Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967
The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967—including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)—to show the view from both sides of the Pacific.

1125285488
Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967
The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967—including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)—to show the view from both sides of the Pacific.

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Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967

Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967

by Mike Bogue
Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967

Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967

by Mike Bogue

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Overview

The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967—including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)—to show the view from both sides of the Pacific.


Product Details

ISBN-13: 9781476668413
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 09/14/2017
Pages: 316
Product dimensions: 6.90(w) x 9.90(h) x 0.90(d)
Age Range: 18 Years

About the Author

Mike Bogue, a retired educator living in Ozark, Arkansas, has written for Scary Monsters Magazine, G-FAN, Movie Milestones, The Lost Films Fanzine, Castle of Frankenstein, and Mad Scientist.

Table of Contents

Table of Contents

Acknowledgments
Foreword by Allen A. Debus
Preface
Introduction
Part I: Mutants
1. All-American Aberrations
1951–1959: Ma and Pa Kettle Back on the Farm 11 • Captive Women 12 • The Year 1953 15 • The Atomic Kid 16 • Bride of the Monster 18 • Creature with the Atom Brain 20 • Day the World Ended 23 • The Werewolf 27 • World Without End 30 • The Amazing Colossal Man 33 • The Cyclops 37 • From Hell It Came 40 • The Incredible Shrinking Man 42 • Attack of the 50 Foot Woman 45 • Frankenstein 1970 48 • Monster on the Campus 50 • Terror from the Year 5000 52 • War of the Colossal Beast 55 • The Alligator People 58 • The Hideous Sun Demon 61 • The Best and the Rest
2. Mutations American Style
1960–1967: Beyond the Time Barrier 65 • The Beast of Yucca Flats 67 • Most Dangerous Man Alive 69 • The Year 1962 71 • Monstrosity 72 • The Horror of Party Beach 74 • The Time Travelers 78 • The Years 1965–1966 84 • In the Year 2889 84 • After the Year 1967
3. Rising Sun Terrors
1958–1965: The ­H-Man 87 • Frankenstein Conquers the World 97 • Of Gelatin and Giants
4. Marty vs. the ­H-Man
1958: National Identity 106 • Radiation Perspective 109 • Implicit Worldview 110 • Man-Sized Mutants 112 • King-Sized Mutants 113 • From Mutants to Monsters
Part II: Monsters
5. Red, White and Blue Behemoths
1953–1963: The Beast from 20,000 Fathoms 115 • The Magnetic Monster 119 • Killers from Space 122 • Monster from the Ocean Floor 125 • Them! 126 • It Came from Beneath the Sea 131 • Tarantula 134 • The Phantom from 10,000 Leagues 139 • Attack of the Crab Monsters 142 • Beginning of the End 147 • The Monster That Challenged the World 150 • Monster from Green Hell 153 • Attack of the Giant Leeches 156 • The Slime People 159 • Almost Atomic 162 • Of Beasts, Bugs and Behaving
 6. Walking ­H-Bombs
1954–1967: Godzilla / Gojira, King of the Monsters! 166 • The Americanization 172 • Godzilla Raids Again / Gigantis, the Fire Monster 175 • Rodan 178 • Mothra 181 • 1962–1963 184 • Giant Space Monster Dogora / Dagora, the Space Monster 184 • Mothra vs. Godzilla / Godzilla vs. the Thing 186 • Gamera, the Giant Monster / Gammera the Invincible 190 • Godzilla, Ebirah, Mothra / Godzilla vs. the Sea Monster 195 • Son of Godzilla 197 • Almost Atomic
 7. Honda vs. Harryhausen
Part III: Mushroom Clouds
 8. Twilight’s Last Gleaming
1951–1964: Five 217 • Invasion U.S.A. 220 • Teenage Cave Man
• On the Beach 225 • The World, the Flesh and the Devil 230 • The Last Woman on Earth 233 • Rocket Attack U.S.A. 235 • The Creation of the Humanoids 238 • Panic in Year Zero! 240 • This Is Not a Test 245 • Dr. Strangelove—or: How I Learned to Stop Worrying and Love the Bomb 247 • ­Fail-Safe
 9. Rising Sun Apocalypse
1956–1961: The Mysterious Satellite / Warning from Space 257 • Earth Defense Force / The Mysterians 261 • The Final War 264 • The Last War
10. Aftermath vs. the End
Epilogue
Chapter Notes
Bibliography
Index
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