Angels and Demons [NOOK Book]

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Overview


An ancient secret brotherhood.

A devastating new weapon of destruction.

When world-renowned Harvard symbologist Robert Langdon is summoned to a Swiss research facility to analyze a mysterious symbol -- seared into the chest of a murdered physicist -- he discovers evidence of the unimaginable: the resurgence of an ancient secret brotherhood known as the Illuminati...the most powerful underground organization ever to walk the earth. The Illuminati has now surfaced to carry out the final phase of its legendary vendetta against its most hated enemy -- the Catholic Church.

Langdon's worst ...

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Overview


An ancient secret brotherhood.

A devastating new weapon of destruction.

When world-renowned Harvard symbologist Robert Langdon is summoned to a Swiss research facility to analyze a mysterious symbol -- seared into the chest of a murdered physicist -- he discovers evidence of the unimaginable: the resurgence of an ancient secret brotherhood known as the Illuminati...the most powerful underground organization ever to walk the earth. The Illuminati has now surfaced to carry out the final phase of its legendary vendetta against its most hated enemy -- the Catholic Church.

Langdon's worst fears are confirmed on the eve of the Vatican's holy conclave, when a messenger of the Illuminati announces they have hidden an unstoppable time bomb at the very heart of Vatican City. With the countdown under way, Langdon jets to Rome to join forces with Vittoria Vetra, a beautiful and mysterious Italian scientist, to assist the Vatican in a desperate bid for survival.

Embarking on a frantic hunt through sealed crypts, dangerous catacombs, deserted cathedrals, and even the most secretive vault on earth, Langdon and Vetra follow a 400-year-old trail of ancient symbols that snakes across Rome toward the long-forgotten Illuminati lair...a clandestine location that contains the only hope for Vatican salvation.

An explosive international thriller, Angels & Demons careens from enlightening epiphanies to dark truths as the battle between science and religion turns to war.

Editorial Reviews

San Francisco Chronicle
A breathless, real-time adventure....Exciting, fast-paced, with an unusually high IQ.
Publishers Weekly
Pitting scientific terrorists against the cardinals of Vatican City, this well-plotted if over-the-top thriller is crammed with Vatican intrigue and high-tech drama. Robert Langdon, a Harvard specialist on religious symbolism, is called in by a Swiss research lab when Dr. Vetra, the scientist who discovered antimatter, is found murdered with the cryptic word "Illuminati" branded on his chest. These Iluminati were a group of Renaissance scientists, including Galileo, who met secretly in Rome to discuss new ideas in safety from papal threat; what the long-defunct association has to do with Dr. Vetra's death is far from clear. Vetra's daughter, Vittoria, makes a frightening discovery: a lethal amount of antimatter, sealed in a vacuum flask that will explode in six hours unless its batteries are recharged, is missing. Almost immediately, the Swiss Guard discover that the flask is hidden beneath Vatican City, where the conclave to elect a new pope has just begun. Vittoria and Langdon rush to recover the canister, but they aren't allowed into the Vatican until it is discovered that the four principal papal candidates are missing. The terrorists who are holding the cardinals call in regarding their pending murders, offering clues tied to ancient Illuminati meeting sites and runes. Meanwhile, it becomes clear that a sinister Vatican entity with messianic delusions is in league with the terrorists. Packing the novel with sinister figures worthy of a Medici, Brown (Digital Fortress) sets an explosive pace as Langdon and Vittoria race through a Michelin-perfect Rome to try to save the cardinals and find the antimatter before it explodes. Though its premises strain credulity, Brown's tale is laced with twists and shocks that keep the reader wired right up to the last revelation. (May) Copyright 2000 Cahners Business Information.|
Book Browser Reviews
A reading experience you will never forget. Dan Brown has created another frantic paced thriller that rivals the best works of Clancy and Cussler.
Bookbrowse.com
Among the best books we have ever read. Angels & Demons is part thriller, part mystery, and all action. A highly entertaining, page-turning thriller.
Joe Mauceri
Angels & Demons is as good as it gets. A pulse-pounding, edge-of-your-seat thriller. Angels & Demons is as compelling as Umberto Eco... as engaging as Tom Clancy... as fast-paced as Michael Crichton... and rivals the best Thomas Harris thriller. Angels & Demons earns Dan Brown a place among these literary peers.
Syndicated Review
Publishers Weekly
Crammed with Vatican intrigue and hi-tech drama. Packing the novel with sinister figures worthy of a Medici, Brown sets an explosive pace through a Michelin-perfect Rome. Brown's tale is laced with twists and shocks that keep the reader wired right up to the last revelation.
Kirkus Reviews
Another near-future technothriller from the author of Digital Fortress (1998). Harvard symbologist Robert Langdon gets a call from Maximilian Kohler, director of CERN's Geneva particle-physics research complex. Physicist Leonardo Vetra has been murdered, and a quantity of dreadfully dangerous antimatter stolen; worse, Vetra was branded with a single word: Illuminati. Langdon's an expert on the history of the Illuminati, a medieval pro-science, anti-Catholic power group, often suspected of infiltrating mighty institutions but now considered extinct. The canister of antimatter soon turns up—in Rome, hidden somewhere in Vatican City, just as the church's cardinals are gathering to select a new pope. When the canister's batteries go dead—boom. As bad, someone's kidnapped the four top cardinals, and a message from the Illuminati states that one cardinal will be killed—with lots of Illuminati symbolism—every hour until the antimatter explodes. Langdon and Vetra's scientist daughter, Vittoria, must convince the late pope's chamberlain, now in charge of the Vatican until the new pope is elected, to help them unravel the mysteries of the Illuminati and, perhaps, save the cardinals from gruesome deaths. But they'll be going up against a wily and potent Illuminati assassin, causing plenty of thrilling cat-and-mouse maneuvers and life-or-death cliffhangers. And how come the powerful head of the Illuminati knows all the Vatican's secrets, and can enter and leave at will? Romance, religion, science, murder, mysticism, architecture, action. Go!

Product Details

  • ISBN-13: 9780743412391
  • Publisher: Atria Books
  • Publication date: 5/3/2005
  • Sold by: SIMON & SCHUSTER
  • Format: eBook
  • Pages: 448
  • Sales rank: 6,569
  • Series: Robert Langdon Series, #1
  • File size: 2 MB

Meet the Author

Dan Brown
Dan Brown

Dan Brown is the #1 New York Times bestselling author of The Da Vinci Code and, previously, Digital Fortress, Deception Point, and Angels & Demons. He is a graduate of Amherst College and Phillips Exeter Academy, where he spent time as an English teacher before turning his efforts to writing full-time. He lives in New England with his wife. Visit the author's website at danbrown.com.

Biography

Novelist Dan Brown may not have invented the literary thriller, but his groundbreaking tour de force The Da Vinci Code -- with its irresistible mix of religion, history, art, and science -- is the gold standard for a flourishing genre.

Born in Exeter, New Hampshire in 1964, Brown attended Phillips Exeter Academy (where his father taught), and graduated from Amherst with a double major in Spanish and English. After college he supported himself through teaching and enjoyed moderate success as a musician and songwriter.

Brown credits Sidney Sheldon with jump-starting his literary career. Up until 1994, his reading tastes were focused sharply on the classics. Then, on vacation in Tahiti, he stumbled on a paperback copy of Sheldon's novel The Doomsday Conspiracy. By the time he finished the book, he had decided he could do as well. There and then, he determined to try his hand at writing. His first attempt was a pseudonymously written self-help book for women co-written with his future wife Blythe Newlon. Then, in 1998, he published his first novel, Digital Fortress -- followed in swift succession by Angels and Demons and Deception Point. None the three achieved commercial success.

Then, in 2003, Brown hit the jackpot with his fourth novel, a compulsively readable thriller about a Harvard symbologist named Robert Langdon who stumbles on an ancient conspiracy in the wake of a shocking murder in the Louvre. Combining elements from art, science, and religion, The Da Vinci Code became the biggest bestseller in publishing history, inspiring a big-budget movie adaptation and fueling interest in the author's back list. In 2009, Brown continued Robert Langdon's esoteric adventures with The Lost Symbol, a tale of intrigue that, like its predecessors, takes readers on a wild ride into the sinister mysteries of the past.

