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| Tom & Joy | Primary Artist |
| Tom & Joyce | Indexed Contributor |
| Tony Allen | Drums |
| Olivier Ker Ourio | Harmonica |
| Valerie Tribord | Background Vocals |
| Marie-Paule Tribord | Background Vocals |
| Linley Marthe | Bass |
| Thomas Naïm | Bass, Guitar, Vocals, solina, Mini Moog |
| Inor Sotolongo | Percussion |
| Rolando Faria | Background Vocals |
| Guillaume Farley | Bass |
| François Faure | Organ, Piano, fender rhodes, Wurlitzer |
| Jean Daniel Botta | Double Bass |
| Sophie Delila | Vocals, Background Vocals |
| Elsa Fourlon | Cello |
| Laure Simonin | Violin |
| Raphaël Chassin | Drums |
| Ludwig Gorhan | Flute, Alto Saxophone, Tenor Saxophone |
| Raphaël Soudre | Piano |
| Thomas Naim | Guitar, Vocals, Mini Moog |
| Joyce Hoze Liwer | Vocals |
| Jean-Pierre Chalbos | Mastering |
| Thomas Naïm | Producer, Engineer, Horn Arrangements, String Arrangements, Woodwind Arrangement |
| Ludwig Gorhan | Horn Arrangements, Woodwind Arrangement |
| Thomas Naim | Audio Production |
Editorial Reviews
All Music Guide - John Bush
It's clear that Tom & Joy's hearts are in Rio de Janeiro, but they are comfortable and far better off when they blend the bossa with a wide palate of acoustic songcraft. Antigua, easily the most highly promoted album of their career yet released it gained U.S. distribution through Tommy Boy, is also their most ambitious -- and successful. Naturally, it begins in a warm place, with the Jobim cover "Meditation," which Joyce Hozé delivers caressingly while Thomas Naïm quotes several bossa masters with his guitar. After dispatching the Brazilian chestnut, however, Tom & Joy sound much more sure of themselves, switching from double bass to electric and replacing the ...