Overview


El filósofo y crítico de arte Arthur C. Danto nos propone un atractivo recorrido por la evolución personal, artística y filosófica que Andy Warhol experimentó a lo largo de su vida.
Danto rastrea la evolución de Warhol, sus primeros trabajos, su vínculo con artistas como Jasper Johns o Robert Rauschenberg, y el fenómeno de The Factory, y realiza una lectura detallada de su obra en la que analiza el contexto social y las dimensiones filosóficas...
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Andy Warhol

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Overview


El filósofo y crítico de arte Arthur C. Danto nos propone un atractivo recorrido por la evolución personal, artística y filosófica que Andy Warhol experimentó a lo largo de su vida.
Danto rastrea la evolución de Warhol, sus primeros trabajos, su vínculo con artistas como Jasper Johns o Robert Rauschenberg, y el fenómeno de The Factory, y realiza una lectura detallada de su obra en la que analiza el contexto social y las dimensiones filosóficas que lo distinguen de artistas como Marcel Duchamp o Jeff Koons.
Danto se centra en la filosofía del artista y en sus ideas y, mediante un lenguaje directo y claro, nos conduce por la imprecisa frontera que separa  el “arte” del “arte comercial”.
En esta obra Danto nos permite profundizar en este icono del pop, presentándolo como una figura multidimensional y polifacética, artista, activista político, cineasta, escritor y filósofo, cuya obra ha ejercido una enorme influencia en la contemporaneidad, y que supone una espléndida síntesis de cómo y por qué las técnicas revolucionarias de Warhol y sus creaciones sacudieron la definición tradicional del arte y allanaron el camino para el pluralismo creativo y la libertad actual.
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Editorial Reviews

Fred Kaplan
Danto's larger points about Warhol's impact are indisputable, and he traces its lineage to a moment in 1961 when Warhol made two paintings of Coke bottles—one with Abstract Expressionist drippings, the other without—and chose the latter as the template for his subsequent work. "It was a mandate and a breakthrough," Danto writes. "The mandate was: paint what we are. The breakthrough was the insight into what we are. We are the kind of people that are looking for the kind of happiness advertisements promise us that we can have, easily and cheaply." Danto calls the subsequent era "the Age of Warhol" because of this blending of high art and commercial art—of art and life broadly.
—The Washington Post
Deborah Solomon
Danto is an elegant and erudite writer, and his sentences go down smoothly.
—The New York Times
Publishers Weekly
This penetrating new entry in Yale's Icons of America series synthesizes biography, cultural criticism and aesthetics. Former Nation art critic and Columbia philosophy professor emeritus Danto (After the End of Art) argues that Andy Warhol radically redefined the question of art. His Brillo Boxes and Campbell's Soup Cans challenged the viewer to ask, “What is the difference between two things, exactly alike, one of which is art and one of which is not?” Danto, whose visit to a Warhol show in 1964 inspired him to become a philosopher of art, views many of Warhol's most important works as answers to such philosophical puzzles. Danto's writing is elegant and his insights acute: the Marilyn Diptych's “transformative repetition” is linked to Coltrane's compositions; Warhol's final Last Supper series represented, Danto argues convincingly in a profound final chapter, the culmination of the artist's “mission to externalize the interiority of our shared world.” This valuable work of critical cultural analysis reveals aspects of Warhol so far uncovered and unexplored that will appeal widely to the interested generalist as well as to scholars of contemporary art, American culture and aesthetics. Photos. (Oct.)
New York Review of Books

"As Danto explains in his brilliant short study of Warhol, the question Warhol asked is not ''What is art?'' but ''What is the difference between two things, exactly alike, one of which is art and one of which is not?''"—Richard Dorment, The New York Review of Books

— Richard Dorment

New York Times Book Review

"Danto is an elegant and erudite writer, and his sentences go down smoothly."—Deborah Solomon, The New York Times Book Review

— Deborah Solomon

ARTnews

— Doug McClemont
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Product Details

  • ISBN-13: 9788449326844
  • Publisher: Grupo Planeta
  • Publication date: 2/24/2012
  • Language: Spanish
  • Sold by: Planeta
  • Format: eBook
  • Sales rank: 846,770
  • File size: 934 KB

Meet the Author

Arthur C. Danto is Johnsonian Professor Emeritus of Philosophy at Columbia University and former art critic for The Nation. He is the author of numerous books, including Unnatural Wonders: Essays from the Gap Between Art and Life, After the End of Art, and Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective.

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