An Anthology of Graphic Fiction, Cartoons, and True Stories / Edition 1

Hardcover (Print)
Rent from
(Save 59%)
Est. Return Date: 07/29/2015
Buy Used
Buy Used from
(Save 41%)
Item is in good condition but packaging may have signs of shelf wear/aging or torn packaging.
Condition: Used – Good details
Used and New from Other Sellers
Used and New from Other Sellers
from $1.99
Usually ships in 1-2 business days
(Save 92%)
Other sellers (Hardcover)
  • All (47) from $1.99   
  • New (11) from $14.77   
  • Used (36) from $1.99   


Comic artist Ivan Brunetti, the creator of Schizo, offers a best-of anthology of contemporary art comics, along with some classic comic strips and other historical materials that have retained a “modern” sensibility. As with Chris Ware’s selections for his best-selling McSweeney’s anthology, Brunetti’s choices make for a highly personal book (“my criteria were simple: these are comics that I savor and often revisit”) that serves as a broad historical overview of the medium and a round-up of some of today’s best and most interesting North American comic artists. Included here are works from such well-known artists as Robert Crumb, Kim Deitch, Art Spiegelman, Chris Ware, Ben Katchor, Charles Burns, Gary Panter, Seth, Phoebe Gloeckner, Daniel Clowes, Lynda Barry, Joe Sacco, and Jaime and Gilbert Hernandez, as well as many other pioneers whose names may be less familiar.
Brunetti offers selections from the works of more than seventy-five avant-garde comic artists.  His selections are arranged by genre and grouped thematically. Luxuriously produced and printed in four-color throughout, the book is a must-have for collectors, aficionados, readers of comics, and those generally interested in cutting-edge art and literature.

Read More Show Less

Editorial Reviews

Fantagraphics Books

"Great Caesar''s Ghost, this is one of the most stunning—and smartly assembled—anthologies I''ve ever seen."—Eric Reynolds, Fantagraphics Books

— Eric Reynolds

The Patriot-News

"Brunetti has compiled an impressive ‘greatest hits’ collection. . . . A perfect book for a neophyte."—Chris Mautner, The Patriot-News

— Chris Mautner

Art Spiegelman
"Brunetti's specific interests in the classic gag cartoon and the artists included here expand the dialogue started in Chris Ware's anthology in fruitful ways."—Art Spiegelman
Fantagraphics Books - Eric Reynolds
"Great Caesar's Ghost, this is one of the most stunning—and smartly assembled—anthologies I've ever seen."—Eric Reynolds, Fantagraphics Books
The Patriot-News - Chris Mautner
"Brunetti has compiled an impressive ‘greatest hits’ collection. . . . A perfect book for a neophyte."—Chris Mautner, The Patriot-News
Whitney Matheson - USA Today
“I urge you to check out An Anthology of Graphic Fiction & True Stories (both volumes), edited by Brunetti and published by Yale University Press. They're certainly two of the best anthologies I've seen in recent years.”—Whitney Matheson, USA Today “Pop Candy” blog
David Hajdu
The book is a manifesto of comics’ coming of age. Unlike several earlier anthologies of comics, including two dense volumes published by the Smithsonian (one of newspaper comics, one of comic-book stories) and a fine collection of newspaper strips compiled by the comics artist Jerry Robinson (“The Comics”), the Anthology of Graphic Fiction, Cartoons, and True Stories is not an overview of the history of comics from their birth in the lurid Sunday supplements of the turn of the last century through the rise of superheroes in the late 1930s to the triumph of Art Spiegelman’s Pulitzer for Maus in 1992. Rather, it concentrates almost solely on recent work by contemporary artists and writers doing what Brunetti calls “art comics” — personal, deeply intimate, idiosyncratic and sometimes wild comics published for the most part by independent presses.
— The New York Times
Publishers Weekly
Brunetti's stated criteria for what made the cut for this hearty and hefty volume comes in his refreshingly honest introduction: "Ultimately... these are comics that I savor and often revisit." Luckily Brunetti's got a fabulous eye for an artist's signature work. The selections are difficult to argue with, hitting not just the expected luminaries (Chris Ware, Daniel Clowes) but lesser-knowns like surrealist Mark Beyer and Richard McGuire, whose "Here" breaks down the time-space continuum with mind-bending ease. Brunetti includes usually just one work from each artist, but makes exceptions for the likes of R. Crumb, and he isn't above putting his own work in, a move that's somehow more charming than obnoxious. Any fallow patches are more than made up for by, say, Jaime Hernandez's cinematic miniepic "Flies on the Ceiling." Unlike other recent anthologies, women cartoonists are represented with some of the best work in the book, like Debbie Drechsler's horrific "Visitors in the Night." While one may question the need for another comics anthology in a year unusually heavy with them, Brunetti has gone beyond the obvious to create an anthology of what is truly the finest in comics. (Oct.) Copyright 2006 Reed Business Information.
Publishers Weekly

