Architectural Drawing: A Visual Compendium of Types and Methods

Overview

An extensively updated new edition of a classic architectural text

Today's most comprehensive compendium of architectural drawing types and methods, both hand drawn and computer generated, Architectural Drawing: A Visual Compendium of Types and Methods remaines a one-of-a-kind visual reference and an ...
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Overview

An extensively updated new edition of a classic architectural text

Today's most comprehensive compendium of architectural drawing types and methods, both hand drawn and computer generated, Architectural Drawing: A Visual Compendium of Types and Methods remaines a one-of-a-kind visual reference and an outstanding source of guidance and inspiration for students and professionals at every level.

The Third Edition has been thoroughly updated to reflect a wider range of techniques and styles than ever before, including:

•1,100 illustrations by today's most noted architects, including Tadao Ando, Rebecca Binder, Mario Botta, Lord Foster, Massimiliano Fuksas, Frank Gehry, Michael Graves, Zaha Hadid, Steven Holl, Ricardo Legorreta, Richard Meier, I.M. Pei, Cesar Pelli, Renzo Piano, Antoine Predock, Tod Williams and Billie Tsien, and Venturi Scott Brown
•Over 250 new drawings
•30% new and revised material
•A new, more user-friendly structure
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What People Are Saying

La Raine Papa Montgomery
"This volume reveals how architects approach drawing as a process wherein ideas are given form. As a tool for teaching, these examples become important in students' understanding of the formal and technical aspects of design thought. In an age of digital technologies, this work emphasizes the intimate relationship that exists between the drawing and its maker, the process between paper, hand, and mind."--(La Raine Papa Montgomery, Professor of Architecture/Graphics Coordinator, Savannah College of Art and Design)
Samer Akkach
"A wonderful resource on design visualization and graphic communication that covers all aspects of drawing conventions and manual techniques of representation. Richly illustrated and professionally presented in a way that makes it accessible to beginners as well as advanced students, this book stands out as a core reference for courses on design graphics."--(Dr. Samer Akkach, Senior Lecturer in Architecture and Design, The University of Adelaide, South Australia)
William W.P. Chan
"This book contains an abundance of some of the most inventive graphic presentations by world-class architects. As I browse through this book, the hundreds of pages of thought provoking images both relax and excite me, an experience that only a good read can bring. It illuminates the process of visual thinking behind some of the most creative minds. As the profession is becoming more and more constrained by economics and time, this book reminds us of how ideas in architecture began."--(William W.P. Chan, AIA, Assistant Professor of Architecture, Morgan State, University, Institute of Architecture and Planning)
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Product Details

  • ISBN-13: 9781118012871
  • Publisher: Wiley
  • Publication date: 7/31/2012
  • Edition description: New Edition
  • Edition number: 4
  • Pages: 608
  • Sales rank: 804,808
  • Product dimensions: 8.40 (w) x 10.90 (h) x 1.10 (d)

Meet the Author

RENDOW YEE has been a professor of architecture for more than twenty years. He is a former Chair of the Architecture Department at the City College of San Francisco.
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Read an Excerpt

Preface to the First Edition

In the visual world of design education and the design professions, message (design) and language (graphics) are so interrelated that they cannot be separated. The design process always includes graphic skills to clarify and communicate the issues in question. This book's goal is to communicate a broad range of design-drawing methods; it is not intended to be a handbook on acquiring design skills.

People learn to communicate through language at an early age. They learn to speak, read, and write. The primary type of communication in any kind of design work, whether fashion or building, is drawing. To communicate our design ideas to others, we must learn how to draw. We must draw with enough facility to make our ideas clear. Furthermore, we need to be able to communicate graphic ideas to ourselves because, as we work on any design, our ideas are constantly changing and evolving.

The language of graphics requires the use of all aspects of the brain--analytical, intuitive, synthetic, and even emotional. The intent of this primer is to provide students and practitioners with graphic tools essential to visual communication methods in the design process. It will reinforce methods of perceiving existing reality in order to create an awareness of the visual world. It will also develop and build confidence in one's analytical and intuitive graphic skills and abilities.

