Everyone in Dawn Powell's New York satire Angels on Toast is on the make: Lou Donovan, the entrepeneur who ricochets frantically between his well-connected current wife, his disreputable ex, and his dangerously greedy mistress; Trina Kameray, the exotic adventuress whose job title is as phony as her accent; T.V. Truesdale, the man with the aristocratic manner, the fourteen-dollar suit, and the hyperactive eye for the main chance. A dizzyingly fast-paced and deliriously ...
Everyone in Dawn Powell's New York satire Angels on Toast is on the make: Lou Donovan, the entrepeneur who ricochets frantically between his well-connected current wife, his disreputable ex, and his dangerously greedy mistress; Trina Kameray, the exotic adventuress whose job title is as phony as her accent; T.V. Truesdale, the man with the aristocratic manner, the fourteen-dollar suit, and the hyperactive eye for the main chance. A dizzyingly fast-paced and deliriously entertaining novel.
Originally published in 1940, 1942, and 1954, respectively, this trio were reprinted by Vintage (Classic Returns, LJ 5/1/90) and the now defunct Yarrow Press (Classic Returns, LJ 4/15/91) in the early 1990s, when Powell experienced a bit of a resurgence only to disappear again. Like many of her works, these satirize New York's pseudointellectual elite. Powell is one of American literature's most lethal wits -- she could hold her own against Dorothy Parker any time -- and should be in all library collections.
Late in life, out of luck and fashion, Henry James predicted a day when all of his neglected novels would kick off their headstones, one after another. As the twentieth century came to an end, the works of Dawn Powell managed the same magnificent task.
When Powell died in 1965, virtually all her books were out of print. Not a single historical survey of American literature mentioned her, even in passing. And so she slept, seemingly destined to be forgotten – or, to put it more exactly, never to be remembered. How things have changed! Numerous Powell’s novels have now been reissued by Steerforth Press along with editions of her plays, diaries and short stories. She has joined the Library of America, admitted to the illustrious company of Ralph Waldo Emerson, Henry Adams, Frederick Douglass, and Edith Wharton.
For the contemporary poet and novelist Lisa Zeidner, writing in The New York Times Book Review, Powell “is wittier than Dorothy Parker, dissects the rich better than F. Scott Fitzgerald, is more plaintive than Willa Cather in her evocation of the heartland, and has a more supple control of satirical voice than Evelyn Waugh.” For his part, Gore Vidal offered a simple reason for Powell’s sudden popularity: “We are catching up to her.”
Tim Page, Powell’ s biographer, from his foreword to My Home Is Far Away: Dawn Powell was born in Mt. Gilead, Ohio, on November 28, 1896, the second of three daughters. Her father was a traveling salesman, and her mother died a few days after Dawn turned seven. After enduring great cruelty at the hands of her stepmother, Dawn ran away at the age of thirteen and eventually arrived at the home of her maternal aunt, who served hot meals to travelers emerging from the train station across the street. Dawn worked her way through college and made it to New York. There she married a young advertising executive and had one child, a boy who suffered from autism, then an unknown condition.
Powell referred to herself as a “permanent visitor” in her adopted Manhattan and brought to her writing a perspective gained from her upbringing in Middle America. She knew many of the great writers of her time, and Diana Trilling famously said it was Dawn “who really says the funny things for which Dorothy Parker gets credit.” Ernest Hemingway called her his “favorite living writer.” She was one of America’ s great novelists, and yet when she died in 1965 she was buried in an unmarked grave in New York’s Potter’s Field.