shawn must have found the binoculars difficult. The metal would be cold, and he would be clumsy in his fur parka and heavy gloves. His breath, hissing out into the moonlit air, would have fogged the lenses. He would be forced to pause to wipe them frequently, using a stubby gloved finger.

He could not have known the futility of this action. Binoculars were worthless to see into that town and uncover its secrets. He would have been astonished to learn that the men who finally succeeded used instruments a million times more powerful than binoculars.

There is something sad, foolish, and human in the image of Shawn leaning against a boulder, propping his arms on it, and holding the binoculars to his eyes. Though cumbersome, the binoculars would at least feel comfortable and familiar in his hands. It would be one of the last familiar sensations before his death.

We can imagine, and try to reconstruct, what happened from that point on.

Lieutenant Shawn swept over the town slowly and methodically. He could see it was not large, just a half-dozen wooden buildings, set out alonga single main street. It was very quiet: no lights, no activity, no sound carried by the gentle wind.

He shifted his attention from the town to the surrounding hills. They were low, dusty, and blunted, with scrubby vegetation and an occasional withered yucca tree crusted in snow. Beyond the hills were more hills, and then the flat expanse of the Mojave Desert, trackless and vast. The Indians called it the Country of Lost Borders.

Lieutenant Shawn found himself shivering in the wind. It was February, the coldest month, and it was after ten. He walked back up the road toward the Ford Econovan, with the large rotating antenna on top. The motor was idling softly; it was the only sound he could hear. He opened the rear doors and climbed into the back, shutting the doors behind him.

He was enveloped in deep-red light: a night light, so that he would not be blinded when he stepped outside. In the red light the banks of instruments and electronic equipment glowed greenly.

Private Lewis Crane, the electronics technician, was there, also wearing a parka. He was hunched over a map, making calculations with occasional reference to the instruments before him.

Shawn asked Crane if he were certain they had arrived at the place, and Crane confirmed that they had. Both men were tired: they had driven all day from Vandenberg in search of the latest Scoop satellite. Neither knew much about the Scoops, except that they were a series of secret capsules intended to analyze the upper atmosphere and then return. Shawn and Crane had the job of finding the capsules once they had landed.

In order to facilitate recovery, the satellites were fitted with electronic beepers that began to transmit signals when they came down to an altitude of five miles.

That was why the van had so much radio-directional equipment. In essence, it was performing its own triangulation. In Army parlance it was known as single-unit triangulation, and it was highly effective, though slow. The procedure was simple enough: the van stopped and fixed its position, recording the strength and direction of the radio beam from the satellite. Once this was done, it would be driven in the most likely direction of the satellite for a distance of twenty miles. Then it would stop and take new coordinates. In this way, a series of triangulation points could be mapped, and the van could proceed to the satellite by a zigzag path, stopping every twenty miles to correct any error. The method was slower than using two vans, but it was safer -- the Army felt that two vans in an area might arouse suspicion.

For six hours, the van had been closing on the Scoop satellite. Now they were almost there.

Crane tapped the map with a pencil in a nervous way and announced the name of the town at the foot of the hill: Piedmont, Arizona. Population forty-eight; both men laughed over that, though they were both inwardly concerned. The Vandenberg ESA, or Estimated Site of Arrival, had been twelve miles north of Piedmont. Vandenberg computed this site on the basis of radar observations and 1410 computer trajectory projections. The estimates were not usually wrong by more than a few hundred yards.

Yet there was no denying the radio-directional equipment, which located the satellite beeper directly in the center of town. Shawn suggested that someone from the town might have seen it coming down -- it would be glowing with the heat -- and might have retrieved it, bringing it into Piedmont.

This was reasonable, except that a native of Piedmont who happened upon an American satellite fresh from space would have told someone -- reporters, police, NASA, the Army, someone.

But they had heard nothing.

Shawn climbed back down from the van, with Crane scrambling after him, shivering as the cold air struck him. Together, the two men looked out over the town.

It was peaceful, but completely dark. Shawn noticed that the gas station and the motel both had their lights doused. Yet they represented the only gas station and motel for miles.

And then Shawn noticed the birds.

In the light of the full moon he could see them, big birds, gliding in slow circles over the buildings, passing like black shadows across the face of the moon. He wondered why he hadn't noticed them before, and asked Crane what he made of them.

Crane said he didn't make anything of them. As a joke, he added, "Maybe they're buzzards."



Continues...

Excerpted from The Andromeda Strain/The Terminal Man by Michael Crichton Copyright © 2007 by Michael Crichton. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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  • Anonymous

    Posted September 22, 2009

    Not bad. Fairly easy read.

    Despite some technical terms, the book was pretty easy read. I do have to say I felt somewhat dissapointed with the ending. Felt somewhat anticlimatic. None the less, it was a decent book to read.

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  • Posted September 19, 2009

    Old School Sci Fi

    My 13 yr old picked out this book (he enjoyed it) and I snagged it when he was done. I read both stories years ago and forgot how enjoyable a goo, old fashioned sci fi can be. A little creepy, a little mysterious and something to make you think about where we're going in this world.

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