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Anne of Green Gables Complete Text [NOOK Book]

Overview

Marilla and Mathew Cuthbert had planned to adopt a boy to help out around Green Gables farm. But waiting for Mathew at the train station is freckle-faced, red-headed Anne Shirley - a talkative eleven-year-old orphan with a heart full of dreams and a desperate longing for a home. From the minute Anne sets foot in Mathew's buggy, Green Gables will never be the same!

Anne, an eleven-year-old orphan, is sent by mistake to live with a lonely, middle-aged brother and ...

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Anne of Green Gables Complete Text

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Overview

Marilla and Mathew Cuthbert had planned to adopt a boy to help out around Green Gables farm. But waiting for Mathew at the train station is freckle-faced, red-headed Anne Shirley - a talkative eleven-year-old orphan with a heart full of dreams and a desperate longing for a home. From the minute Anne sets foot in Mathew's buggy, Green Gables will never be the same!

Anne, an eleven-year-old orphan, is sent by mistake to live with a lonely, middle-aged brother and sister on a Prince Edward Island farm and proceeds to make an indelible impression on everyone around her.

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Editorial Reviews

From Barnes & Noble
When mischievous orphan Anne Shirley arrives at the Cuthbert farm Green Gables, she knows she wants to stay forever. But the Cuthbert's were expecting a boy orphan -- someone strong enough to help with their farmwork. Can spunky Anne win their hearts? This beautiful picture book adaptation of L. M. Montgomery's classic novel will delight the author's many fans -- and captivate a new audience of younger readers.
Publishers Weekly
This simplified picture-book retelling of how the 11-year-old orphan comes to Prince Edward Island is adapted from L.M. Montgomery's classic. Ages 5-8. (Apr.) Copyright 2003 Reed Business Information.
Children's Literature
Originally published in 1908, this novel is one of the true classics of young adult literature. Set in the idyllic community of Avonlea, this is the story of bright-eyed, energetic Anne Shirley, an eleven-year-old orphan who is taken in by Marilla and Matthew Cuthbert. Only the Cuthberts were not expecting Anne, they were under the impression that they were adopting a boy orphan. Nonetheless, they decide to let her stay with them at Green Gables. Quiet Matthew takes a liking to the very talkative and imaginative Anne right away, but it takes Marilla much longer to warm up to her. Readers, however, will warm to Anne as soon as they meet her at the train station and will enjoy following along on her many adventures as she settles in at Green Gables. Anne of Green Gables and the numerous sequels that L.M. Montgomery wrote about her and Avonlea have been beloved by past generations and will continue to be treasured by generations to come. 2005 (orig. 1908), HarperFestival/HarperCollins, Ages 8 to 12.
—Jennifer Chambliss
Library Journal
Montgomery is the latest author to join Running Press's ongoing "Courage Classics'' series of budget hardcover reprints of classic works. Along with the full text, this edition includes excerpts from the author's journal. Also new in the line is Short Stories and Tall Tales by Mark Twain ( ISBN 1-56138-323-6 ), which offers pieces gleaned from Running Press's The Unabridged Mark Twain . At this bargain price, both titles are excellent choices.
School Library Journal
Gr 5-7-With a full cast and some background music, this radio play version of Lucy Maud Montgomery's classic hits the high points of the original novel. It is quite abbreviated, so each episode in Anne's orphan-girl-made-good story is afforded just enough time to lay out the bones of the plot. However, Anne's spunky and endearing character shines through scene after scene, as does some of the nostalgic charm of Avonlea's Canadian setting and quaint old Green Gables. All the parts are read very well, with a touching intensity that makes up for some of the brevity of plot episodes. A narrator fills in quite smoothly between the scenes for each event. Two nice features for young listeners make this a useful introduction to audio fiction. There is a pleasant chime played at the end of each side, and at the beginning of each side a line or two from the preceding side is repeated, helping to move listeners smoothly through the break in the action. This entertaining version may help lead youngsters to the original novel. School and public libraries seeking to add abridged novels to their collections or to introduce or entice young readers to longer fiction will want to consider this version.-Jane P. Fenn, Corning-Painted Post West High School, NY Copyright 2003 Cahners Business Information.
From The Critics
This keepsake or gift edition provides a beautiful hardcover illustrated by Laura Fernandez and Rick Jacobson and using the complete, unabridged text used in the first 1908 edition of Anne. Any who love the story of the red-headed spunky orphan will consider this a fine keepsake edition.
From Barnes & Noble
When mischievous orphan Anne Shirley arrives at the Cuthbert farm Green Gables, she knows she wants to stay forever. One of the best-loved & most enduring books in all of children's literature, written with sweetness and charm. Ages 10 & up
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Product Details