Good To Know

  • Brown revealed the inspiration for his labyrinthine thriller during a writer's address in Concord, New Hampshire. "I was studying art history at the University of Seville (in Spain), and one morning our professor started class in a most unusual way. He showed us a slide of Da Vinci's famous painting "The Last Supper"... I had seen the painting many times, yet somehow I had never seen the strange anomalies that the professor began pointing out: a hand clutching a dagger, a disciple making a threatening gesture across the neck of another... and much to my surprise, a very obvious omission, the apparent absence on the table of the cup of Christ... The one physical object that in many ways defines that moment in history, Leonardo Da Vinci chose to omit." According to Brown, this reintroduction to an ancient masterpiece was merely "the tip of the ice burg." What followed was an in-depth explanation of clues apparent in Da Vinci's painting and his association with the Priory of Sion that set Brown on a path toward bringing The Da Vinci Code into existence.

  • If only all writers could enjoy this kind of success: in early 2004, all four of Brown's novels were on the New York Times Bestseller List in a single week!

    In our interview with Brown, he shared some of his writing rituals:

    "If I'm not at my desk by 4:00 a.m., I feel like I'm missing my most productive hours. In addition to starting early, I keep an antique hourglass on my desk and every hour break briefly to do push-ups, sit-ups, and some quick stretches. I find this helps keep the blood -- and ideas -- flowing.

    "I'm also a big fan of gravity boots. Hanging upside down seems to help me solve plot challenges by shifting my entire perspective."

      1. Hometown:
        New England
      1. Date of Birth:
        June 22, 1964
      2. Place of Birth:
        Exeter, New Hampshire
      1. Education:
        Phillips Exeter Academy 1982; B.A., Amherst College, 1986; University of Seville, Spain
      2. Website:

    Read an Excerpt


    Chapter One

    High atop the steps of the Pyramid of Giza a young woman laughed and called down to him. "Robert, hurry up! I knew I should have married a younger man!" Her smile was magic.

    He struggled to keep up, but his legs felt like stone. "Wait," he begged. "Please..."

    As he climbed, his vision began to blur. There was a thundering in his ears. I must reach her! But when he looked up again, the woman had disappeared. In her place stood an old man with rotting teeth. The man stared down, curling his lips into a lonely grimace. Then he let out a scream of anguish that resounded across the desert.

    Robert Langdon awoke with a start from his nightmare. The phone beside his bed was ringing. Dazed, he picked up the receiver.

    "Hello?"

    "I'm looking for Robert Langdon," a man's voice said.

    Langdon sat up in his empty bed and tried to clear his mind. "This...is Robert Langdon." He squinted at his digital clock. It was 5:18 A.M.

    "I must see you immediately."

    "Who is this?"

    "My name is Maximilian Kohler. I'm a discrete particle physicist."

    "A what?" Langdon could barely focus. "Are you sure you've got the right Langdon?"

    "You're a professor of religious iconology at Harvard University. You've written three books on symbology and -- "

    "Do you know what time it is?"

    "I apologize. I have something you need to see. I can't discuss it on the phone."

    A knowing groan escaped Langdon's lips. This had happened before. One of the perils of writing books about religious symbology was the calls from religious zealots who wanted him to confirm their latest sign from God. Last month a stripper from Oklahoma had promised Langdon the best sex of his life if he would fly down and verify the authenticity of a cruciform that had magically appeared on her bed sheets. The Shroud of Tulsa, Langdon had called it.

    "How did you get my number?" Langdon tried to be polite, despite the hour.

    "On the Worldwide Web. The site for your book."

    Langdon frowned. He was damn sure his book's site did not include his home phone number. The man was obviously lying.

    "I need to see you," the caller insisted. "I'll pay you well."

    Now Langdon was getting mad. "I'm sorry, but I really -- "

    "If you leave immediately, you can be here by -- "

    "I'm not going anywhere! It's five o'clock in the morning!" Langdon hung up and collapsed back in bed. He closed his eyes and tried to fall back asleep. It was no use. The dream was emblazoned in his mind. Reluctantly, he put on his robe and went downstairs.

    Robert Langdon wandered barefoot through his deserted Massachusetts Victorian home and nursed his ritual insomnia remedy -- a mug of steaming Nestlé's Quik. The April moon filtered through the bay windows and played on the oriental carpets. Langdon's colleagues often joked that his place looked more like an anthropology museum than a home. His shelves were packed with religious artifacts from around the world -- an ekuaba from Ghana, a gold cross from Spain, a cycladic idol from the Aegean, and even a rare woven boccus from Borneo, a young warrior's symbol of perpetual youth.

    As Langdon sat on his brass Maharishi's chest and savored the warmth of the chocolate, the bay window caught his reflection. The image was distorted and pale...like a ghost. An aging ghost, he thought, cruelly reminded that his youthful spirit was living in a mortal shell.

    Although not overly handsome in a classical sense, the forty-five-year-old Langdon had what his female colleagues referred to as an "erudite" appeal -- wisps of gray in his thick brown hair, probing blue eyes, an arrestingly deep voice, and the strong, carefree smile of a collegiate athlete. A varsity diver in prep school and college, Langdon still had the body of a swimmer, a toned, six-foot physique that he vigilantly maintained with fifty laps a day in the university pool.

    Langdon's friends had always viewed him as a bit of an enigma -- a man caught between centuries. On weekends he could be seen lounging on the quad in blue jeans, discussing computer graphics or religious history with students; other times he could be spotted in his Harris tweed and paisley vest, photographed in the pages of upscale art magazines at museum openings where he had been asked to lecture.

    Although a tough teacher and strict disciplinarian, Langdon was the first to embrace what he hailed as the "lost art of good clean fun." He relished recreation with an infectious fanaticism that had earned him a fraternal acceptance among his students. His campus nickname -- "The Dolphin" -- was a reference both to his affable nature and his legendary ability to dive into a pool and outmaneuver the entire opposing squad in a water polo match.

    As Langdon sat alone, absently gazing into the darkness, the silence of his home was shattered again, this time by the ring of his fax machine. Too exhausted to be annoyed, Langdon forced a tired chuckle.

    God's people, he thought. Two thousand years of waiting for their Messiah, and they're still persistent as hell.

    Wearily, he returned his empty mug to the kitchen and walked slowly to his oak-paneled study. The incoming fax lay in the tray. Sighing, he scooped up the paper and looked at it.

    Instantly, a wave of nausea hit him.

    The image on the page was that of a human corpse. The body had been stripped naked, and its head had been twisted, facing completely backward. On the victim's chest was a terrible burn. The man had been branded...imprinted with a single word. It was a word Langdon knew well. Very well. He stared at the ornate lettering in disbelief.

    "Illuminati," he stammered, his heart pounding. It can't be...

    In slow motion, afraid of what he was about to witness, Langdon rotated the fax 180 degrees. He looked at the word upside down.

    Instantly, the breath went out of him. It was like he had been hit by a truck. Barely able to believe his eyes, he rotated the fax again, reading the brand right-side up and then upside down.

    "Illuminati," he whispered.

    Stunned, Langdon collapsed in a chair. He sat a moment in utter bewilderment. Gradually, his eyes were drawn to the blinking red light on his fax machine. Whoever had sent this fax was still on the line...waiting to talk. Langdon gazed at the blinking light a long time.

    Then, trembling, he picked up the receiver.

    Copyright © 2000 by Dan Brown

    Chapter Two

    Do I have your attention now?" the man's voice said when Langdon finally answered the line.

    "Yes, sir, you damn well do. You want to explain yourself?"

    "I tried to tell you before." The voice was rigid, mechanical. "I'm a physicist. I run a research facility. We've had a murder. You saw the body."

    "How did you find me?" Langdon could barely focus. His mind was racing from the image on the fax.