Brunetti's second collection of his favorite cartoonists' work is even better than the first-more far-ranging, more personal and eccentric. Clearly a tour of one person's singular tastes, it's arranged in a stream-of-consciousness "oh, and you have to see this one" sort of way: work by 80-odd cartoonists, mostly from the past few decades, but also incorporating some early-1900s comic strips, a 1940s-vintage Fletcher Hanks story and several circa 1950 Harvey Kurtzman pieces as well as a smattering of previously unpublished gems. It's possible to quibble with some of Brunetti's aesthetic biases (or with his clustering most of the book's women cartoonists together in a block), but not with his selections. Nearly every piece is a killer, from big names like Chris Ware and Daniel Clowes as well as lesser-knowns like Laura Park and Matthew Thurber, and there's an enormous range of expressive styles and narrative approaches on display. The effect is something like Jerome Rothenberg's poetry anthologies: an investigation of unsettling, mind-opening places where only comics can travel. It's a pleasure to read straight through, and all but the most experienced art-comics enthusiasts are likely to discover a few new favorites. (Oct.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Kirkus Reviews
Don't be fooled by the prosaic title or the whiff of pedagogy in the introduction; this is the world of comics-or at least the North American, English-speaking part of that world-at its liveliest. The second anthology edited by Brunetti (volume one was published in 2006) showcases some of the form's history and development, highlights some of the best and better-known contemporary artists and introduces some cutting-edge innovators working at the vanguard of form and collage. The thematic organization by the editor (a Chicago-based professor and cartoonist) is compellingly idiosyncratic, juxtaposing Chris Ware's one-pager of a superhero named "God" with R. Sikoryak's series of covers for the fictional Action Camus series-a takeoff on Action Comics with a superhero who is part Superman, part Albert Camus's The Stranger. The work included addresses plenty of psycho-philosophical issues-death, identity, dreams, memory, death and the possibility of an afterlife-while also including a tribute to MAD magazine's creator Harvey Kurtzman, with his work followed by extended graphic celebrations by such leading acolytes as Robert Crumb and Art Spiegelman. The latter stresses how far Kurtzman's influence extended beyond fellow artists to the culture at large: "I think Harvey's MAD was more important than pot and LSD in shaping the generation that protested the Vietnam War." The obsessions probed throughout the anthology are as personal as the artistry, with Crumb offering a series of strips on record collecting (the first in collaboration with Harvey Pekar) and the exotic lure of what were once known as "race records"; Joe Matt on porn addiction; and Lynda Barry on dancing (and "keepers of thegroove"). In David Heatley's closing " Portrait of My Mom" and "Portrait of My Dad," it's plain that what he's really offering is a portrait of himself. Explains Brunetti, "I have tried to represent a variety of approaches while retaining a sense of wholeness and interconnectedness among the stories. If the first volume viewed comics as a developing human being, then this volume treats them as an extended family."The anthology suggests that, thankfully, this extended family isn't close to exhausting its creative potential.
Read More Show Less

Product Details

  • ISBN-13: 9780300111705
  • Publisher: Yale University Press
  • Publication date: 11/6/2006
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 400
  • Sales rank: 705,620
  • Product dimensions: 7.38 (w) x 10.00 (h) x 1.38 (d)

Meet the Author

Ivan Brunetti is the creator of the comic Schizo, published by Fantagraphics, of which four issues have appeared. In 2005, he curated The Cartoonist's Eye, an exhibit of 75 artists' work, for the A+D Gallery of Columbia College Chicago. He lives in Chicago.

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)