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by Russell Andrews

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Bestselling author Russell Andrews returns with a new thriller about a small-town cop who must get to the bottom of one of the greatest conspiracies of his time.See more details below


Bestselling author Russell Andrews returns with a new thriller about a small-town cop who must get to the bottom of one of the greatest conspiracies of his time.

Editorial Reviews

The New York Times
… a smart, cynical thriller … Although the noble Justin begins life as a stock character, he's got a good mind -- keen enough to work out this Chinese puzzle of a plot and twisted enough to accept the macabre conspiracy theory on which it's built. — Marilyn Stasio
Publishers Weekly
Robert Ludlum meets Dashiell Hammett in this gripping, wildly plotted thriller by the author of Gideon and Icarus. In the sleepy town of East End, New York, former homicide cop Justin Westwood is trying to escape the tragedy of his past by consuming scotch and writing traffic tickets for the local police department. The murder of a young reporter (disguised as an accident), however, catapults him out of his stasis and into a complicated investigation. A terrified witness tells of a blond killer, whom readers first met in the book's opening pages murdering another young woman. As Justin investigates, it seems that the police and the FBI are always one step ahead of him, and that folks with any connection to the case start turning up dead. Signs point to a sinister fountain-of-youth project run by a mysterious, all-powerful cabal, which the reporter had accidentally uncovered. If Westwood penetrates the secrets of the Aphrodite program, he's sure to be their next victim. A smalltown cop does battle with a great conspiracy: the plot may sound conventional, even hackneyed, but Andrews sustains white-hot tension throughout, bolstered by enough surprises and body blows to satisfy even a hardened mystery/conspiracy buff. The suspense flags slightly at midpoint, but elsewhere the pace is fast, the dialogue sharp, the characters skillfully drawn and the familiar, heady whodunit action cleverly handled. Agent, Esther Newberg. (Jan. 2) Copyright 2003 Reed Business Information.
Library Journal
Justin Westwood is a police officer hiding out from a painful past in a small, virtually crime-free town on Long Island, NY. When a murder occurs, Justin tries and fails to stay uninvolved; circumstances drive him to investigate the case, which gets more and more complicated. A string of murders and suspicious deaths all seem to tie together, but the motive is unclear. Justin keeps probing, even after the FBI gets drawn in. When he is charged with murder, he knows something big is going on: the code name Aphrodite keeps coming up. Well read by Buck Schirner, this thriller is packed with violence, death, and adventure. The twists and turns keep the listener guessing. Joanna M. Burkhardt, Coll. of Continuing Education Lib., Univ. of Rhode Island, Providence Copyright 2004 Reed Business Information.
Kirkus Reviews
A smart cop, a mad scientist, and a fountain-of-youth project that springs a leak. It's all so low-key at the start. All right, not really, given that there's a mysterious death, and that the venue is a tiny Long Island town where law enforcement is seldom called upon to do more than hand out traffic tickets. It takes Justin Westwood to make the dread connections. Once a big-city homicide detective on the fast track, he was derailed by a horrific family tragedy and subsequently took himself out of his job and the rest of society. But instincts are instincts, and Justin, once the model of a supercop, can't help but see what his overwhelmed colleagues on the East End Harbor PD are blind to: that the death of local reporter Susanna Morgan was anything but accidental, and that a dark and dangerous conspiracy is inextricably attached. Multibillionaire/world-class scientist/certifiable crackpot Douglas Kranston has long been seeking some means of halting the aging process. Now suddenly Justin, along with a child and her mother, looms as an obstacle. Kranston's beloved project requires that for all three the aging process must be curtailed with extreme prejudice. Once again, Andrews (Icarus, 2001, etc.) demonstrates his knack for making a sympathetic hero likable enough to redeem-well, almost redeem-an impossibly convoluted plot.

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Product Details

Grand Central Publishing
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By Russell Andrews

Mysterious Press

Copyright © 2004

Peter Gethers
All right reserved.

ISBN: 0-892-96784-6

Chapter One

Washington, D.C.

