Any Day Now [Bonus Tracks]

Any Day Now [Bonus Tracks]

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by Joan Baez
     
 

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Recorded in October of 1968, Any Day Now marks Joan Baez's first foray into the recording studios of Nashville, armed with an entire program of Bob Dylan's material and backed by a stellar cast of Music City's finest session players. Dylan himself, coming out of an imposed exile after a motorcycle crash, had issued only one recording since 1966's See more details below

Overview

Recorded in October of 1968, Any Day Now marks Joan Baez's first foray into the recording studios of Nashville, armed with an entire program of Bob Dylan's material and backed by a stellar cast of Music City's finest session players. Dylan himself, coming out of an imposed exile after a motorcycle crash, had issued only one recording since 1966's Blonde on Blonde; his low-key "comeback" outing, John Wesley Harding, released in December of 1967, had also been recorded in Nash Vegas with some of the same A-list players. Baez's interpretations on this double album are simply stellar. Her empathy for the material, her keen understanding of Dylan's sound world, and her own glorious voice brought another dimension to these 16 songs and, if anything, extended their meanings. There is no greater interpreter of Dylan's music, and while evidence of that certainly was offered on earlier recordings (such as 1967's Joan), the verdict was solidified here. The album's most famous track is "Love Is Just a Four-Letter Word," and because of the definitive performance of it here, it has basically belonged to Baez ever since. Another fine choice is "Walls of Redwing," a tune Dylan rarely performed and no one had yet recorded. Baez's read of "Sad Eyed Lady of the Lowlands" brings its full complexity to the fore. Though Dylan later confessed (after Joan and Bob split) to writing it for his wife, Sara, on the album Desire, there is plenty in the song that alludes to his relationship with Baez. Her version of the song is almost identical in length (11:15 to Dylan's 11:22) and is utterly beguiling. Likewise, her a cappella approach to "Tears of Rage," which immediately follows, is a beautiful version with a strangely fascinating placement. The bottom line is that Any Day Now, like Joan and David's Album, found Baez at an intensely inspirational and creative peak. [The CD issue of the disc includes two bonus tracks, live versions of "Blowin' in the Wind" and "It Ain't Me Babe."]

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Product Details

Release Date:
02/08/2005
Label:
Vanguard Records
UPC:
0015707974721
catalogNumber:
79747
Rank:
71197

Tracks

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Album Credits

Performance Credits

Joan Baez   Primary Artist,Guitar,Vocals
Johnny Gimble   Violin,Musician
Jerry Reed   Guitar,Musician
Buddy Spicher   Musician
Steve Stills   Guitar,Musician
Pete Drake   Steel Guitar,Musician
Fred Carter   Mandolin
Grady Martin   Leader,Musician
Harold Bradley   Musician
Kenny Buttrey   Musician
Tommy Jackson   Violin,Musician
Jerry Kennedy   Guitar,Musician
Norbert Putnam   Musician
Hargus "Pig" Robbins   Keyboards,Musician
Harold Rugg   Guitar
Pete Wade   Musician
Hal Rugg   Musician
Fred Carter   Musician
Bill Purcell   Musician
Junior Huskey   Musician
David Briggs   Musician

Technical Credits

Joan Baez   Liner Notes,Illustrations,Cover Design
Bob Dylan   Composer
Steve Stills   Contributor
Fred Carter   Contributor
Bill Pursell   Contributor
Selby Coffeen   Engineer
Roy M. "Junior" Husky   Contributor
Tommy Jackson   Contributor
Richard Manuel   Composer
Maynard Solomon   Producer
Captain Jeff Zaraya   Engineer
Mark Spector   Reissue Producer
Arthur Levy   Liner Notes
Norman Moore   Art Direction
Georgette Cartwright   Creative Services Coordinator
David Briggs   Contributor

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