    "I already told you. The Worldwide Web. The site for your book, The Art of the Illuminati."

    Langdon tried to gather his thoughts. His book was virtually unknown in mainstream literary circles, but it had developed quite a following on-line. Nonetheless, the caller's claim still made no sense. "That page has no contact information," Langdon challenged. "I'm certain of it."

    "I have people here at the lab very adept at extracting user information from the Web."

    Langdon was skeptical. "Sounds like your lab knows a lot about the Web."

    "We should," the man fired back. "We invented it."

    Something in the man's voice told Langdon he was not joking.

    "I must see you," the caller insisted. "This is not a matter we can discuss on the phone. My lab is only an hour's flight from Boston."

    Langdon stood in the dim light of his study and analyzed the fax in his hand. The image was overpowering, possibly representing the epigraphical find of the century, a decade of his research confirmed in a single symbol.

    "It's urgent," the voice pressured.

    Langdon's eyes were locked on the brand. Illuminati, he read over and over. His work had always been based on the symbolic equivalent of fossils -- ancient documents and historical hearsay -- but this image before him was today. Present tense. He felt like a paleontologist coming face to face with a living dinosaur.

    "I've taken the liberty of sending a plane for you," the voice said. "It will be in Boston in twenty minutes."

    Langdon felt his mouth go dry. An hour's flight...

    "Please forgive my presumption," the voice said. "I need you here."

    Langdon looked again at the fax -- an ancient myth confirmed in black and white. The implications were frightening. He gazed absently through the bay window. The first hint of dawn was sifting through the birch trees in his backyard, but the view looked somehow different this morning. As an odd combination of fear and exhilaration settled over him, Langdon knew he had no choice.

    "You win," he said. "Tell me where to meet the plane."

    Copyright © 2000 by Dan Brown

    Chapter Three

    Thousands of miles away, two men were meeting. The chamber was dark. Medieval. Stone.

    "Benvenuto," the man in charge said. He was seated in the shadows, out of sight. "Were you successful?"

    "Si," the dark figure replied. "Perfectamente." His words were as hard as the rock walls.

    "And there will be no doubt who is responsible?"

    "None."

    "Superb. Do you have what I asked for?"

    The killer's eyes glistened, black like oil. He produced a heavy electronic device and set it on the table.

    The man in the shadows seemed pleased. "You have done well."

    "Serving the brotherhood is an honor," the killer said.

    "Phase two begins shortly. Get some rest. Tonight we change the world."

    Copyright © 2000 by Dan Brown

    Chapter Four

    Robert Langdon's Saab 900S tore out of the Callahan Tunnel and emerged on the east side of Boston Harbor near the entrance to Logan Airport. Checking his directions Langdon found Aviation Road and turned left past the old Eastern Airlines Building. Three hundred yards down the access road a hangar loomed in the darkness. A large number "4" was painted on it. He pulled into the parking lot and got out of his car.

    A round-faced man in a blue flight suit emerged from behind the building. "Robert Langdon?" he called. The man's voice was friendly. He had an accent Langdon couldn't place.

    "That's me," Langdon said, locking his car.

    "Perfect timing," the man said. "I've just landed. Follow me, please."

    As they circled the building, Langdon felt tense. He was not accustomed to cryptic phone calls and secret rendezvous with strangers. Not knowing what to expect he had donned his usual classroom attire -- a pair of chinos, a turtleneck, and a Harris tweed suit jacket. As they walked, he thought about the fax in his jacket pocket, still unable to believe the image it depicted.

    The pilot seemed to sense Langdon's anxiety. "Flying's not a problem for you, is it, sir?"

    "Not at all," Langdon replied. Branded corpses are a problem for me. Flying I can handle.

    The man led Langdon the length of the hangar. They rounded the corner onto the runway.

    Langdon stopped dead in his tracks and gaped at the aircraft parked on the tarmac. "We're riding in that?"

    The man grinned. "Like it?"

    Langdon stared a long moment. "Like it? What the hell is it?"

    The craft before them was enormous. It was vaguely reminiscent of the space shuttle except that the top had been shaved off, leaving it perfectly flat. Parked there on the runway, it resembled a colossal wedge. Langdon's first impression was that he must be dreaming. The vehicle looked as airworthy as a Buick. The wings were practically nonexistent -- just two stubby fins on the rear of the fuselage. A pair of dorsal guiders rose out of the aft section. The rest of the plane was hull -- about 200 feet from front to back -- no windows, nothing but hull.

    "Two hundred fifty thousand kilos fully fueled," the pilot offered, like a father bragging about his newborn. "Runs on slush hydrogen. The shell's a titanium matrix with silicon carbide fibers. She packs a 20:1 thrust/weight ratio; most jets run at 7:1. The director must be in one helluva a hurry to see you. He doesn't usually send the big boy."

    "This thing flies?" Langdon said.

    The pilot smiled. "Oh yeah." He led Langdon across the tarmac toward the plane. "Looks kind of startling, I know, but you better get used to it. In five years, all you'll see are these babies -- HSCT's -- High Speed Civil Transports. Our lab's one of the first to own one."

    Must be one hell of a lab, Langdon thought.

    "This one's a prototype of the Boeing X-33," the pilot continued, "but there are dozens of others -- the National Aero Space Plane, the Russians have Scramjet, the Brits have HOTOL. The future's here, it's just taking some time to get to the public sector. You can kiss conventional jets good-bye."

    Langdon looked up warily at the craft. "I think I'd prefer a conventional jet."

    The pilot motioned up the gangplank. "This way, please, Mr. Langdon. Watch your step."

    Minutes later, Langdon was seated inside the empty cabin. The pilot buckled him into the front row and disappeared toward the front of the aircraft.

    The cabin itself looked surprisingly like a wide-body commercial airliner. The only exception was that it had no windows, which made Langdon uneasy. He had been haunted his whole life by a mild case of claustrophobia -- the vestige of a childhood incident he had never quite overcome.

    Langdon's aversion to closed spaces was by no means debilitating, but it had always frustrated him. It manifested itself in subtle ways. He avoided enclosed sports like racquetball or squash, and he had gladly paid a small fortune for his airy, high-ceilinged Victorian home even though economical faculty housing was readily available. Langdon had often suspected his attraction to the art world as a young boy sprang from his love of museums' wide open spaces.

    The engines roared to life beneath him, sending a deep shudder through the hull. Langdon swallowed hard and waited. He felt the plane start taxiing. Piped-in country music began playing quietly overhead.

    A phone on the wall beside him beeped twice. Langdon lifted the receiver.

    "Hello?"

    "Comfortable, Mr. Langdon?"

    "Not at all."

    "Just relax. We'll be there in an hour."

    "And where exactly is there?" Langdon asked, realizing he had no idea where he was headed.

    "Geneva," the pilot replied, revving the engines. "The lab's in Geneva."

    "Geneva," Langdon repeated, feeling a little better. "Upstate New York. I've actually got family near Seneca Lake. I wasn't aware Geneva had a physics lab."

    The pilot laughed. "Not Geneva, New York, Mr. Langdon. Geneva, Switzerland."

    The word took a long moment to register. "Switzerland?" Langdon felt his pulse surge. "I thought you said the lab was only an hour away!"

    "It is, Mr. Langdon." The pilot chuckled. "This plane goes Mach fifteen."

    Copyright © 2000 by Dan Brown

    Chapter Five

    On a busy European street, the killer serpentined through a crowd. He was a powerful man. Dark and potent. Deceptively agile. His muscles still felt hard from the thrill of his meeting.

    It went well, he told himself. Although his employer had never revealed his face, the killer felt honored to be in his presence. Had it really been only fifteen days since his employer had first made contact? The killer still remembered every word of that call...

    "My name is Janus," the caller had said. "We are kinsmen of a sort. We share an enemy. I hear your skills are for hire."

    "It depends whom you represent," the killer replied.

    The caller told him.

    "Is this your idea of a joke?"

    "You have heard our name, I see," the caller replied.

