The Apocalypse and the Shape of Things to Come / Edition 1

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Overview

The end of the second millenium is an appropriate moment to evaluate the legacy of one of the most vivid and controversial writings in the Christian canon, the Book of Revelation. The idea of an apocalypse that was both destructive and redemptive provided a rich vein of visual and literary imagery that remains a force in contemporary culture. This book examines the tradition as represented by illuminated manuscripts, books, prints, and drawings from the eleventh century up to the end of the Second World War, concentrating on particular episodes or apocalyptic phases, which have often occurred at the end of centuries and have always been rooted in historical and political circumstances.

The defining moment in the development of the pictorial tradition was Dürer's great Apocalypse cycle, published in 1498. Apocalyptic imagery was quickly appropriated as a vehicle for propaganda and satire, becoming secularised at the hands of artists such as the late eighteenth-century satirist James Gillray. Gillray's contemporary William Blake evolved a concept of Apocalypse and Judgement that responded to the millenarian currents and revolutionary upheavals of his time.

In our own century, apocalyptic metaphor has been a powerful vehicle for many writers, artists, and film directors to convey their visions of worldly and spiritual destruction and regeneration.

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Product Details

  • ISBN-13: 9780802083258
  • Publisher: University of Toronto Press, Scholarly Publishing Division
  • Publication date: 12/28/1999
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 362
  • Product dimensions: 8.59 (w) x 10.85 (h) x 0.99 (d)

Meet the Author

Frances Carey is Deputy Keeper in the Department of Prints and Drawings, British Museum. Her publications include Modern Scandinavian Prints and (with Anthony Griffiths) The Print in Germany 1880-1933, Avant-Garde British Printmaking 1914-1960, and German Printmaking in the Age of Goethe.
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Table of Contents

Preface 6
Acknowledgements 10
1 Millennium and Apocalypse 11
2 Biblical Origins of the Apocalyptic Tradition 28
3 The Last Things: Representing the Unrepresentable 43
Catalogue 64
4 The Vision of the Apocalypse in the Sixteenth and Seventeenth Centuries 99
Catalogue 125
5 The English Apocalypse 208
Catalogue 232
6 The Apocalyptic Imagination: between Tradition and Modernity 270
Catalogue 297
7 Celluloid Apocalypse 320
Books and Periodicals cited in Abbreviation 341
Photographic and Copyright Acknowledgements 344
Index 345
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