Anja the Liar

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The emotionally stirring story of desperation and intrigue in the wake of World War II.

Anja Wienewska, frail and anxious, has narrowly survived World War II in German-occupied Krakow-and how she did it is her ugly secret. She meets Walter Fass-a soldier from the defeated side, with secrets of his own-at the gate of a displaced persons camp. They form a marriage of convenience, each desperately hoping to become someone new, to leave behind the haunting memories of who he was-and...

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Overview

The emotionally stirring story of desperation and intrigue in the wake of World War II.

Anja Wienewska, frail and anxious, has narrowly survived World War II in German-occupied Krakow-and how she did it is her ugly secret. She meets Walter Fass-a soldier from the defeated side, with secrets of his own-at the gate of a displaced persons camp. They form a marriage of convenience, each desperately hoping to become someone new, to leave behind the haunting memories of who he was-and what he did-in wartime. They flee to Walter's family farm at the foot of the Italian Alps and there become more to each other than refugees with a common enemy. But when an old war comrade of Walter's shows up on their doorstep, their fragile peace begins to unravel. Anja the Liar is the story of three people who cannot leave the war behind, who carry it inside of them, informing their every thought, every action-and the devastating consequences of their uneasy alliance.

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Editorial Reviews

Seattle Times
Thomas Moran...writes as gracefully as almost anyone you could name...
Publishers Weekly
[Moran's] examination of the fine distinctions between evil, weakness and desperation is stimulating and unflinching. August 25, 2003
The Washington Post
Moran, a onetime journalist whose fifth novel this is, seems to be saying that the war's poison, its evil, has infected both women and will never go away. We read on, wondering which of them will triumph. This is a dark, fascinating study of souls in torment. — Patrick Anderson
Publishers Weekly
Memory is the terrible burden shouldered by the protagonists of Moran's novel, survivors of WWII who became executioners in order to live. Polish-born Anja has left her former existence behind, fleeing Krak w, where she betrayed Resistance fighters to the Germans. In a displaced persons camp, she meets, across a barbed wire fence, former Wehrmacht officer Walter Fass, himself forever plagued with guilt for the massacre of partisan fighters in Yugoslavia. The two make the practical decision to marry-Walter offers Anja the shelter of his uncle's Tyrolean farm, and Anja helps one-armed Walter with the farmwork-and they gradually come to feel affection for each other. The birth of their daughter brings them closer together, but just as love and honesty come to seem possible, one of Walter's wartime comrades appears on their doorstep. Seductive, unscrupulous Mila is a Chetnik woman with a steely will and secret objectives, and she insinuates herself into both Walter and Anja's lives, poisoning their marriage. Moran has an impressive ability to create characters who are at once morally troubling and sympathetic. Anja, in particular, is a nuanced figure, pleading weakness but also acknowledging the pleasing sense of power her wartime actions gave her. The parallel account of another postwar marriage of convenience linking Anja's lesbian friend Sisi and Walter's homosexual friend Dizzi provides a piquant counterpoint to the main narrative. But truth and happiness are perpetually out of reach for both couples, and the novel's tragic conclusion forgoes even the comfort of confession. Moran (The Man in the Box, etc.) ties up his tale too quickly, but his examination of the fine distinctions between evil, weakness and desperation is stimulating and unflinching. (Oct.) Copyright 2003 Reed Business Information.
Library Journal
Moran (The Man in the Box) views desperate lives at close range in this well-paced novel, a cautionary tale about how we are inextricably linked to our pasts. Walter Fass, a one-armed, ex-Wehrmacht officer, encounters Polish refugee Anja, the "girl in the empty dress," behind the wires of a DP camp in Germany. Both are haunted by memories of atrocities and betrayals in which they were complicit during World War II, but they soon agree to strike out together. Resettling on the farm of Walter's Uncle Franz in the Italian border region of Tyrol, they have a daughter and are on the way to establishing normal lives. Then the alluring Mila, a Chetnik who fought beside Walter during Yugoslavia's civil war, appears on their doorstep. She insinuates herself into their lives, becoming Anja's best friend and taking Walter as a lover. But with a hidden agenda, she ensnares them in a web of deception. The affecting denouement leaves all three feeling as desperate and empty as they did at war's end. This searing tale is recommended for all fiction collections where wartime tales are appreciated.-Edward Cone, New York Copyright 2003 Reed Business Information.
Kirkus Reviews
In a story of the fragile peace that followed WWII in Central Europe, Moran (What Harry Saw, 2002, etc.) brings together three survivors who have a great deal to hide. In the war's aftermath, millions of refugees effectively no longer existed or were occupied by foreign armies. The unluckiest were those, like Anja Wienewska, who found themselves without passports or official documents of any kind. A Pole who had survived the brutal Nazi occupation of her native Krakow by working as an informer for the SS, Anja ended up, in 1945, in a displaced persons camp. There, she met Walter Fass, an engineer and former Wehrmacht officer who had lost an arm in Yugoslavia. Taking advantage of his status (i.e., his papers were in order), Anja and Walter married (she was trying to pass herself off as a German), thereby freeing her from the risk of being repatriated to Poland-where she risked being exposed as a collaborator and shot. The two moved to a small farm that Walter's family owned just over the Italian border, and Walter found work as an engineer on one of the many reconstruction projects then underway. After the birth of a daughter, it appeared that the two were going to settle down to normal peacetime life, but their domestic happiness was interrupted by the arrival of Mila Cosic, a young Serbian woman. During the war, Mila had fought with the Chetniks, a group of partisans who had opposed first the Nazis, later the Communists. Now an Italian citizen (citizenship was extremely fluid in the years right after the war), Mila had known Walter in Yugoslavia. What was their relationship? And what did she want from him now? Most Europeans who had been through the war learned by instinct to be vagueabout their actions later on. But sometimes the truth could not stay submerged. Nicely nuanced, with a fine sense of place and time: good wartime fiction, but nothing very special as a romance.
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Product Details