    "Of course. The brotherhood is legendary."

    "And yet you find yourself doubting I am genuine."

    "Everyone knows the brothers have faded to dust."

    "A devious ploy. The most dangerous enemy is that which no one fears."

    The killer was skeptical. "The brotherhood endures?"

    "Deeper underground than ever before. Our roots infiltrate everything you see...even the sacred fortress of our most sworn enemy."

    "Impossible. They are invulnerable."

    "Our reach is far."

    "No one's reach is that far."

    "Very soon, you will believe. An irrefutable demonstration of the brotherhood's power has already transpired. A single act of treachery and proof."

    "What have you done?"

    The caller told him.

    The killer's eyes went wide. "An impossible task."

    The next day, newspapers around the globe carried the same headline. The killer became a believer.

    Now, fifteen days later, the killer's faith had solidified beyond the shadow of a doubt. The brotherhood endures, he thought. Tonight they will surface to reveal their power.

    As he made his way through the streets, his black eyes gleamed with foreboding. One of the most covert and feared fraternities ever to walk the earth had called on him for service. They have chosen wisely, he thought. His reputation for secrecy was exceeded only by that of his deadliness.

    So far, he had served them nobly. He had made his kill and delivered the item to Janus as requested. Now, it was up to Janus to use his power to ensure the item's placement.

    The placement...

    The killer wondered how Janus could possibly handle such a staggering task. The man obviously had connections on the inside. The brotherhood's dominion seemed limitless.

    Janus, the killer thought. A code name, obviously. Was it a reference, he wondered, to the Roman two-faced god...or to the moon of Saturn? Not that it made any difference. Janus wielded unfathomable power. He had proven that beyond a doubt.

    As the killer walked, he imagined his ancestors smiling down on him. Today he was fighting their battle, he was fighting the same enemy they had fought for ages, as far back as the eleventh century...when the enemy's crusading armies had first pillaged his land, raping and killing his people, declaring them unclean, defiling their temples and gods.

    His ancestors had formed a small but deadly army to defend themselves. The army became famous across the land as protectors -- skilled executioners who wandered the countryside slaughtering any of the enemy they could find. They were renowned not only for their brutal killings, but also for celebrating their slayings by plunging themselves into drug-induced stupors. Their drug of choice was a potent intoxicant they called hashish.

    As their notoriety spread, these lethal men became known by a single word -- Hassassin -- literally "the followers of hashish." The name Hassassin became synonymous with death in almost every language on earth. The word was still used today, even in modern English...but like the craft of killing, the word had evolved.

    It was now pronounced assassin.

    Copyright © 2000 by Dan Brown

    Chapter Six

    Sixty-four minutes had passed when an incredulous and slightly air-sick Robert Langdon stepped down the gangplank onto the sun-drenched runway. A crisp breeze rustled the lapels of his tweed jacket. The open space felt wonderful. He squinted out at the lush green valley rising to snowcapped peaks all around them.

    I'm dreaming, he told himself. Any minute now I'll be waking up.

    "Welcome to Switzerland," the pilot said, yelling over the roar of the X-33's misted-fuel HEDM engines winding down behind them.

    Langdon checked his watch. It read 7:07 A.M.

    "You just crossed six time zones," the pilot offered. "It's a little past 1 P.M. here."

    Langdon reset his watch.

    "How do you feel?"

    He rubbed his stomach. "Like I've been eating Styrofoam."

    The pilot nodded. "Altitude sickness. We were at sixty thousand feet. You're thirty percent lighter up there. Lucky we only did a puddle jump. If we'd gone to Tokyo I'd have taken her all the way up -- a hundred miles. Now that'll get your insides rolling."

    Langdon gave a wan nod and counted himself lucky. All things considered, the flight had been remarkably ordinary. Aside from a bone-crushing acceleration during take off, the plane's motion had been fairly typical -- occasional minor turbulence, a few pressure changes as they'd climbed, but nothing at all to suggest they had been hurtling through space at the mind-numbing speed of 11,000 miles per hour.

    A handful of technicians scurried onto the runway to tend to the X-33. The pilot escorted Langdon to a black Peugeot sedan in a parking area beside the control tower. Moments later they were speeding down a paved road that stretched out across the valley floor. A faint cluster of buildings rose in the distance. Outside, the grassy plains tore by in a blur.

    Langdon watched in disbelief as the pilot pushed the speedometer up around 170 kilometers an hour -- over 100 miles per hour. What is it with this guy and speed? he wondered.

    "Five kilometers to the lab," the pilot said. "I'll have you there in two minutes."

    Langdon searched in vain for a seat belt. Why not make it three and get us there alive?

    The car raced on.

    "Do you like Reba?" the pilot asked, jamming a cassette into the tape deck.

    A woman started singing. "It's just the fear of being alone..."

    No fear here, Langdon thought absently. His female colleagues often ribbed him that his collection of museum-quality artifacts was nothing more than a transparent attempt to fill an empty home, a home they insisted would benefit greatly from the presence of a woman. Langdon always laughed it off, reminding them he already had three loves in his life -- symbology, water polo, and bachelorhood -- the latter being a freedom that enabled him to travel the world, sleep as late as he wanted, and enjoy quiet nights at home with a brandy and a good book.

    "We're like a small city," the pilot said, pulling Langdon from his daydream. "Not just labs. We've got supermarkets, a hospital, even a cinema."

    Langdon nodded blankly and looked out at the sprawling expanse of buildings rising before them.

    "In fact," the pilot added, "we possess the largest machine on earth."

    "Really?" Langdon scanned the countryside.

    "You won't see it out there, sir." The pilot smiled. "It's buried six stories below the earth."

    Langdon didn't have time to ask. Without warning the pilot jammed on the brakes. The car skidded to a stop outside a reinforced sentry booth.

    Langdon read the sign before them. SECURITE. ARRETEZ. He suddenly felt a wave of panic, realizing where he was. "My God! I didn't bring my passport!"

    "Passports are unnecessary," the driver assured. "We have a standing arrangement with the Swiss government."

    Langdon watched dumbfounded as his driver gave the guard an ID. The sentry ran it through an electronic authentication device. The machine flashed green.

    "Passenger name?"

    "Robert Langdon," the driver replied.

    "Guest of?"

    "The director."

    The sentry arched his eyebrows. He turned and checked a computer printout, verifying it against the data on his computer screen. Then he returned to the window. "Enjoy your stay, Mr. Langdon."

    The car shot off again, accelerating another 200 yards around a sweeping rotary that led to the facility's main entrance. Looming before them was a rectangular, ultramodern structure of glass and steel. Langdon was amazed by the building's striking transparent design. He had always had a fond love of architecture.

    "The Glass Cathedral," the escort offered.

    "A church?"

    "Hell, no. A church is the one thing we don't have. Physics is the religion around here. Use the Lord's name in vain all you like," he laughed, "just don't slander any quarks or mesons."

    Langdon sat bewildered as the driver swung the car around and brought it to a stop in front of the glass building. Quarks and mesons? No border control? Mach 15 jets? Who the hell ARE these guys? The engraved granite slab in front of the building bore the answer:

    (cern)

    Conseil Européen pour la

    Recherche Nucléaire


    "Nuclear Research?" Langdon asked, fairly certain his translation was correct.

    The driver did not answer. He was leaning forward, busily adjusting the car's cassette player. "This is your stop. The director will meet you at this entrance."

    Langdon noted a man in a wheelchair exiting the building. He looked to be in his early sixties. Gaunt and totally bald with a sternly set jaw, he wore a white lab coat and dress shoes propped firmly on the wheelchair's footrest. Even at a distance his eyes looked lifeless -- like two gray stones.

    "Is that him?" Langdon asked.

    The driver looked up. "Well, I'll be." He turned and gave Langdon an ominous smile. "Speak of the devil."

    Uncertain what to expect, Langdon stepped from the vehicle.

    The man in the wheelchair accelerated toward Langdon and offered a clammy hand. "Mr. Langdon? We spoke on the phone. My name is Maximilian Kohler."

