Another Hatcher Homerun!
Chelsea Hart is an Indiana University student in New York City on spring break. She and her friends are out at a trendy night club on their last night in town. It's late and her friends are trying to pry her away from the club. Chelsea, however, doesn't want to leave yet so she talks her friends into returning to the hotel without her. It's a deadly decision. Chelsea isn't seen alive again. Ellie Hatcher is one of the first to find Chelsea when she and her brother Jess are out for a morning run. Ellie is back in NYC and back with the homicide department, this time as an official detective IN the department. She calls her new partner J.J. Rogan and tells him to get to the crime scene, they've just snagged a murder investigation. All seems great in NYC when a suspect is arrested and an air-tight case appears to be in order. But in the process of the investigation, Ellie discovers three cold cases her old partner Flann McIlroy had been looking into. Cases he believed were connected...and cases that look eerily similar to the Chelsea Hart case. Alafair Burke is back in prime form! She hit another Ellie Hatcher homerun with ANGEL'S TIP, the follow-up to Hatcher's debut in DEAD CONNECTION. Like Harlan Coben, Burke is a master of 'imitating life.' I love the pop culture allusions that weave throughout the plot. The nightlife, club scene in ANGEL'S TIP is one that is very foreign to me. BUT, Burke had me connecting with Ellie because that wasn't her scene either. I could FEEL her discomfort at wearing clothes that just weren't HER. The introduction of J.J. Rogan was a fantastic addition to the series. J.J. is a fun and rich character - and I'm not talking about his inheritance either. It's refreshing to have two relatively young, intelligent professionals working together - of opposite genders - who have great chemistry that doesn't necessitate jumping in the sack. Both Ellie and J.J. have such a realistic passion about their jobs as police detectives. The way Burke illustrates this passion you would think she was a New York City detective herself. Another point of realism that reminded me of how 'unreal' television can portray police work came when Ellie took off running after a suspect. J.J. was screaming for her to stop. She didn't have a protective vest on she didn't know if the suspect was armed they didn't have back-up - that wasn't correct procedure. Yet, we see that every night on the crime dramas and we expect it. But the 'correct procedure' sure does make a lot of sense. I always feel like I've learned something after reading a book by Alafair Burke. This point also reminded me why I like Ellie so much - she's human. She makes mistakes in the heat of the moment rookie mistakes, if you will. But she's also accountable for her mistakes. She doesn't need some Superman to come save her. There's even a point where the young ADA is with Ellie and she tells him she doesn't need a protector, he can go home. He informs her that he's there for HER to protect HIM! Priceless! All of this excellent character development and realism sets the scaffolding for a fantastic plot. There are twists and turns at every chapter. While at one point in the novel I suspected the culprit, Burke threw in so many twists that I ended up constantly oscillating trying to guess who the real killer was, 'well, it can't be HIM because...' 'hmmm, maybe it's HIM...' 'then again, it could be...'. Thrillers like ANGEL'S TIP are the only roller coaster rides I enjoy. I'd line up again and again to experience Alafair Burke's kind of thrill! Outstanding!!
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