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Anna Karenina
At its simplest, Anna Karenina is a love story. It is a portrait of a beautiful and intelligent woman whose passionate love for a handsome officer sweeps aside all other ties - to her marriage and to the network of relationships and moral values that bind the society around her. The love affair of Anna and Vronsky is played out alongside the developing romance of Kitty and Levin, and in the character of Levin, closely based on Tolstoy himself, the search for happiness takes on a deeper philosophical significance.
One of the greatest novels ever written, Anna Karenina combines penetrating psychological insight with an encyclopedic depiction of Russian life in the 1870s. The novel takes us from high society St Petersburg to the threshing fields on Levin's estate, with unforgettable scenes at a Moscow ballroom, the skating rink, a race course, a railway station. It creates an intricate labyrinth of connections that is profoundly satisfying, and deeply moving.
Rosamund Bartlett's translation conveys Tolstoy's precision of meaning and emotional accuracy in an English version that is highly readable and stylistically faithful. Like her acclaimed biography of Tolstoy, it is vivid, nuanced, and compelling.
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Anna Karenina
At its simplest, Anna Karenina is a love story. It is a portrait of a beautiful and intelligent woman whose passionate love for a handsome officer sweeps aside all other ties - to her marriage and to the network of relationships and moral values that bind the society around her. The love affair of Anna and Vronsky is played out alongside the developing romance of Kitty and Levin, and in the character of Levin, closely based on Tolstoy himself, the search for happiness takes on a deeper philosophical significance.
One of the greatest novels ever written, Anna Karenina combines penetrating psychological insight with an encyclopedic depiction of Russian life in the 1870s. The novel takes us from high society St Petersburg to the threshing fields on Levin's estate, with unforgettable scenes at a Moscow ballroom, the skating rink, a race course, a railway station. It creates an intricate labyrinth of connections that is profoundly satisfying, and deeply moving.
Rosamund Bartlett's translation conveys Tolstoy's precision of meaning and emotional accuracy in an English version that is highly readable and stylistically faithful. Like her acclaimed biography of Tolstoy, it is vivid, nuanced, and compelling.
At its simplest, Anna Karenina is a love story. It is a portrait of a beautiful and intelligent woman whose passionate love for a handsome officer sweeps aside all other ties - to her marriage and to the network of relationships and moral values that bind the society around her. The love affair of Anna and Vronsky is played out alongside the developing romance of Kitty and Levin, and in the character of Levin, closely based on Tolstoy himself, the search for happiness takes on a deeper philosophical significance.
One of the greatest novels ever written, Anna Karenina combines penetrating psychological insight with an encyclopedic depiction of Russian life in the 1870s. The novel takes us from high society St Petersburg to the threshing fields on Levin's estate, with unforgettable scenes at a Moscow ballroom, the skating rink, a race course, a railway station. It creates an intricate labyrinth of connections that is profoundly satisfying, and deeply moving.
Rosamund Bartlett's translation conveys Tolstoy's precision of meaning and emotional accuracy in an English version that is highly readable and stylistically faithful. Like her acclaimed biography of Tolstoy, it is vivid, nuanced, and compelling.
Rosamund Bartlett has published widely in the fields of Russian literature and music. Her books include Wagner and Russia (CUP, 2007) and Shostakovitch in Context (OUP, 2000), as well as biographies of Chekhov and Tolstoy. Her life of Tolstoy was longlisted for the Samuel Johnson Prize. As a translator she has published the first unexpurgated edition of Chekhov's letters for Penguin Classics, and her translation of Chekhov's short stories, About Love and Other Stories, for Oxford World's Classics was shortlisted for the Oxford Weidenfeld Translation Prize. She was until 2006 Reader and Head of Department of Russian at the University of Durham, and she is the Founding Director of the Anton Chekhov Foundation, set up to preserve Chekhov's house in Yalta, for which she was awarded the Chekhov 150th Anniversary Medal in 2010 by the Russian government.
Date of Birth:
September 9, 1828
Date of Death:
November 20, 1910
Place of Birth:
Tula Province, Russia
Place of Death:
Astapovo, Russia
Education:
Privately educated by French and German tutors; attended the University of Kazan, 1844-47
Read an Excerpt
All happy families are alike; each unhappy family is unhappy in its own way. (Continues…)
Introduction Note on the Text and Translation Select Bibliography A Chronology of Leo Tolstoy Principal Characters and Guide to Pronunciation ANNA KARENINA Explanatory Notes
What People are Saying About This
Caryl Emerson Caryl Emerson
"Tolstoy did not wish to please; he wished to correct, instruct, inspire, persuade. And as Marian Schwartz notes, he “wholly intended to bend language to his will.” In her astonishing new translation, she takes seriously Tolstoy’s disgust with smooth Russian literary style, setting a new standard in English for accuracy to Tolstoyan repetition, sentence density and balance, stripped-down vocabulary and enhanced moral weight. A rough, powerful, unromantic Anna that wakes the reader up and rings true."—Caryl Emerson, Princeton University
Caryl Emerson
"Tolstoy did not wish to please; he wished to correct, instruct, inspire, persuade. And as Marian Schwartz notes, he “wholly intended to bend language to his will.” In her astonishing new translation, she takes seriously Tolstoy’s disgust with smooth Russian literary style, setting a new standard in English for accuracy to Tolstoyan repetition, sentence density and balance, stripped-down vocabulary and enhanced moral weight. A rough, powerful, unromantic Anna that wakes the reader up and rings true."—Caryl Emerson, Princeton University
1. When Anna Karenina was published, critics accused Tolstoy of writing a novel with too many characters, too complex a story line, and too many details. Henry James called Tolstoy's works "baggy monsters." In response, Tolstoy wrote of Anna Karenina "I am very proud of its architecture-its vaults are joined so that one cannot even notice where the keystone is." What do you make of Tolstoy's use of detail? Does it make for a more "realistic" novel?
2. The first line of Anna Karenina, "Happy families are all alike; every unhappy family is unhappy in its own way, " can be interpreted a number of ways. What do you think Tolstoy means by this?
3. In your opinion, how well does Tolstoy, as a male writer, capture the perspectives of his female characters? Do you think Anna Karenina is the most appropriate title for the book? Is Tolstoy more critical of Anna for her adultery than he is of Oblonsky or of Vronsky?
4. What role does religion play in the novel? Compare Levin's spiritual state of mind at the beginning and the end of the novel. What parallels can you draw between Levin's search for happiness and Anna's descent into despair?
5. Why is it significant that Karenina lives in St. Petersburg, Oblonsky in Moscow, and Levin in the country? How are Moscow and St. Petersburg described by Tolstoy? What conclusions can you draw about the value assigned to place in the novel?
6. What are the different kinds of love that Anna, Vronsky, Levin, Kitty, Stiva, and Dolly seek? How do their desires change throughout the novel?
7. How do the ideals of love and marriage come into conflict inAnna Karenina? Using examples from the novel, what qualities do you think seem to make for a successful marriage? According to Tolstoy, is it more important to find love at all costs or to uphold the sanctity of marriage, even if it is a loveless one?
8. Ultimately, do you think Anna Karenina is a tragic novel or a hopeful one?
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