There are passages inAntic Hayof a pure and rhythmic beauty: passages so fine, so just, that they move one like good music.
Antic Hayby Aldous Huxley
London life just after World War I, devoid of values and moving headlong into chaos at breakneck speed - Aldous Huxley's Antic Hay, like Hemingway's The Sun Also Rises, portrays a world of lost souls madly pursuing both pleasure and meaning. Fake artists, third-rate poets, pompous critics, pseudo-scientists, con-men, bewildered romantics, cock-eyed futurists - all inhabit this world spinning out of control, as wildly comic as it is disturbingly accurate. In a style that ranges from the lyrical to the absurd, and with characters whose identities shift and change as often as their names and appearances, Huxley has here invented a novel that bristles with life and energy, what the New York Times called "a delirium of sense enjoyment!"
Meet the Author
ALDOUS HUXLEY (18941963) was an English writer who spent the latter part of his life in the United States. Though best known for Brave New World, he also wrote countless works of fiction, non-fiction, poetry and essays. A humanist, pacifist and satirist, he wrote novels and other works that functioned as critiques of social norms and ideals. Aldous Huxley is often considered a leader of modern thought and one of the most important literary and philosophical voices of the 20th century.
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >
Im ok wbu
Huxley's post-war London in a way resembles the post-communist Czech Republic. Everybody apparently enjoys himself/herself, the opportunities to make money seem to be unlimited, there are no restrictions, everybody is absolutely free to demonstrate his/her skills and abilities. On the other hand, the disenchantment and disillusion are omnipresent, nobody seems to be really happy, the necessity of escape from this unbearable stereotype is obvious. Shearwater's imaginary escape on a bike, Lypiatt's suicidal tendency, Myra's constant feeling of emptiness, Rosie's and Emily's genuine tears contrasting with Gumbril's false beard - all of this is rather far from idyll. This novel perhaps may be a great material if one wants to learn about the general mood of the twenties in Great Britain. However, in order to reach a complete enjoyment from reading this novel one needs to have not only a really good command of English, but also a knowledge of French and Italian, and a good encyclopaedia at hand, which I unfortunately didn't have.