    Copyright © 2000 by Dan Brown

    Chapter Seven

    Maximilian Kohler, director general of CERN, was known behind his back as K&#246nig -- King. It was a title more of fear than reverence for the figure who ruled over his dominion from a wheelchair throne. Although few knew him personally, the horrific story of how he had been crippled was lore at CERN, and there were few there who blamed him for his bitterness...nor for his sworn dedication to pure science.

    Langdon had only been in Kohler's presence a few moments and already sensed the director was a man who kept his distance. Langdon found himself practically jogging to keep up with Kohler's electric wheelchair as it sped silently toward the main entrance. The wheelchair was like none Langdon had ever seen -- equipped with a bank of electronics including a multiline phone, a paging system, computer screen, even a small, detachable video camera. King Kohler's mobile command center.

    Langdon followed through a mechanical door into CERN's voluminous main lobby.

    The Glass Cathedral, Langdon mused, gazing upward toward heaven.

    Overhead, the bluish glass roof shimmered in the afternoon sun, casting rays of geometric patterns in the air and giving the room a sense of grandeur. Angular shadows fell like veins across the white tiled walls and down to the marble floors. The air smelled clean, sterile. A handful of scientists moved briskly about, their footsteps echoing in the resonant space.

    "This way, please, Mr. Langdon." His voice sounded almost computerized. His accent was rigid and precise, like his stern features. Kohler coughed and wiped his mouth on a white handkerchief as he fixed his dead gray eyes on Langdon. "Please hurry." His wheelchair seemed to leap across the tiled floor.

    Langdon followed past what seemed to be countless hallways branching off the main atrium. Every hallway was alive with activity. The scientists who saw Kohler seemed to stare in surprise, eyeing Langdon as if wondering who he must be to command such company.

    "I'm embarrassed to admit," Langdon ventured, trying to make conversation, "that I've never heard of CERN."

    "Not surprising," Kohler replied, his clipped response sounding harshly efficient. "Most Americans do not see Europe as the world leader in scientific research. They see us as nothing but a quaint shopping district -- an odd perception if you consider the nationalities of men like Einstein, Galileo, and Newton."

    Langdon was unsure how to respond. He pulled the fax from his pocket. "This man in the photograph, can you -- "

    Kohler cut him off with a wave of his hand. "Please. Not here. I am taking you to him now." He held out his hand. "Perhaps I should take that."

    Langdon handed over the fax and fell silently into step.

    Kohler took a sharp left and entered a wide hallway adorned with awards and commendations. A particularly large plaque dominated the entry. Langdon slowed to read the engraved bronze as they passed.

    ARS ELECTRONICA AWARD

    For Cultural Innovation in the Digital Age

    Awarded to Tim Berners Lee and CERN

    for the invention of the

    WORLDWIDE WEB


    Well I'll be damned, Langdon thought, reading the text. This guy wasn't kidding. Langdon had always thought of the Web as an American invention. Then again, his knowledge was limited to the site for his own book and the occasional on-line exploration of the Louvre or El Prado on his old Macintosh.

    "The Web," Kohler said, coughing again and wiping his mouth, "began here as a network of in-house computer sites. It enabled scientists from different departments to share daily findings with one another. Of course, the entire world is under the impression the Web is U.S. technology."

    Langdon followed down the hall. "Why not set the record straight?"

    Kohler shrugged, apparently disinterested. "A petty misconception over a petty technology. CERN is far greater than a global connection of computers. Our scientists produce miracles almost daily."

    Langdon gave Kohler a questioning look. "Miracles?" The word "miracle" was certainly not part of the vocabulary around Harvard's Fairchild Science Building. Miracles were left for the School of Divinity.

    "You sound skeptical," Kohler said. "I thought you were a religious symbologist. Do you not believe in miracles?"

    "I'm undecided on miracles," Langdon said. Particularly those that take place in science labs.

    "Perhaps miracle is the wrong word. I was simply trying to speak your language."

    "My language?" Langdon was suddenly uncomfortable. "Not to disappoint you, sir, but I study religious symbology -- I'm an academic, not a priest."

    Kohler slowed suddenly and turned, his gaze softening a bit. "Of course. How simple of me. One does not need to have cancer to analyze its symptoms."

    Langdon had never heard it put quite that way.

    As they moved down the hallway, Kohler gave an accepting nod. "I suspect you and I will understand each other perfectly, Mr. Langdon."

    Somehow Langdon doubted it.

    As the pair hurried on, Langdon began to sense a deep rumbling up ahead. The noise got more and more pronounced with every step, reverberating through the walls. It seemed to be coming from the end of the hallway in front of them.

    "What's that?" Langdon finally asked, having to yell. He felt like they were approaching an active volcano.

    "Free Fall Tube," Kohler replied, his hollow voice cutting the air effortlessly. He offered no other explanation.

    Langdon didn't ask. He was exhausted, and Maximilian Kohler seemed disinterested in winning any hospitality awards. Langdon reminded himself why he was here. Illuminati. He assumed somewhere in this colossal facility was a body...a body branded with a symbol he had just flown 3,000 miles to see.

    As they approached the end of the hall, the rumble became almost deafening, vibrating up through Langdon's soles. They rounded the bend, and a viewing gallery appeared on the right. Four thick-paned portals were embedded in a curved wall, like windows in a submarine. Langdon stopped and looked through one of the holes.

    Professor Robert Langdon had seen some strange things in his life, but this was the strangest. He blinked a few times, wondering if he was hallucinating. He was staring into an enormous circular chamber. Inside the chamber, floating as though weightless, were people. Three of them. One waved and did a somersault in midair.

    My God, he thought. I'm in the land of Oz.

    The floor of the room was a mesh grid, like a giant sheet of chicken wire. Visible beneath the grid was the metallic blur of a huge propeller.

    "Free fall tube," Kohler said, stopping to wait for him. "Indoor skydiving. For stress relief. It's a vertical wind tunnel."

    Langdon looked on in amazement. One of the free fallers, an obese woman, maneuvered toward the window. She was being buffeted by the air currents but grinned and flashed Langdon the thumbs-up sign. Langdon smiled weakly and returned the gesture, wondering if she knew it was the ancient phallic symbol for masculine virility.

    The heavyset woman, Langdon noticed, was the only one wearing what appeared to be a miniature parachute. The swathe of fabric billowed over her like a toy. "What's her little chute for?" Langdon asked Kohler. "It can't be more than a yard in diameter."

    "Friction," Kohler said. "Decreases her aerodynamics so the fan can lift her." He started down the the corridor again. "One square yard of drag will slow a falling body almost twenty percent."

    Langdon nodded blankly.

    He never suspected that later that night, in a country hundreds of miles away, the information would save his life.

    Copyright © 2000 by Dan Brown

    Table of Contents

    First Chapter

    Chapter One

    High atop the steps of the Pyramid of Giza a young woman laughed and called down to him. "Robert, hurry up! I knew I should have married a younger man!" Her smile was magic.

    He struggled to keep up, but his legs felt like stone. "Wait," he begged. "Please..."

    As he climbed, his vision began to blur. There was a thundering in his ears. I must reach her! But when he looked up again, the woman had disappeared. In her place stood an old man with rotting teeth. The man stared down, curling his lips into a lonely grimace. Then he let out a scream of anguish that resounded across the desert.

    Robert Langdon awoke with a start from his nightmare. The phone beside his bed was ringing. Dazed, he picked up the receiver.

    "Hello?"

    "I'm looking for Robert Langdon," a man's voice said.

    Langdon sat up in his empty bed and tried to clear his mind. "This...is Robert Langdon." He squinted at his digital clock. It was 5:18 A.M.

    "I must see you immediately."

    "Who is this?"

    "My name is Maximilian Kohler. I'm a discrete particle physicist."

    "A what?" Langdon could barely focus. "Are you sure you've got the right Langdon?"

    "You're a professor of religious iconology at Harvard University. You've written three books on symbology and -- "

    "Do you know what time it is?"

