The Antelope Wifeby Louise Erdrich
The Antelope Wife is a novel of connections in which history, lust, contemporary urban Native American life, hand-me-down names, and legends, as well as sacred myth, combine. Set in Minneapolis, originally an important trading center and hunting ground, still a magnet for many native people from nearby reservations, the story goes back in time. The novel/i>
The Antelope Wife is a novel of connections in which history, lust, contemporary urban Native American life, hand-me-down names, and legends, as well as sacred myth, combine. Set in Minneapolis, originally an important trading center and hunting ground, still a magnet for many native people from nearby reservations, the story goes back in time. The novel begins with a soldier, who deserts the cavalry during a cruel raid on an Ojibwa village to chase a dog bearing on its back a baby on a cradle board strung with breathtaking blue beads. Generations later, a fast-talking trader kidnaps a silent and graceful woman from a powwow. In a haunting re-creation of a native tale, the woman is part antelope. Hunter and hunted change identities. The Antelope Wife changes people. Nothing is ever the same again for friends and family.
Are our lives woven from old scores and past betrayals, or are we "working out the minor details of a strictly random pattern?" This philosophical chestnut is at the heart of Louise Erdrich's latest novel, The Antelope Wife, a sprawling tale of two Native American (Ojibwa) families, the Roys and Shawanos. Although Erdrich clearly wants to create an overarching picture spanning several generations, she devotes the lion's share of her attention to the story of Rozin Roy. Rozin falls hopelessly in love with baker Frank Shawano, and the affair has tragic consequences for her husband and twin daughters.
What surprises, again and again, is how dead on Erdrich is when she seizes upon the right metaphor. One of those inspired metaphors is blitzkuchen -- "the cake of all cakes," which Shawano's father first tasted and became enthralled with during World War II. Frank's life quest is to perfect his blitzkuchen recipe, but the cake never lives up to that initial rapturous encounter. When Frank serves the German cake at his wedding to Rozin, Rozin's former husband maliciously suggests the dessert was poisoned. "The crowd began to taste the cake, exclaiming as they did, nervously, in trepidation, but unable to resist the next bite after the first, the next and ext delicate-yet-dense bite of blitzkuchen. And so it was, so the secret was discovered. The final and the missing ingredient -- fear."
Not all of Erdrich's scenes are so successful. It's perhaps too easy to fault writers who have as distinctive a style as Erdrich's for sometimes sounding like lousy imitations of themselves. Then again, when Erdrich's trademark prose disappoints, she's embarrassing -- silly and trite. Some of her phrases are lyrical but meaningless, like "earthen earth" or "Unmasked, the woman's tage glance broke across Roy's brow like fire." Still others are precious and New Agey: "Her daughters danced out of black mist in the shimmering caves of their hair." And here's how Erdrich describes a pregnancy: "the tiny knock of new life began in the cradle of her hipbones." Oh, please.
Clunkers notwithstanding, The Antelope Wife is a satisfying whole, with plenty of blitzkuchen moments and an intriguing exploration of continuity vs. chaos. Her tightly constructed scenes reflect patterns repeated with each generation of Roy and Shawano, subtly suggesting a grand design. And Erdrich delivers 10 or 12 images so fitting that they transform her carefully woven prose into something as mysterious and sublime as sugar with a hint of fear.
The New York Times Book Review
- Cengage Gale
- Publication date:
- Edition description:
- Large Print
- Product dimensions:
- 6.40(w) x 9.39(h) x 0.92(d)
Read an Excerpt
Deep in the past during a spectacular cruel raid upon an isolated Ojibwa village mistaken for hostile during the scare over the starving Sioux, a dog bearing upon its back a frame-board tikinagun enclosing a child in moss, velvet, embroideries of beads, was frightened into the vast carcass of the world west of the Otter Tail River. A cavalry soldier, spurred to human response by the sight of the dog, the strapped-on child, vanishing into the distance, followed and did not return.
What happened to him lives on, though fading in the larger memory, and I relate it here in order that it not be lost.
Private Scranton Teodorus Roy was the youngest son of a Quaker father and a reclusive poet mother who established a small Pennsylvania community based on intelligent conversation. One day into his view a member of a traveling drama troupe appeared. Unmasked, the woman's stage glance broke across Roy's brow like fire. She was tall, stunningly slender, pale, and paler haired, resolute in her character, and simple in her amused scorn of Roy so young, bright-faced, obedient. To prove himself, he made a rendezvous promise and then took his way west following her glare. An icicle, it drove into his heart and melted there, leaving a trail of ice and blood. The way was long. She glided like a snake beneath his footsteps in fevered dreams. When he finally got to the place they had agreed upon, she was not there, of course. Angry and at odds, he went against the radiant ways of his father and enlisted in the U.S.Cavalry at Fort Sibley on the banks of the Mississippi in St. Paul, Minnesota.
There, he was trained to the rifle, learned to darn his socks using a wooden egg, ate many an ill-cooked bean, and polished his officers' harness leather until one day, in a state of uneasy resignation, he put on the dark blue uniform, fixed his bayonet, set off marching due west.