It is quite common to find students with a wide range of backgrounds in drawing upon entering a beginning course in architectural drawing/graphics; some students may have had numerous courses in middle school and high school mechanical drawing and art;other students have never used or been exposed to drafting or sketching equipment. There are also students who show a strong potential on aptitude tests related to spatial visualization; but, for one reason or another, they have never had an opportunity to develop this potential. This book can be used by those who have little knowledge of geometry or basic mathematics. However, it is also designed for intermediate and advanced students in architectural drawing. Students and practitioners with a prior knowledge of pictorial drawing or perspective will find this book to be a convenient reference guide for presentation work.

The first four chapters, including "Representational Sketching," are basic to the study of architectural graphics and provide the necessary framework to pursue the major areas of two- and three-dimensional pictorial drawings. The chapters on paralines, perspectives, and shadows illustrate the most common manual methods in current practice with detailed but simple explanations on the theory behind their use. The use of these procedures will help both the student and the professional in communicating and presenting design ideas. The remainder of the book is devoted to a brief introduction to the topics described by chapter titles "Delineating and Rendering Entourage," "Diagramming and Conceptual Sketching," and "Presentation Formats." The variety of drawings illustrates a large number of diverse styles; and the medium used, the original size, and the scale used (if applicable) are given for each drawing where this information was available. In this sense, the book acts as a springboard to stimulate readers to explore each topic in more detail by investigating the extensive bibliography. Many of the images included are residential building types, but a large variety of other building types are shown as well. In view of today's global culture, many drawing exhibits from outside the United States are also included.

This comprehensive guide attempts to elaborate equally on each of the architectural design-drawing methods in current use. However, the last quarter of the twentieth century has seen an upsurge in the use of paraline drawings. This is due to their ease of construction and their impressive ability to allow the viewer to see and to comprehend the total composition of a design. For this reason, a large number of professional paraline examples are included. Architecture and other design professions have been expanding their expressive vocabulary to include the emerging methods of three-dimensional computer imaging, animation, film, and video. This visual compendium of diverse graphic images done in a variety of both traditional and avant-garde media is rich in its content. Many illustrations are supported by personal commentary from their originators to help shed light on why each type of drawing was chosen to express the design.

Both students and design professionals are continually striving to come up with new ways to represent and express their designs. The graphic image examples that I have chosen are by no means exhaustive. These examples are meant to extend basic techniques that the students learn to a more advanced level as well as to provoke their imagination. They are not meant to dogmatically lead students onto a narrow path of particular styles or "isms"; instead, their goal is to encourage students to start their own journey of discovery and exploration.

As a reference for precise graphic constructions the book is laid out in a simple, easy-to-follow, step-by-step format. Although mechanically constructed pictorials are emphasized, freehand visualization techniques are encouraged. Most architectural schools have courses covering architectural design-drawing in a time frame from one to three semesters. In many cases the material is covered as an adjunct to the design-drawing studio. This book can be used under any kind of flexible time schedule as a student text or a studio reference, or as an office reference for practitioners. The encyclopedic nature of the book encourages browsing and wandering. For ease of reference, design-drawing types have been categorized in such a way that both students and design professionals will find them handy for reviewing design-drawing methods or for obtaining and extrapolating ideas for their own creative presentation compositions.

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Table of Contents

Preface to the Second Edition
Preface to the First Edition
1 Tool Fundamentals 1
2 Lettering, Typography, and Line Types 23
3 Representational Sketching 39
4 Conventional Orthogonal Terminology 85
5 Orthographic and Paraline Drawing 111
6 Linear Perspective Drawing 175
7 Perspective View Development 293
8 Light, Shade, and Shadow 313
9 Delineating and Rendering Entourage 377
10 Diagramming and Conceptual Sketching 437
11 Presentation Formats 491
Epilogue 557
Drawing Exercises 559
Bibliography 639
About the Author 643
Subject Index 645
Contributor Index 653
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