  • ISBN-13: 9780062023339
  • Publisher: HarperCollins Publishers
  • Publication date: 6/8/2010
  • Sold by: HARPERCOLLINS
  • Format: eBook
  • Pages: 100
  • Sales rank: 747,331
  • Age range: 8 - 12 Years
  • File size: 502 KB

Meet the Author

Lucy Maude Montgomery (1874-1942) was born on Prince Edward Island, Canada, the setting for Anne of Green Gables. She left to attend college, but returned to Prince Edward Island to teach. In 1911, she married the Reverend Ewan MacDonald. Anne of Green Gables, the first in a series of "Anne" books by Montgomery, was published in 1908 to immediate success and continues to be a perennial favorite.

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Read an Excerpt

Mrs. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies' eardrops and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde's Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde's door without due regard for decency and decorum; it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof.

There are plenty of people, in Avonlea and out of it, who can attend closely to their neighbors business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the, Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting "cotton warp" quilts—she had, knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices-and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangularpeninsula jutting out into the Gulf of St. Lawrence, with water on two sides of it, anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel's all-seeing eye.

She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky-white bloom, hummed over by a myriad of bees. Thomas Lynde-a meek little man whom Avonlea people called "Rachel Lynde's husband"-was sowing his late turnip seed on the hill field beyond the barn; and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. Mrs. Rachel knew that he ought because she had heard him tell Peter Morrison the evening before in William J. Blaire's store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life.

And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, which was plain proof that he was going out of Avonlea; and he had the buggy and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there?

Had it been any other man in Avonlea Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn't happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoo's enjoyment was spoiled.

"I'll just step over to Green Gables after tea and find out from Marilla where he's gone and why," the worthy woman finally concluded. "He doesn't generally go to town this time of year and he new visits; if he'd run out of turnip seed he wouldn't dress up and take the buggy to go for more; he wasn't driving fast enough to be going for the doctor. Yet something must have happened since List night to start him off. I'm clean puzzled, that's what, and I won't know a minute's peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today-"

Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde's Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthberfs father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place living at all.

1. It's just staying, that's what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "Ifs no wonder Matthew and Marilia are both a little odd, living away back here by themselves. Trees aren't much company, though dear knows if they were there'd be enough of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything even to being hanged, as the Irishman said."


From the Audio Cassette edition.

Copyright 1982 by L.M. Montgomery
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Table of Contents

Foreword xi
Mrs. Rachel Lynde Is Surprised 1
Matthew Cuthbert Is Surprised 13
Marilla Cuthbert Is Surprised 33
Morning at Green Gables 43
Anne's History 53
Marilla Makes Up Her Mind 62
Anne Says Her Prayers 71
Anne's Bringing-up Is Begun 77
Mrs. Rachel Lynde Is Properly Horrified 90
Anne's Apology 101
Anne's Impressions of Sunday School 112
A Solemn Vow and Promise 120
The Delights of Anticipation 129
Anne's Confession 137
A Tempest in the School Teapot 150
Diana Is Invited to Tea with Tragic Results 173
A New Interest in Life 190
Anne to the Rescue 200
A Concert, a Catastrophe, and a Confession 214
A Good Imagination Gone Wrong 232
A New Departure in Flavorings 242
Anne Is Invited Out to Tea 258
Anne Comes to Grief in an Affair of Honor 264
Miss Stacey and Her Pupils Get Up a Concert 274
Matthew Insists on Puffed Sleeves 281
The Story Club Is Formed 296
Vanity and Vexation of Spirit 307
An Unfortunate Lily Maid 318
An Epoch in Anne's Life 330
The Queen's Class Is Organized 343
Where the Brook and River Meet 360
The Pass List Is Out 370
The Hotel Concert 383
A Queen's Girl 397
The Winter at Queen's 408
The Glory and the Dream 415
The Reaper Whose Name Is Death 424
The Bend in the Road 434
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First Chapter

Mrs. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies' eardrops and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde's Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde's door without due regard for decency and decorum; it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof.