February 23

She knew there were no monsters.

And yet, when the lights were out, she also knew that there were.

It's why she screamed when she heard the footsteps. There was a
quick flurry, someone running-no, darting, that's the way it
sounded, definitely darting-and then there was a crash, glass being
shattered, a piece of pipe, perhaps, swung against the ugly
overhanging fluorescent light. Everything turned shadowy; the whole
room was suddenly fifty percent darker than it had been. Then,
almost before she could register what was happening, there were more
footsteps, on the other side of the garage-how did he get over there
so fast? It didn't seem possible-and another crash, another light
smashed, and then it was dark. Not just darker this time, but
completely dark. She couldn't see her hand right in front of her

It was absolutely quiet, too. Black and silent.

And suddenly there it was.

The feeling.

Even under normal circumstances, when things were calm, when she was
tucked safely in bed, under the down-filled covers with the lights
out, Maura Greer was overwhelmed by the dark. Even in her own room
there was nothing she could do to stop herimagination from running
wild. To stop her heart from beating madly and her throat from
drying up and that thing inside her head from saying: Be afraid.
Something bad is coming. Something really is there, inside the

And now something really was there.

Footsteps again.

She could hear someone breathing.

She thought she was going to faint. Her whole body was shaking and,
despite the freezing temperature and dankness of the garage, hot,
clammy sweat was starting to drip down the back of her neck.

Maura had lived with this fear for so long. Maybe her whole life. As
a child she needed a night-light. When she went away to college, got
her very first apartment, she used to leave the light on in the
hallway outside her bedroom. She told her roommate it was so she
could find the bathroom when she woke up in the middle of the night,
but that wasn't true at all. It was because the darkness terrified
her. Filled her with numbing, paralyzing dread.

That's what she was feeling now. She was stuck in the underground
garage of her apartment building with some madman who had shattered
all the lights and was, she was positive, going to stalk her and
catch her and rape her. So the dread was deep in the pit of her
stomach. A physical sensation. A pain. As if she'd been injected
with a drug that was quickly taking effect, moving upward from her
feet, through her legs, clenching her stomach, wrapping around her
throat, choking her. It's not fair, she thought. Not today. Not
Not when, in less than an hour, her whole life was about to change.
And it was going to change. She knew it. Today he was going to
tell her he loved her. He was going to tell her they could be together.
Finally. And she was going to comfort him and assure him that
everything would be all right, and make him understand he'd made the
right decision, and ...

More footsteps!

To her left. He was all the way to her left, maybe thirty feet away.
There was a door there, leading up to her apartment building; it was
the way she'd come in. But there was another way out. An easier way.
The driveway. That was maybe fifty or sixty feet to her right. The
metal door, the one that rolled slowly down from the tracks on the
ceiling and guarded the ramp the cars came up, was shut. It
shouldn't have been-it was supposed to stay open until 7 P.M. She
didn't have the clicker that opened it, either. She would have,
normally, but she hadn't brought her purse. He didn't like her to
carry any ID when they met. He didn't want them to be seen together
in public, and they always took extra-careful precautions, but he
didn't want her to have any identifying papers in case anything
happened, so she just took to leaving her purse and her wallet at
home when she saw him. She could picture her bag sitting on the
kitchen counter. And in it was the goddamn clicker. She'd thought
about taking it, decided it wasn't important, she wouldn't need it,
not before seven. So she left it. Her ticket to freedom sitting on
the goddamn kitchen counter....

But there was still another way out, she realized. Another door that
led out to the front of the building. All she had to do was beat him
to that door by the driveway and she could make it up to the street.
There'd be people there. Someone to help her. There'd be light.

But she didn't know if she could make it. She wasn't dressed for

She had wanted today to be so perfect. She wore his favorite blouse,
a flowery Donna Karan, very flimsy and practically see-through. She
had tried on two different pairs of pants in her apartment, then
decided that pants weren't right, she really wanted to go sexy, so
she wound up with a short black skirt. Straight, no pleats, linen.
It came down to the middle of her thighs, and she knew he really
liked her thighs; even in public he could barely keep his hands from
brushing up against them at dinner, sometimes being as daring as he
could be, squeezing them under the table and lingering.

