Another Time, Another Place

Editorial Reviews

All Music Guide - Ned Raggett
Another Time, Another Place isn't as immediately thrilling as Ferry's solo debut, but still is a great listen. The same core band that backed Ferry up on the earlier record stays more or less in place here. If, like Roxy over the years, this collection is a touch less frenetic at points in comparison to Ferry's earlier solo stab, the opening blast through "The 'In' Crowd" doesn't show it. Porter's guitar rips along as intensely as Phil Manzanera's can, and the whole thing makes Dobie Gray's original take seem pretty tame. Beyond that, things will be familiar to anyone who's heard These Foolish Things -- same general atmosphere, same overall approach of Ferry taking classic ...
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Editorial Reviews

All Music Guide - Ned Raggett
Another Time, Another Place isn't as immediately thrilling as Ferry's solo debut, but still is a great listen. The same core band that backed Ferry up on the earlier record stays more or less in place here. If, like Roxy over the years, this collection is a touch less frenetic at points in comparison to Ferry's earlier solo stab, the opening blast through "The 'In' Crowd" doesn't show it. Porter's guitar rips along as intensely as Phil Manzanera's can, and the whole thing makes Dobie Gray's original take seem pretty tame. Beyond that, things will be familiar to anyone who's heard These Foolish Things -- same general atmosphere, same overall approach of Ferry taking classic originals and putting his own proto-lounge-lizard stamp on them, mixing energetic versions with far calmer ones. A very intriguing development is his inclusion of efforts from up-and-coming country writers and singers -- thus, a loud and groovy cover of "Funny How Time Slips Away" by Willie Nelson and another of Kris Kristofferson's "Help Me Make It Through the Night." Other country atmospheres slip in here and there via another nod to Elvis "Walk a Mile in My Shoes," originally by Joe South, while other classics get tapped with versions of "Smoke Gets in Your Eyes" and Sam Cooke's "What A Wonderful World." The album as a whole feels a touch more formal than its predecessor, but Ferry and company, plus various brass and string sections, turn on the showiness enough to make it all fun. A harbringer of solo albums to come appears at end -- the title track, a Ferry original.
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Product Details

  • Release Date: 3/28/2000
  • Label: Virgin Records Us
  • UPC: 724384760021
  • Catalog Number: 47600
  • Sales rank: 102,229

Album Credits

Performance Credits
Bryan Ferry Primary Artist, Organ, Harmonica, Piano, Keyboards, Vocals
John Wetton Bass, Fiddle, Violin
Henry Lowther Trumpet, Horn
Vicki Brown Vocals
Tony Carr Percussion
Helen Chappelle Vocals, Choir, Chorus
Don Cirilo Vocals
Martin Drover Horn
Jimmy Hastings Wind
Chris Mercer Saxophone, Tenor Saxophone
Davy O'List Guitar
Ruan O'Lochlainn Saxophone, Alto Saxophone
Morris Pert Percussion
John Porter Bass, Guitar
John Punter Drums
Chris Pyne Trombone
Peter Robinson Keyboards
Bruce Rowland Drums
Barry St. John Vocals, Choir, Chorus
Liza Strike Vocals, Choir, Chorus
Paul Thompson Drums
Technical Credits
Bryan Ferry Producer, Art Direction
Ronnie Ross Contributor
Alan Skidmore Contributor
Ann Odell String Arrangements
Tony Carr Contributor
Tony Charles Contributor
Don Cirilo Contributor
Paul Cosh Contributor
Geoff Daley Contributor
Martin Drover Contributor
Bob Efford Contributor
Martyn Ford Brass Arrangment
Fred Foster Composer
Malcolm Griffiths Contributor
Jimmy Hastings Contributor
Sean Milligan Engineer
Morris Pert Contributor
John Punter Producer, Engineer
Alf Reece Contributor
Peter Robinson Contributor
Bruce Rowlands Contributor
Steve Saunders Contributor
Winstone Stone Contributor
Mark Warner Contributor
Simon Puxley Contributor, Media Consultant
Bob Bowkett Art Direction
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