There are plenty of people, in Avonlea and out of it, who can attend closely to their neighbors business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the, Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting "cotton warp" quilts--she had, knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices-and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangular peninsula jutting out intothe Gulf of St. Lawrence, with water on two sides of it, anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel's all-seeing eye.

She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky-white bloom, hummed over by a myriad of bees. Thomas Lynde-a meek little man whom Avonlea people called "Rachel Lynde's husband"-was sowing his late turnip seed on the hill field beyond the barn; and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. Mrs. Rachel knew that he ought because she had heard him tell Peter Morrison the evening before in William J. Blaire's store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life.

And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, which was plain proof that he was going out of Avonlea; and he had the buggy and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there?

Had it been any other man in Avonlea Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn't happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoo's enjoyment was spoiled.

"I'll just step over to Green Gables after tea and find out from Marilla where he's gone and why," the worthy woman finally concluded. "He doesn't generally go to town this time of year and he new visits; if he'd run out of turnip seed he wouldn't dress up and take the buggy to go for more; he wasn't driving fast enough to be going for the doctor. Yet something must have happened since List night to start him off. I'm clean puzzled, that's what, and I won't know a minute's peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today-"

Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde's Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthberfs father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place living at all.

1. It's just staying, that's what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "Ifs no wonder Matthew and Marilia are both a little odd, living away back here by themselves. Trees aren't much company, though dear knows if they were there'd be enough of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything even to being hanged, as the Irishman said."
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Reading Group Guide

1.  The critic Julian Moynahan argues that “Lady Chatterley’s Lover dramatizes two opposed orientations toward life, two distinct modes of human awareness, the one abstract, cerebral, and unvital; the other concrete, physical, and organic.” Discuss.

2.  What is the role of the manor house, the industrial village, and the wood in the novel?

3.  Many critics have argued that while Lady Chatterley’s Lover represents a daring treatment of sexuality, it is an inferior work of art, though other critics have called it a novel of the first rank. (“Lady Chatterley’s Lover, ” F. R. Leavis writes, “is a bad novel, ” while Anaïs Nin, on the other hand, describes it as “artistically . . . [Lawrence’s] best novel.”) What do you think?

4.  In “Apropos of Lady Chatterley’s Lover” (a defense of the book that he published in 1930), Lawrence wrote that “the greatest need of man is the renewal forever of the complete rhythm of life and death, the rhythm of the sun’s year, the body’s year of a lifetime, and the greater year of the stars, the soul’s year of immortality.” How is the theme of resurrection played out in the novel?

5.  From the time it was banned from unexpurgated publication in the United States and Britain until the trials in the late 1950s and early 1960s that resulted in the lifting of the ban, and even more recently, critics have argued over whether Lady Chatterley’s Lover is obscene and vulgar. Lawrence argues in “Apropos of Lady Chatterley’s Lover”that “we shall never free the phallic reality [i. e., sex] . . . till we give it its own phallic language and use the obscene words”; his goal was to purify these words. Critics have disagreed as to whether he succeeded in this goal; Richard Aldington notes, for example, that the words are “incrusted with nastiness” and “cannot regain their purity” and Graham Hough argues that “the fact remains that the connotations of the obscene physical words are either facetious or vulgar.” Do you think the novel is obscene or vulgar, or do you think Lawrence succeeds in his mission?

6.  “The essential function of art is moral, ” Lawrence once wrote. “Not aesthetic, not decorative, not pastime and recreation. But moral.” Do you think this proposition informs the shape, structure, and meaning of Lady Chatterley’s Lover, and if so, how?

7.  Critics have often complained that one of Lawrence’s weaknesses as a novelist is his characterization. So John Middleton Murry writes of Sons and Lovers that “we can discern no individuality whatever in the denizens of Mr. Lawrence’s world. We should have thought that we should have been able to distinguish between male and female at least. But no! Remove the names, remove the sedulous catalogues of unnecessary clothing . . . and man and woman are as indistinguishable as octopods in an aquarium tank.” And Edwin Muir comments generally that “we remember the scenes in his novels; we forget the names of his men and women. We should not know any of them if we met them in the street.” Do you think this applies in the case of Lady Chatterley’s Lover? If so, do you think it is a fault or a virtue?

8.  How does nature imagery function in the novel?

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