    "I apologize. I have something you need to see. I can't discuss it on the phone."

    A knowing groan escaped Langdon's lips. This had happened before. One of the perils of writing books about religious symbology was the calls from religious zealots who wanted him to confirm their latest sign from God. Last month a stripper fromOklahoma had promised Langdon the best sex of his life if he would fly down and verify the authenticity of a cruciform that had magically appeared on her bed sheets. The Shroud of Tulsa, Langdon had called it.

    "How did you get my number?" Langdon tried to be polite, despite the hour.

    "On the Worldwide Web. The site for your book."

    Langdon frowned. He was damn sure his book's site did not include his home phone number. The man was obviously lying.

    "I need to see you," the caller insisted. "I'll pay you well."

    Now Langdon was getting mad. "I'm sorry, but I really -- "

    "If you leave immediately, you can be here by -- "

    "I'm not going anywhere! It's five o'clock in the morning!" Langdon hung up and collapsed back in bed. He closed his eyes and tried to fall back asleep. It was no use. The dream was emblazoned in his mind. Reluctantly, he put on his robe and went downstairs.


    Robert Langdon wandered barefoot through his deserted Massachusetts Victorian home and nursed his ritual insomnia remedy -- a mug of steaming Nestlé's Quik. The April moon filtered through the bay windows and played on the oriental carpets. Langdon's colleagues often joked that his place looked more like an anthropology museum than a home. His shelves were packed with religious artifacts from around the world -- an ekuaba from Ghana, a gold cross from Spain, a cycladic idol from the Aegean, and even a rare woven boccus from Borneo, a young warrior's symbol of perpetual youth.

    As Langdon sat on his brass Maharishi's chest and savored the warmth of the chocolate, the bay window caught his reflection. The image was distorted and pale...like a ghost. An aging ghost, he thought, cruelly reminded that his youthful spirit was living in a mortal shell.

    Although not overly handsome in a classical sense, the forty-five-year-old Langdon had what his female colleagues referred to as an "erudite" appeal -- wisps of gray in his thick brown hair, probing blue eyes, an arrestingly deep voice, and the strong, carefree smile of a collegiate athlete. A varsity diver in prep school and college, Langdon still had the body of a swimmer, a toned, six-foot physique that he vigilantly maintained with fifty laps a day in the university pool.

    Langdon's friends had always viewed him as a bit of an enigma -- a man caught between centuries. On weekends he could be seen lounging on the quad in blue jeans, discussing computer graphics or religious history with students; other times he could be spotted in his Harris tweed and paisley vest, photographed in the pages of upscale art magazines at museum openings where he had been asked to lecture.

    Although a tough teacher and strict disciplinarian, Langdon was the first to embrace what he hailed as the "lost art of good clean fun." He relished recreation with an infectious fanaticism that had earned him a fraternal acceptance among his students. His campus nickname -- "The Dolphin" -- was a reference both to his affable nature and his legendary ability to dive into a pool and outmaneuver the entire opposing squad in a water polo match.

    As Langdon sat alone, absently gazing into the darkness, the silence of his home was shattered again, this time by the ring of his fax machine. Too exhausted to be annoyed, Langdon forced a tired chuckle.

    God's people, he thought. Two thousand years of waiting for their Messiah, and they're still persistent as hell.

    Wearily, he returned his empty mug to the kitchen and walked slowly to his oak-paneled study. The incoming fax lay in the tray. Sighing, he scooped up the paper and looked at it.

    Instantly, a wave of nausea hit him.

    The image on the page was that of a human corpse. The body had been stripped naked, and its head had been twisted, facing completely backward. On the victim's chest was a terrible burn. The man had been branded...imprinted with a single word. It was a word Langdon knew well. Very well. He stared at the ornate lettering in disbelief.


    "Illuminati," he stammered, his heart pounding. It can't be...

    In slow motion, afraid of what he was about to witness, Langdon rotated the fax 180 degrees. He looked at the word upside down.

    Instantly, the breath went out of him. It was like he had been hit by a truck. Barely able to believe his eyes, he rotated the fax again, reading the brand right-side up and then upside down.

    "Illuminati," he whispered.

    Stunned, Langdon collapsed in a chair. He sat a moment in utter bewilderment. Gradually, his eyes were drawn to the blinking red light on his fax machine. Whoever had sent this fax was still on the line...waiting to talk. Langdon gazed at the blinking light a long time.

    Then, trembling, he picked up the receiver.

    Copyright © 2000 by Dan Brown

    Introduction

    Angels & Demons

    Dan Brown

    QUESTIONS AND TOPICS FOR DISCUSSION

    1. What is your view of Robert Langdon? What motivates him to find out more about the circumstances of Leonardo Vetra's death? Is it merely academic interest? Aside from his scholarly knowledge, what else in Langdon's background helps him succeed during this adventure?

    2. Discuss the other characters' motivations for their actions, both the "villains" and "heroes" in the story, including Vittoria, the Hassassin, the camerlengo, Cardinal Mortati, and Maximilian Kohler.

    3. Angels & Demons is filled with examples of science versus religion, a debate that has raged for centuries. Is there room in the world for both science and religion? Is one likely to render the other obsolete? Would you rather live in a world without science...or in a world without religion?

    4. Were you aware of the existence of CERN prior to reading this book? What is your opinion of the work they conduct, particularly in regard to antimatter technology?

    5. Discuss Vittoria's role in the story. How does her knowledge as a scientist come into play? Leonardo Vetra was both a scientist and a priest. How did he reconcile these two seemingly disparate entities? In what ways did her father's beliefs influence Vittoria's own opinions of science and religion?

    6. When he first meets Maximilian Kohler, Langdon tells him he is "undecided on miracles... . I study religious symbology — I'm an academic, not a priest" (21). Does Langdon change his view on miracles by the end of the book?

    7. Had you heard of the Illuminati before reading Angels & Demons? The Illuminati is rumored by some to be activetoday. Do you believe this is true? What is the enduring fascination with conspiracy theories? Given what Dan Brown reveals about the history of the Illuminati, is their alleged vendetta against the Vatican justified?

    8. Camerlengo Carlo Ventresca emerges as one of the most complex characters in the story. What was your opinion of the camerlengo when he is first introduced? How about by the end of the book?

    9. What role do the media play in the events that unfold? How about Glick and Macri in particular? The media were not interested in covering the election of a new pope until there was tragedy involved. How much influence do the media have on what information is relayed to the public? Is it true, as Glick believes, that "viewers didn't want truth anymore; they wanted entertainment" (190)?

    10. The novel takes place during a 24-hour period. How does this narrative structure heighten the suspense in the story? What red herrings does the author use to keep the reader guessing? Did you anticipate any of the events in the story?

    11. What did you find to be most compelling about Angels & Demons — the action scenes, the characters, the setting, the history, or something else entirely?

    12. Discuss the novel's ending. Do you think the Vatican (and Robert and Vittoria) made the right decision to keep the events that took place secret from the public?

    13. In an interview on his website (www.danbrown.com), Dan Brown said that Angels & Demons "opens some Vatican closets most people don't even know exist." Did you learn anything about the Vatican, its practices, and its history that surprised you?

    14. In the same interview Dan Brown goes on to say, "The final message of the novel, though, without a doubt, is a positive one." What do you see as the ultimate message of the book?

    15. Have you visited Rome? If so, do you recall seeing the Illuminati symbolism that Dan Brown describes in the book, such as at the Piazza del Popolo and the Piazza Navona? If you have not been to Rome, has reading Angels & Demons inspired you to make a visit?

    16. If you've read Robert Langdon's second adventure, The Da Vinci Code, compare the two books. What similarities do the stories share? How does the character of Rober Langdon change?

    Dan Brown is the #1 New York Times bestselling author of The Da Vinci Code and, previously, Digital Fortress, Deception Point, and Angels & Demons. He is a graduate of Amherst College and Phillips Exeter Academy, where he spent time as an English teacher before turning his efforts to writing full-time. He lives in New England with his wife. Visit the author's website at www.danbrown.com.