The bra had been easy. It came from the Bra Store, in Manhattan, on
Madison in the East Sixties, practically her favorite place on
earth. Today's choice was very daring. It was flesh colored and
revealed a lot of cleavage. Under the Donna Karan it would look, at
first glance, as if she was naked, and she knew he'd really, really
like that. Leaving her apartment, she'd thought about how he'd look
at her in mock disapproval, shake his head, and say something like
"That should be illegal." She'd look concerned and maybe say, "Do
you want me to go home and change?" And, of course, he'd grab her
then, because he couldn't help himself, and she'd let him hold her,
touch her, for a long time, and she'd kiss him, once or twice,
slowly lick the inside of his upper lip, he loved that so much, and
when he groaned with pleasure, she'd say, "Did you do it? Did you
tell her?" And this time she knew the answer would be yes. Because
this time she really had something for him. She had some real
information. She would show him once and for all that she was not
just a piece of fluff or merely the object of his lust. She had a
brain. A good brain. And she was important to him. Useful.

Because this time she could give him what he wanted, something
besides the sex.

He'd given her a name.


And now she knew what it meant.

She could, even in the darkness of the garage, picture his eyes, the
way they'd shine when she told him what she'd discovered. And she
imagined his voice when she finally heard the words she'd been dying
to hear for so many months now.

Yes, I told her. Yes, we can be together.

Yes. I love you.

Yes ...

It was going to be exactly how she'd dreamed about it. That's why
she'd had to get the shoes just right, too, of course. He liked
spike heels, all men did. God, men were fools sometimes. It was
still the middle of the afternoon and she didn't want to look like a
hooker, but what the hell, she'd decided to go for it. She wouldn't
wear them when he took her to the White House-and he was going to
take her to the White House, he'd all but promised-but today wasn't
for meeting presidents and senators. Today was supposed to be for
something altogether different, so she went for the Jimmy Choo
eggshell-colored heels. Why not? They showed her ankles off so
perfectly and that was the best part of her body, she knew. She
might be ten pounds on the plump side-okay, fifteen-but her ankles
were perfect. So that was what she was wearing with her tight skirt,
and that was why she was not dressed for running.

Her ankles just might get her killed, she thought....

Where was Hector? Why hadn't that occurred to her before? He was
always in the garage during the day. He complained about it all the
time. Sunny outside but I'm underground all day long, that's what he
constantly said to her. He'd leer at her a little bit, especially
when she looked like she did today. He'd leer and complain about
being inside and underground breathing in car fumes. Where was he

She screamed out his name.


No answer. Was Hector the one doing this? It seemed inconceivable.
But still, the way he looked at her sometimes. Had she ever told him
she was afraid of the dark? She might have. Everyone said she was
too gabby. She might have told him and now here he was, wanting her
and knowing she'd be terrified.

There was another noise, a ssssstttt. A match being lit. Then a tiny
speck of light. She saw something. A man. Not Hector. Nothing like
Hector. A tall man. Tall and thin with short-cropped white-blond
hair. Handsome and pale.

Then the match went out and the light was gone. And so was he.

Back in the dark.

That's when she realized that if she couldn't see him, he couldn't
see her. So, as terrified as she was, her brain began to work: It
told her to crouch down and kick off those eggshell high heels and
move quietly, quietly but steadily, toward the door by the driveway....

