3 Brilliant novellas that will make you giggle and make you think.
First we meet Smith, a new Caravan Master; his chef, Mrs. Smith; and his passengers, including a courier named Smith, a Yendri (a green-skinned forest-dwelling race), and Lord Ermenwyr and his nurse. None of these Smiths are related; they are all Children of the Sun (humans) but none have ever met before and some are using Smith as an alias. Smith's first caravan does not go well; they are attacked repeatedly, and not all of his passengers will arrive with him in Salesh because few of them are who they seem.
What is so delightful about this section is the world-building. There has been a trend the past few decades towards realism in fantasy writing - books on fantasy writing even include basic rules so that the budding writer doesn't make "mistakes" with geography, language groups, systems of magic, etc. Kage Baker throws that realism out the window. From the very first page, when she explains that Troon's celebrates the Festival of Respirator Masks, she dares us to complain about anachronisms and probability.
This section ends when the caravan reaches Salesh; the next picks up several months later, as Smith, Mrs. Smith, and his subordinates have given up caravan life and are running an inn. In this section Lord Ermenwyr arrives to hide out during the Festival, and within hours of his arrival Smith has a dead body on his hands and a grumpy City Warden insisting that Smith find the killer or he won't receive his Safety Certificate. Hilarity ensues, as Smith tries to question his guests and staff in the midst of total debauchery -- the traditional salutation during Festival in Salesh is "Joyous Couplings!" I giggled the entire way.
The final section takes up approximately 9 months after the Festival, but its tone is entirely different from what came before. Again Lord Ermenwyr's arrival heralds difficulties for poor Smith and his staff, but this time instead of hilarity we hear grumblings of race riots between the Children of the Sun and the Yendri and the whisper of a Key of Unmaking. The Yendri and the older races (demons, etc.) have always despised the Children of the Sun, for they breed like rabbits (they don't have any conception of birth control) and they decimate the land they settle on like a plague of locusts (they don't have any conception of crop rotation either), and the decision by a real estate company to build a new development on Yendri holy ground is not taken well.
But just as events are coming to a head in Salesh, Lord Ermenwyr abducts Smith for a boat trip to rescue his sister Svnae, of the short story "The Ruby Incomparable." The trip does not go as planned, nor is Lord Ermenwyr being entirely honest with Smith; and ultimately the gods get involved in what quickly ramps up to an end-of-the-world scenario.
While that may make the third section seem a more traditional fantasy plots, the effect is anything but. The forces arrayed on either side of the conflict have very just points. We are told from the first page that the Children of the Sun are "an energetic, sanguine, and mechanically minded people. . . They were consequently given to sins of an ecological nature. . ." How much, then, can we blame them for their ignorance, even when the consequences are dire? How much is that blame lessened if there are those who could enlighten them, but choose instead to withdraw or get violent? Baker provides no easy answers for the reader, and that is why I must give this my
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