    Reading Group Guide


    Angels & Demons

    Dan Brown

    QUESTIONS AND TOPICS FOR DISCUSSION

    1. What is your view of Robert Langdon? What motivates him to find out more about the circumstances of Leonardo Vetra's death? Is it merely academic interest? Aside from his scholarly knowledge, what else in Langdon's background helps him succeed during this adventure?

    2. Discuss the other characters' motivations for their actions, both the "villains" and "heroes" in the story, including Vittoria, the Hassassin, the camerlengo, Cardinal Mortati, and Maximilian Kohler.

    3. Angels & Demons is filled with examples of science versus religion, a debate that has raged for centuries. Is there room in the world for both science and religion? Is one likely to render the other obsolete? Would you rather live in a world without science...or in a world without religion?

    4. Were you aware of the existence of CERN prior to reading this book? What is your opinion of the work they conduct, particularly in regard to antimatter technology?

    5. Discuss Vittoria's role in the story. How does her knowledge as a scientist come into play? Leonardo Vetra was both a scientist and a priest. How did he reconcile these two seemingly disparate entities? In what ways did her father's beliefs influence Vittoria's own opinions of science and religion?

    6. When he first meets Maximilian Kohler, Langdon tells him he is "undecided on miracles... . I study religious symbology -- I'm an academic, not a priest" (21). Does Langdon change his view on miracles by the end of the book?

    7. Had you heard of the Illuminati before reading Angels & Demons? The Illuminati is rumored by some to be active today. Do you believe this is true? What is the enduring fascination with conspiracy theories? Given what Dan Brown reveals about the history of the Illuminati, is their alleged vendetta against the Vatican justified?

    8. Camerlengo Carlo Ventresca emerges as one of the most complex characters in the story. What was your opinion of the camerlengo when he is first introduced? How about by the end of the book?

    9. What role do the media play in the events that unfold? How about Glick and Macri in particular? The media were not interested in covering the election of a new pope until there was tragedy involved. How much influence do the media have on what information is relayed to the public? Is it true, as Glick believes, that "viewers didn't want truth anymore; they wanted entertainment" (190)?

    10. The novel takes place during a 24-hour period. How does this narrative structure heighten the suspense in the story? What red herrings does the author use to keep the reader guessing? Did you anticipate any of the events in the story?

    11. What did you find to be most compelling about Angels & Demons -- the action scenes, the characters, the setting, the history, or something else entirely?

    12. Discuss the novel's ending. Do you think the Vatican (and Robert and Vittoria) made the right decision to keep the events that took place secret from the public?

    13. In an interview on his website (danbrown.com), Dan Brown said that Angels & Demons "opens some Vatican closets most people don't even know exist." Did you learn anything about the Vatican, its practices, and its history that surprised you?

    14. In the same interview Dan Brown goes on to say, "The final message of the novel, though, without a doubt, is a positive one." What do you see as the ultimate message of the book?

    15. Have you visited Rome? If so, do you recall seeing the Illuminati symbolism that Dan Brown describes in the book, such as at the Piazza del Popolo and the Piazza Navona? If you have not been to Rome, has reading Angels & Demons inspired you to make a visit?

    16. If you've read Robert Langdon's second adventure, The Da Vinci Code, compare the two books. What similarities do the stories share? How does the character of Rober Langdon change?

    Customer Reviews

    Average Rating 4.5
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    See All Sort by: Showing 1 – 20 of 2639 Customer Reviews
    • Posted March 19, 2009

      HATED IT

      "Angels and Demons", by Dan Brown, follows the story of world renowned Harvard symbologist and biologist/physicist Vittoria Vetra through the Vatican City and the rest of Rome in an attempt to locate and recharge the missing canister of antimatter. Behind the sinister plot to destroy the Vatican City is the, once thought vanished, Illuminati, a secret society that was thought to have vanished in the 1800's whose goal was to destroy the Roman Catholic Church and the faith of all the believers.

      This novel has a very gripping plot and is very hard to put down, but it is extremely predictable. For the most part, it follows the exact same story outline as "The Da Vinci Code." They are both about a secret society trying to reveal the truth behind what the Roman Catholic teaches it's followers, they both occur in a single day, and they both have the same kind of treachery involving very prominent characters.

      The end of this novel should have been very strong. Instead, it was very weak and served no real purpose. The gift received is somewhat significant, but otherwise, there was no real purpose for it. A whole entire chapter ha to be read for Vittoria to say: "Have you ever slept with a yoga master," or something to that extent. I think I would have liked the book a little more if it had had a concrete and strong ending.

      Every mystery should be exciting, attractive, fast paced, and unpredictable. This book fell very far in all of these categories. This book is not a must read unless you're a Dan Brown fan or a fan of really bad books.

      13 out of 29 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Posted August 18, 2009

      Better than any code!

      I reluctantly picked this book up. I had read the DaVinci Code really just to see what the big fuss was, but never finished it. Dan Brown redeemed himself with this one. I could not put it down. I love fast paced books and this one definitely is that...now I have to decide if I'll ruin it all by watching the movie, but we'll see.

      5 out of 5 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Posted December 12, 2008

      Great Thrilling and Captivating Science-Fiction Book!

      Robert Langdon and Vittoria Vetra combine to create an amazing story-line with many twists, turns, and surprises in Dan Brown¿s Angels and Demons. This book has a fair amount of fabrication, along with a number of true, while unknown facts, all of which combine with first-rate and competent characters to create a never failing, addictive novel.
      In Vatican City, Rome an ancient and thought-to-be-extinct demonic brotherhood emerges to declare science¿s jurisdiction over religion. While the brotherhood of the Illuminati is factual, this conspiracy and attack are completely fictional. Brown¿s interlinking of these two very distinct elements combine into a woven quilt, creating the story of Angels and Demons.
      Robert Langdon is a world-renowned Harvard symbologist called to Switzerland¿s Conseil Européen pour la Recherche Nucléaire facility (CERN) to scrutinize a corpse branded with an Illuminati ambigram. Langdon¿s brilliance connects with Vittoria Vetra¿s common sense to create a kind of juggernaut against the terror of the brotherhood. This well-rounded team is prone to penetrate the protected Illuminati.
      Angels and Demons is a great book that I would recommend to anyone interested. I am a freshman in High School and had no problem with any of the vocabulary in the story. I was also intrigued instantaneously and addicted by the third or fourth chapter. The other great thing about this book is that it is not so predictable that you can tell exactly what is going to happen. But it does not make you think ¿Where on Earth is this going?¿ and no one likes this. The novel mixes elements well and creates an entertaining story that I would advise to everyone.

      5 out of 6 people found this review helpful.

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    • Posted January 6, 2012

      An Outstanding Novel!!

      I'm not a reader, but I have read enough books to know that Dan Brown has created a masterpiece.Ever since I read this book, I have wanted to read through the entire triology. The book has a gripping plot, while teaching you things about Religion and the Big Bang theory.

      While some people say Dan Brown did a better job in writing The Da Vinci Code I disagree. Dan Brown managed to take historical sites, places, and events and mix it up with action to make a thriller that you can never put down. I felt that Angels and Demons plot was bigger and better than that of The Da Vinci Code's. The book takes you all across Rome to ancient Cathedrals and lairs, in an attempt to save the Catholic Church itself. When you're done with the book, you'll be amazed that all the monumental events happened within a day. The book will manage to keep you off balance, but doesn't frustrate you. With its clever twists in its plot, it's not as predictable as other books might be.

      The amount of knowledge in science and religion in this book would be enough to fill an entire textbook. While some of the information on this book has not been yet proven true, Dan Brown did a good job of knowing his stuff. The book will teach you everything from the birth of Christianity, to the Big Bang theory. The book doesn't bore you, but there are some unnecessary walls of text in the book that get boring. However, you can easily skip these and still understand whats going on.

      All in all, I felt that Dan Brown did a really good job with this book, and had very few flaws. For anyone who is bored in their free time, pick up this book, and let Dan Brown take you on a hunt to save the Catholic Church.