She wondered if they'd realize she was late checking into the hotel.
She had told them she'd be there by five. They knew her there by
now, at the Marriott in Virginia. The desk clerk no longer bothered
to take her credit card imprint when she checked in; he'd just wave
her away and say they'd take care of it on her way out. Then she'd
pay cash. Her story was that she was from out of town, coming in
repeatedly on business. She said she lived in East End Harbor, on
Long Island, in New York, and that wasn't really a lie. More like a
fib. She also told him she was a lobbyist for the Nature
Conservancy, and that was a lie. She didn't know why she'd said it,
maybe because that's what she wished she were. That's what she would
be, one of these days. But the clerk certainly remembered their
conversations because when he saw her he always called her Ms.
Greer, he always asked how her lobbying was going, and then he'd
hand her the key to her room, always the same room, 1722. He knew
not to bother to call a bellhop; she had made it clear that she
preferred to carry her small overnight bag herself. The only
question he ever asked was, "Early or late checkout?" and after she
told him she'd smile to show she was very satisfied with the
service, then head straight for the bank of elevators that went to
the seventeenth floor. All she'd have to do after that was wait for
the love of her life to arrive. She always arrived on time, she was
never late. So maybe they'd realize that something was wrong; maybe
they'd come looking for her.

Another ssssstttt. Another flash of light. He was far from her now,
the blond man. He was guarding that door all the way to the left,
and she'd moved maybe fifteen feet closer to the driveway. She could
make it. He was looking around, he didn't see her, but she could see
he was wearing a khaki suit with an open-necked blue shirt, and now
she thought: I can do it. I can make it. He's not even looking in my
direction and, okay, I see the clearing, I see the door. As soon as
the match goes out, just run like hell. I can make it....

The match went out and she took off.

She banged her knee into the corner of a car-the darkness was
disorienting, but that didn't really slow her down. She was hauling
ass and there was no way he was going to get her. She didn't even
hear footsteps; he wasn't even trying. He knew it was impossible,
knew that he'd lost, and she reached the door, grabbed for the
doorknob and started to turn it, started to yank the door open and
yes, there was the crack of sunlight, she had made it....

And that's when she felt the hand on her arm.

She looked up and there he was. The light from the crack in the door
showed the short blond hair, the khaki suit, and the blue shirt. But
it wasn't possible. She'd seen him, knew he was all the way on the
other side of the garage. She hadn't heard him running. He couldn't
have beaten her to the door. It was not humanly possible....

She felt a pain in her wrist now, realized he was twisting it,
pulling her away from the door. She heard it shut with a click and a
quiet whoosh. She started to scream-maybe someone on the other side
would hear her-but his hand was over her mouth and she couldn't
scream. She couldn't move and she couldn't make a sound and she
couldn't even see him anymore. She couldn't see anything. She was
back in the dark.

There was a strange and overwhelming pressure on her throat now and
she was having trouble breathing. She felt her head twisting and it
hurt, it really hurt, and then she heard a little snap and started
to fall to the concrete floor. She was vaguely aware that the man
was holding her up, that he was dragging her to the back of a car.
She felt herself being lifted up, realized that the trunk of the car
was open, and she started to squirm.

And then she felt another tug at her neck and heard another crack
and then she didn't feel anything.

Maura did not hear the trunk of the blond man's car close on top of
her. She did not know that the Donna Karan blouse she was wearing
now had a long tear under her right armpit or that the Jimmy Choo
spike-heeled shoes were streaked with grease and carelessly tossed
inches away from her bare feet. She did not see or feel the body of
Hector, the garage attendant, which was already stuffed in the trunk
next to her.

As the blond man's car slowly pulled out of the parking space and
moved toward the exit ramp, Maura felt like she was floating, like
she was drifting off into space, weightless. She was surrounded by
blackness, blacker than she'd ever imagined. She tried to make
herself come back, tried to stop herself from fading into the dark,
but she couldn't. And as she floated farther and farther away, she
thought: It's not fair. It's not fair, it's not fair, it's not fair.
He has to tell me he loves me. He has to take me to meet all the
famous and powerful people. And he has to know about Aphrodite.

I have to tell him about Aphrodite.

And then the terrible feeling that had been with Maura Greer her
entire life disappeared. There were no more shadows. No more
terrifying shapes. And no more fear.

There was only a new and different kind of darkness.


Excerpted from Aphrodite
by Russell Andrews
Copyright © 2004 by Peter Gethers.
Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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