Appreciations and Criticisms of the Works of Charles Dickens

by G. K. Chesterton

Overview

G. K. Chesterton's "Appreciations and Criticisms of the Works of Charles Dickens" offers a fascinating journey into the world of one of English literature's most beloved authors. This collection of essays provides insightful Dickens criticism and interpretation, exploring the enduring appeal of his characters and stories within the context of Victorian literature.

Chesterton, a renowned literary critic himself, delves into the heart of Dickens's genius, examining his unique storytelling style and the social commentary woven throughout his novels. This volume provides a comprehensive overview of Dickens's work, making it a valuable resource for anyone interested in English literature and the Victorian era.

This meticulously prepared print edition preserves the original text, allowing readers to experience Chesterton's insightful analysis as it was originally intended. A must-have for scholars and enthusiasts alike, "Appreciations and Criticisms of the Works of Charles Dickens" offers a timeless perspective on a literary giant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Product Details

ISBN-13:	9781022935952
Publisher:	Anson Street Press
Publication date:	03/28/2025
Pages:	164
Product dimensions:	6.14(w) x 9.21(h) x 0.35(d)

About the Author

Gilbert Keith Chesterton, (29 May 1874 - 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox".Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out.
Chesterton is well known for his fictional priest-detective Father Brown,[5] and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius."[4] Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.
Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.[8][9] He was baptised at the age of one month into the Church of England,[10] though his family themselves were irregularly practising Unitarians.[11]According to his autobiography, as a young man Chesterton became fascinated with the occultand, along with his brother Cecil, experimented with Ouija boards.
Chesterton was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject.
In September 1895 Chesterton began working for the London publisher Redway, where he remained for just over a year.[14] In October 1896 he moved to the publishing house T. Fisher Unwin,[14] where he remained until 1902. During this period he also undertook his first journalistic work, as a freelance art and literary critic. In 1902 the Daily News gave him a weekly opinion column, followed in 1905 by a weekly column in The Illustrated London News, for which he continued to write for the next thirty years.