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Editorial Reviews
All Music Guide - William Ruhlmann
At first, she may remind you of Barbra Streisand, but only when Streisand's voice is still in first gear. Unlike Streisand, who soon takes off for the stratosphere, when Ann Hampton Callaway revs her voice up, she reveals a husky alto that occasionally bridges into the soprano range and that suggests, among female singers, Sarah Vaughan's plush tones, but, more than anyone else, the "velvet fog" sound of Mel Tormé. She emphasizes those jazz-pop antecedents by recording a collection mostly consisting of standards as her first album, with basically a piano-bass-drums backup. At times, notably on "I've Got the World on a String" and "All the Things You Are," the ...