      1 out of 1 people found this review helpful.

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    • Posted August 14, 2010

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      blows the twilight saga outta the water

      amazing book by dan brown!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

      1 out of 3 people found this review helpful.

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    • Posted August 4, 2009

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      Good just not great

      Unfortunately, I read Da Vinci Code first, then went back to Angels and Demons. What I noticed was that the style was identical and the characters were similar and the plot was quite parallel. It was almost like reading the same book back to back. Neither book was badly written, it's just that the style showed no variety and read back to back was a let down.

      1 out of 3 people found this review helpful.

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    • Posted May 10, 2009

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      Edge of your seat fun!

      This was such a good book. It will keep you on the edge of your seat. I liked it even better than the Da Vinci Code. This is another book about Robert Langdon as he is on a mission to stop the Vatican from getting blown up from a santanic group called the Illumanati. My only complaint was that it kinda of started out slow, but once you get to around page 150 it gets exciting and doesn't let up. I can't wait for the next book and the movie.

      1 out of 1 people found this review helpful.

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    • Posted May 9, 2009

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      suprise

      much to my suprise this book grabed my attention and i could not put it down.when i first picked it up i thought mabye it would be good if not it would be a good way to put me to sleep. i blew throuh all of my assumptions with in the first few chapters. i really enjoyed this book.

      1 out of 2 people found this review helpful.

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    • Posted May 9, 2009

      I Also Recommend:

      This book is great!

      This book is very well written, I couldn't put it down I have to say that I never ever read books but I like the Robert Langdon series and I read this book in one week. I can't wait for the new book to come out.

      1 out of 2 people found this review helpful.

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    • Posted March 26, 2009

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      I loved this book!

      Summary:

      "Angels and Demons" is about a man named Robert Langdon; he works as a religion professor for a university specializing in the illuminati. One day he gets a call from an unknown caller telling him about a murder and he has to come and help them. He says no because it is 3 o'clock in the morning and he gets phone calls like this all the time. Finally, the unknown man sends him a fax of a naked man, murdered, head turned all the way around and the word "Illuminati" branded on his chest. This gets his attention so he promises to meet him. He gets on a plane that can reach MOCK 15 and makes it to Switzerland in 20 minutes. He discovers CERN there; A secret science lab that discovers miracles every day. This time they have discovered how to make Matter.and Antimatter out of nothing. The Antimatter is held in a special canister that stops it from touching anything with matter, because if it does then it will explode.with the power greater then a nuclear bomb. Turns out the secret cult called the illuminati discovered it and stole it as well. Without the backup power on the canister, the Antimatter only has 24 hours before detonating. Now Robert and Vittoria (the dead scientist's daughter) have to go to Vatican City, find the Antimatter, and stop the illuminati before it destroys Vatican City. If that isn't bad, enough they also captured four of the potential Popes, hours before the election of the next Pope. The Illuminati told the press that they will kill one potential every hour; one in each church of the Illuminati; the problem is they have been missing for centuries. Robert and Vittoria have to find all the churches before the Illuminati can kill the potentials. These two discover many secrets of the Vatican City, Galileo and the Illuminati. In the end, you find out that Camerlengo is the bad guy, pretending that the illuminati have returned when really he was the one doing all the killing. This book is amazing and actually helped me discover how interested I am in the Christian religion, (not enough to do it, just enough to want to learn more about it).


      The best part of the book: I believe the best part of the book would have to be the ending. In the end you discover that the good guy was really the bad guy and it gives the story a nice twist. Right when you think the story can't go anywhere else it does and you love it.

      Worst part of the book: I didn't like the way they made the Hassign (the illuminati member) talk and act. He didn't seam real enough to me, it felt like he tried to much to make his character and it didn't work out all that well.

      I would definitely recommend this book to anyone with an open mind. This book taught me so much about the Christian faith and Vatican City. This is not a book for closed-minded Christian's because I know they will read this book the wrong way and get a different message then everyone else. This book was more then amazing and I can't wait to read "The Devinci Code"

      1 out of 2 people found this review helpful.

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    • Posted October 30, 2008

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      Good Read

      It was a little far fetched but it was a good read. I would read more about the Robert Langdon character.

      1 out of 3 people found this review helpful.

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    • Anonymous

      Posted September 24, 2008

      A good book

      This is good book, it's the type of book that you never want to stop reading. Is like the others books that Mr. Brown has write. I expect a little more, but a think Dan Brown always write about the sames topics. Still, I want to read the next book of Robert Langdon's adventures, Salomon's Key.

      1 out of 3 people found this review helpful.

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    • Anonymous

      Posted December 19, 2006

      So, So

      Here is the thing, all of Dan Browns books are the same. You will love the first one you read and forget the rest. But I think Angels and Demons is the best because it is more realistic. However, they all go a little something like this: (1)Langdon is called to the scene of some crime that has some connection with symbology, (2) Langdon spend the next 48 hours dodgeing bullets like his is NEO and running around with some hot chick he has no chance of scoreing with, (3) They uncover the mystery which is that the 'hopeless' Catholic church is grossly abusing modern science in order to bring faith back into peoples lives. (4) Langdon saves the day, losses the girl, and goes back to his lonely life as college professor.....until next summer! when (5) Dan Brown sends him on another journey to stop the Catholic church for destroying the free world. Dan Brown wrote a very interesting tale with Angels and Demons and revised it with The Da Vinci Code. However, my compliments stop there because it doesn't take a genious to notice that Brown doesn't think too highly of the Catholic Church and is trying to make a lot of money by leading people to believe that this religion is full of evil, conspiring, twisted, power-hungry, and violent men. Dan Brown is a one hit wonder.

      1 out of 2 people found this review helpful.

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    • Anonymous

      Posted October 12, 2005

      Good reading, BUT!!

      I have to say I enjoyed this book, as I have done with with Dan Brown's other two books I have read, Da Vinci Code and Deception Point. However it will be some time before I take a look at any of his others. The story-line is ok, the pace fast and it is a relatively entertaining read. So what more could one ask of a fiction novel? Well for me a lot. Brown's books seem to fit into a common pattern, or recipe, they are so much the same and predictable. In my opinion the characters are shallow, any engineering reference is sadly a joke and the politics awful. I like fiction with strong characters and at least some resemblance of possibility, not pure fantasy claimed to be possible. Take a look at Clancy when it comes to engineering and politics, as well as a writer I came across recently, Bruce Huntly and his novel Fusion. These writers know the technical stuff and how to portray real and strong characters. Angles and Demons is a good read, but as with Da Vinci, don't look too deep.

      1 out of 2 people found this review helpful.

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    • Anonymous

      Posted May 5, 2012

      Awesome

      Great read

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    • Posted April 13, 2012

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      Excellent

      Excellent

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    • Anonymous

      Posted April 4, 2012

      Great....

      Couldn put it down

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    • Posted March 14, 2012

      An Epic of Epic Proportions

      Angels and Demons is without a doubt in my mind Brown's masterpiece. The book novel is rich with action, suspense, and imagery that is guaranteed to have you hooked. This is one of the very few books that I simply could not put down. I literally read this book from cover to cover in the span of four nights (i'm a slow reader). Every day, I would begin reading at around 9pm, however, due to the book's highly suspenseful nature, I would not be able to put it down until at least 1 in the morning. The story line is very unique. Though fictional, the story feels chillingly real. I believe this book had an even stronger effect on me because I am personally a Catholic. Though this book is labeled as fiction,it accurately depicts many historical and factual details such as the politics within the Vatican, and many monumental sights in Rome. Furthermore, If one is looking for a story full of thought provoking and suspenseful moments, look no further. However, I HIGHLY recommend picking up the illustrated version, it helps a lot when the story makes factual references.

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    • Anonymous

      Posted March 10, 2012

      LOVE

      I loved this book

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    • Posted March 3, 2012

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      I loved this book almost more than The Da Vinci Code!!!!!!

      I loved this book almost more than The Da Vinci Code!!!!!!

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