Aproximaciones al Estudio de la Literatura Hispanica / Edition 4

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Overview

More than just an anthology of Spanish and Spanish American literature, this text is also an introduction to literary analysis. Organized by genres (prose, poetry, drama, and the essay), it provides a rich and diverse array of reading selections. Each section is accompanied by an introduction and exercises.
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Product Details

  • ISBN-13: 9780070123328
  • Publisher: McGraw-Hill Companies, The
  • Publication date: 12/25/1998
  • Language: Spanish
  • Edition description: Spanish Language Edition
  • Edition number: 4
  • Pages: 448
  • Product dimensions: 7.44 (w) x 8.94 (h) x 0.57 (d)

Meet the Author

Carmello Virgillo is Professor Emeritus of Romance Languages at Arizona State University, Tempe, where he has taught Spanish, Portuguese, and Italian at the undergraduate and graduate levels. In addition to serving as coordinator of Portuguese and undergraduate Spanish literature courses, he directed Arizona State University's programs in Florence and Siena, Italy. He also served as book review editor of the Latin American Digest. He is the author of many articles and reviews on nineteenth- and twentieth-century Spanish, Latin American, and Brazilian literature, as well as of translations. The recipient of several nominations for excellence in teaching, he has been cited by the Italian Ministry of Education for his contributions to the promotion of Italian studies in the United States.
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Table of Contents

Preface

INTRODUCCION

La literatura como arte y fenómeno estético

El autor y su obra frente al público: implicaciones socioculturales

LA NARRATIVA

Introducción a la narrativa

Práctica

Panorama histórico y categorías fundamentales

Práctica

El cuento: Guía general para el lector

La novela: Guía para el lector de San Manuel Bueno, mártir

Lecturas

Don Juan Manuel (España): «Lo que sucedió a un mozo que casó con una muchacha de muy mal carácter»
Ricardo Palma (Perú): «La camisa de Margarita»
Emilia Pardo Bazán (España): «Las medias rojas»
Teresa de la Parra (Venezuela): «Blanca Nieves y Compañía»
Julio Cortázar (Argentina): «La noche boca arriba»
Jorge Luis Borges (Argentina): «El etnógrafo»
Juan Rulfo (México): «No oyes ladrar los perros»
Ana María Matute (España): «Pecado de omisión»
Marco Denevi (Argentina): “El dios de las moscas”
Elena Poniatowska (México): “El recado”
Cristina Peri Rossi (Uruguay): «El Museo de los EsfuerzosInútiles»
Isabel Allende (Chile): «La mujer del juez»
Miguel de Unamuno (España): San Manuel Bueno, mártir

LA POESIA

Introducción a la poesía

Práctica

El lenguajeliterario

Práctica

Práctica

Panorama histórico y categorías fundamentales

Práctica

La poesía: Guía general para el lector

Lecturas

Anónimo (España):
«El Enamorado y la Muerte»

«Romance del conde Arnaldos»
Garcilaso de la Vega (España):
«Soneto I»


«Soneto XXIII»
Santa Teresa de Jesús (España):
«Vivo sin vivir en mí»


«Nada te turbe»
San Juan de la Cruz (España):
«Llama de amor viva»


«Noche oscura»
Luis de Góngora (España):
«Soneto CLXVI»


«Ándeme yo caliente y ríase la gente»
Francisco de Quevedo (España):
«Salmo XVII»


«Amante agradecido»
Lope de Vega (España):
Rimas sacras: «XVIII»


Rimas humanas: «CXCI»
Sor Juana Inés de la Cruz (México):
«En el que satisface unrecelo con la retórica del llanto»


«A una rosa»
José de Espronceda (España):
«Soneto»


«Canción del pirata»
Gertrudis Gómez de Avellaneda (Cuba):
«Al partir»


«A El»
Gustavo Adolfo Bécquer (España):
«Rima XI»


«Rima LIII»
José Martí (Cuba):
«Si ves un monte de espumas»


«Dos patrias»
José Asunción Silva (Colombia):
«Los maderos de San Juan»


«Nocturno III»
Rubén Darío (Nicaragua):
«El cisne»


«Canción de otoño en primavera»
Amado Nervo (México):
«La pregunta»


«Si Tú me dices ‘¡Ven!’»
Antonio Machado (España):
Proverbios y cantares:
«Poema XXIX»


«La saeta»
Juan Ramón Jiménez (España):
«Intelijencia, dame»


«Vino, primero, pura»
Gabriela Mistral (Chile):
«Meciendo»


«Yo no tengo soledad»
César Vallejo (Perú):
«Yuntas»


«El momento más grave de la vida»
Vicente Huidobro (Chile):
«Arte poética»


«La capilla aldeana» (fragmento)
Juana de Ibarbourou (Uruguay):
«La higuera»


«Rebelde»
Federico García Lorca (España):
«Prendimiento de Antoñito el Camborio en el camino de Sevilla»


«Canción primaveral»
Luis Palés Matos (Puerto Rico):
«Danza negra»


«El gallo»
Nicolás Guillén (Cuba):
«Sensemayá»


«No sé por qué piensas tú»
Pablo Neruda (Chile):
«Me gustas cuando callas»


«Verbo»
Gloria Fuertes (España):
«Sale caro ser poeta»


«Mis mejores poemas»
Octavio Paz (México):
«El sediento»


«Cifra»
Ernesto Cardenal (Nicaragua):
«Epigramas»
Ana María Fagundo (España):
«Letanía»


«Trinos»
Nancy Morejón (Cuba):
«Renacimiento»


«Mujer Negra»

EL DRAMA

Introducción al drama

Práctica

Panorama histórico y categorías fundamentales

Práctica

El drama: Guía general para el lector

Lecturas

Jacinto Benavente (España): El nietecito
Osvaldo Dragún (Argentina): Historia del hombre que se convirtió en perro
Emilio Carballido (México): El censo
Griselda Gambaro (Argentina): Antígona furiosa
Paloma Pedrero (España): Resguardo Personal
Federico García Lorca (España): La casa de Bernarda Alba

EL ENSAYO

Introducción al ensayo

Práctica

Panorama histórico y categorías fundamentales

Práctica

El ensayo: Guía general para el lector

Lecturas

Mariano José de Larra (España): «Vuelva usted mañana»
Eugenio María de Hostos (Puerto Rico): «El cholo»
Eva Perón (Argentina): «Los obreros y yo»
Rosario Castellanos (México): «Y las madres, ¿qué opinan?»
Rosario Ferré (Puerto Rico): «La autenticidad de la mujer en el arte»

Apéndice 1: El ensayo crítico

Apéndice 2: Clasificación de los versos según el número de sílabas

Apéndice: Términos literarios y paraliterarios relacionados con el texto

Indice cronológico de obras literarias hispánicas comparado con cuadros sinópticos

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