The village his company encountered was peaceful, then not.
In chaos of groaning horses, dogs screaming, rifle and pistol reports, and the smoke of errant cooking fires, Scranton Roy was most disturbed not by the death yells of old men and the few warriors shocked naked from their robes, but by the feral quiet of the children. And the sudden contempt he felt for them all. Unexpected, the frigid hate. The pleasure in raising, aiming. They ran fleet as their mothers, heading for a brush-thick gully and a slough of grass beyond. Two fell. Roy whirled, not knowing whom to shoot next. Eager, he bayoneted an old woman who set upon him with no other weapon but a stone picked from the ground.
She was built like the broken sacks of hay he'd used for practice, but her body closed fast around the instrument. He braced himself against her to pull free, set his boot between her legs to tug the blade from her stomach, and as he did so tried to avoid her eyes but did not manage. His gaze was drawn into hers and he sank with it into the dark unaccompanied moment before his birth. There was a word she uttered in her language. Daashkikaa. Daashkikaa. A groan of heat and blood. He saw his mother, yanked the bayonet out with a huge cry, and began to run.
That was when he saw the dog, a loping dirt-brown cur, circle the camp twice with the child on its back and set off into open space. As much to escape the evil confusion of this village and his own dark act as out of any sympathy for the baby, though he glimpsed its face mystified and calm Scranton Roy started running after the two. Within moments, the ruckus of death was behind him. The farther away the village got, the farther behind he wanted it. He kept on, running, walking, managing to keep the dog in view only because it was spring and the new grass, after a burn of lightning, was just beginning its thrust, which would take it to well over a full-grown man's height.
From time to time, as the day went on, the dog paused to rest, stretched patient beneath its burden. Grinning and panting, she allowed Roy to approach, just so far. A necklace of blue beads hung from the brow guard of the cradle board. It swayed, clattered lightly. The child's hands were bound in the wrappings. She could not reach for the beads but stared at them as though mesmerized. The sun grew razor-hot. Tiny blackflies settled at the corners of her eyes. Sipped moisture from along her lids until, toward late afternoon, the heat died. A cold wind boomed against Scranton Roy in a steady rush. Still, into the emptiness, the three infinitesimally pushed.
The world darkened. Afraid of losing the trail, Roy gave his utmost. As night fixed upon them, man and dog were close enough to hear each other breathing and so, in that rhythm, both slept. Next morning, the dog stayed near, grinning for scraps. Afraid to frighten him with a rifle shot, Roy hadn't brought down game although he'd seen plenty. He managed to snare a rabbit. Then, with his tinderbox and steel, he started a fire and began to roast it, at which smell the dog dragged itself belly-down through the dirt, edging close. The baby made its first sound, a murmuring whimper. Accepting tidbits and bones, the dog was alert, suspicious. Roy could not touch it until the next day when he'd thought to wash himself all over and approach naked to diminish his whiteman's scent...
Meet the Author
Louise Erdrich is the author of fifteen novels as well as volumes of poetry, children’s books, short stories, and a memoir of early motherhood. Her novel The Round House won the National Book Award for Fiction. The Plague of Doves won the Anisfield-Wolf Book Award and was a finalist for the Pulitzer Prize, and her debut novel, Love Medicine, was the winner of the National Book Critics Circle Award. Erdrich has received the Library of Congress Prize in American Fiction, the prestigious PEN/Saul Bellow Award for Achievement in American Fiction, and the Dayton Literary Peace Prize. She lives in Minnesota with her daughters and is the owner of Birchbark Books, a small independent bookstore.
- Minneapolis, Minnesota
- Date of Birth:
- June 7, 1954
- Place of Birth:
- Little Falls, Minnesota
- B.A., Dartmouth College, 1976; M.A., Johns Hopkins University, 1979
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Most Helpful Customer Reviews
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Readers who have little experience with life on the rez may not appreciate the wonder Louise Erdrich has created, but this novel is honest and up-front. What she writes about does happen, and the clarity of her story brings those events back to life with an immediacy that keeps pages turning. This doesn't mean you have to like the characters, or avoid chiding them and then celebrating them in their choices. It does mean that beside a really good story, Erdrich has given the reader an inside glimpse into life on the rez and the hold those ways of life have on the people who grow up there and leave to try and find better lives.
As ussual, Erdich's characters try to spin and twist their way through or around inescapable hurdles. The author is bluntly honest in presenting humans as they are, difficult, lovable, troublesome, stong here and ever so weak there. Her stories are hillarious and yet often enough tradgic. Life is tough, but a good sense of humor can see us through. I love her detailed inclussion of multiple generations. The world view of Elders at the time of ealry treaties, and the changing views of the later ones who went to Indian Boarding schools, and their children and grandchildren. Great liturature like this and her other books help preserve and promote American Indigenous cultures within the context of the newer, larger society. Migwetch - Thank you Louise Erdrich.
Wonderful and rich characters. Loved this book!