  • ISBN-13: 9781573222600
  • Publisher: Penguin Group (USA)
  • Publication date: 10/28/2003
  • Pages: 336
  • Product dimensions: 6.28 (w) x 9.34 (h) x 1.11 (d)

Meet the Author

Thomas Moran is the author of The Man in the Box, The World I Made for Her, Water, Carry Me-which earned an International IMPAC Dublin Award nomination and a Walter E. Dakin Fellowship-and What Harry Saw. His novels have been translated into seven languages.

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Customer Reviews

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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted October 8, 2003

    Beautiful Imagery and Characters

    Anyone who has read Moran¿s previous work knows that he has the uncanny ability to place the reader not only in the time and place of his characters, but also in their hearts and minds. You are where they are, feeling what they feel, suffering what they suffer. You feel all the joy and pain, along with the shame and guilt. It is this willingness to risk the reader¿s sympathy that sets Moran¿s writing apart. In Anja The Liar we are transported to a post-World War II Europe that is filled with uncertainty. Anja finds herself in a camp for displaced persons with no real desire to be released. She seems devoid of hope, and racked with guilt over her betrayals during the War. She meets Walter, and dares to think that there may be a way back to life. Like Anja, and most others, Walter also harbors his own guilt over actions he was ¿forced¿ to take during the war. From Poland, to Austria, to the Tyrol, or wherever the reader is taken, Moran describes the landscape, and the people, with absolute clarity. The detail he uses shows that this is an author who has done his research, and cares that the reader is given a real feel for the world in which these characters live. Anja The Liar is a beautiful, daring, and sometimes heartbreaking book. It is a journey you will want to take.

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  • Posted December 9, 2008

    more from this reviewer

    A tour-de force

    In 1945 Anja Wienewska stands inside the fence that contains those refuges from the war with no papers. Former Wehrmact Captain Walter Fass sees her and begins talking to her in Polish, as he believes she is from Poland. Anja ignores him until he speaks in German; she insists she is German and not Polish. Anja is from Krakow, Poland where she betrayed her people to the German occupiers. Under Nazi control, she learned how to lie.<P> Walter has dark secrets too from his time in Yugoslavia. Needing to atone and appease his conscience and help Anna, he marries her. They travel to his farm where she gives birth to their child as they share a camaraderie. However, as their past surfaces with the appearance of Walter's war comrade, their fragile relationship seems to go kaput as the war taught both to distrust everyone.<P> ANJA THE LAIR is a deep look at the cost of a war on individuals trying to survive during the fighting and its aftermath. The story line is incredibly insightful as Thomas Moran paints a gloomy Europe still reeling from the devastation of WW II. Walter and Anja answer the Edwin Starr question of 'War, what is good for?' as both have paid with their souls to endure the fight and remain compensating the piper as neither can trust anyone nor give their love to anybody including their spouse. This is a strong late 1940s drama that rips asunder the other psychological costs of war.<P> Harriet Klausner

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