Archiv Produktion 1947-2013: A Celebration of Artistic Excellence From the Home of Early Music

Editorial Reviews

All Music Guide - Blair Sanderson
Archiv Produktion 1947-2013 is a limited-edition set celebrating 66 years of innovative recordings of repertoire ranging from Gregorian chant to the music of Ludwig van Beethoven. Fifty-four reissues are housed in this sturdy, cube-shaped box set, each presented in cardboard sleeves featuring the original covers, along with a 200-page booklet recounting the label's history, and a bonus sampler for 2013. While many of these revered albums have long been available on CD, a few appear here for the first time, and the collector who'd rather dispense with searching for individual titles should take advantage of this generous package. Prominent composers include J.S. Bach, ...
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Editorial Reviews

All Music Guide - Blair Sanderson
Archiv Produktion 1947-2013 is a limited-edition set celebrating 66 years of innovative recordings of repertoire ranging from Gregorian chant to the music of Ludwig van Beethoven. Fifty-four reissues are housed in this sturdy, cube-shaped box set, each presented in cardboard sleeves featuring the original covers, along with a 200-page booklet recounting the label's history, and a bonus sampler for 2013. While many of these revered albums have long been available on CD, a few appear here for the first time, and the collector who'd rather dispense with searching for individual titles should take advantage of this generous package. Prominent composers include J.S. Bach, whose cantatas, concertos, and keyboard music have been a core part of Archiv's catalog, as well as Vivaldi, Monteverdi, Scarlatti, Handel, C.P.E. Bach, Haydn, and Mozart, among many other major figures of western music in the Medieval, Renaissance, Baroque, and Classical eras. The roster of artists is a veritable who's-who of the beginning decades of period performance practice, including such luminaries as Alfred Deller, Dietrich Fischer-Dieskau, John Eliot Gardiner, Reinhard Goebel, Nikolaus Harnoncourt, Ralph Kirkpatrick, Charles Mackerras, David Munrow, Trevor Pinnock, Simon Preston, Karl Richter, and myriad others who became legends performing for this distinguished label.
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Product Details

  • Release Date: 6/18/2013
  • Label: Deutsche Grammophon
  • UPC: 028947910459
  • Catalog Number: 001833572
  • Sales rank: 43,169

Tracks

Disc 1
  1. 1 Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) - Johann Sebastian Bach & Dietrich Fischer-Dieskau (25:15)
  2. 2 Cantata No. 82, "Ich habe genug," BWV 82 (BC A169) - Johann Sebastian Bach & Dietrich Fischer-Dieskau (21:06)
  3. 3 Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - Johann Sebastian Bach & Dietrich Fischer-Dieskau (21:13)
  4. 4 Prelude and Fugue, for organ in E flat major ("St. Anne;" Clavier-Übung III/26), BWV 552 (BC J16): Fugue - Helmut Walcha & Johann Sebastian Bach (7:19)
  5. 5 Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) - Helmut Walcha & Johann Sebastian Bach (9:23)
  6. 6 Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6) - Helmut Walcha & Johann Sebastian Bach (11:54)
  7. 7 Sei gegrüsset, Jesu gütig, chorale partita for organ, BWV 768 (BC K96) - Helmut Walcha & Johann Sebastian Bach (21:48)
  8. 8 Schübler Chorales (6), chorale preludes for organ, BWV 645-650 (BCK 22-27) - Helmut Walcha & Johann Sebastian Bach (17:00)
  9. 9 Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1) - Helmut Walcha & Johann Sebastian Bach (11:00)
  10. 10 Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 (BCA184) - Johann Sebastian Bach & Berlin Philharmonic Orchestra (16:38)
  11. 11 Cantata No. 19, "Es erhub sich ein Streit," BWV 19 (BC A180) - Johann Sebastian Bach & Berlin Philharmonic Orchestra (21:21)
  12. 12 Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99) - Johann Sebastian Bach & Berlin Philharmonic Orchestra (43:01)
  13. 13 Requiem Mass - Gregorian Chant & Fred Hamel (38:29)
  14. 14 Work(s): V. Post partum - Oremus: Deus qui salutis - V. Div - Gregorian Chant & Fred Hamel (1:29)
  15. 15 Alma Redemptoris Mater, antiphon - Gregorian Chant & Fred Hamel (2:05)
  16. 16 Dominus vobiscum / Benedicamus Domino, dismissal (Ordo Orationalis, Sancti Marci, MS Canon Litur. 323) - Gregorian Chant & Plainchant (1:21)
  17. 17 Dominus vobiscum, oratorio (Prayer, recitation solo) - Gregorian Chant & Fred Hamel (1:23)
  18. 18 Kyrie - Pater noster - Gregorian Chant & Fred Hamel (1:54)
  19. 19 Work(s): Antiphona: Cum ortus fuerit - Magnificat (Primae v - Gregorian Chant & Fred Hamel (4:25)
  20. 20 Christe Redemptor omnium, hymn in mode 1 - Gregorian Chant & Fred Hamel (3:00)
  21. 21 Hodie scietis, introit (for Christmas Vigil Mass) - Gregorian Chant & Fred Hamel (1:46)
  22. 22 Work(s): Capitulum: Apparuit benignitas (Primae vesperae in - Gregorian Chant & Fred Hamel (0:30)
  23. 23 Work(s): Antiphona 4: Lefate capita - Psalm 112: Laudate, p - Gregorian Chant & Fred Hamel (2:33)
  24. 24 Work(s): Antiphona 3: Scitote - Psalm 111: Beatus vir (Prim - Gregorian Chant & Fred Hamel (3:03)
  25. 25 Work(s): Antiphona 2: Magnificatus es Rex pacificus - Psalm - Gregorian Chant & Fred Hamel (3:04)
  26. 26 Work(s): Antiphona 1: Rex pacificus - Psalm 109: Dixit Domi - Gregorian Chant & Fred Hamel (2:34)
  27. 27 Deus in adiutorium, versicule - Gregorian Chant & Fred Hamel (0:57)
  28. 28 Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027 - Johann Sebastian Bach & Fred Hamel (14:17)
  29. 29 Brandenburg Concerto No. 6 in B flat major, BWV 1051 - Johann Sebastian Bach & Fred Hamel (18:52)
  30. 30 Brandenburg Concerto No. 4 in G major, BWV 1049 - Johann Sebastian Bach & Fred Hamel (17:11)
  31. 31 Brandenburg Concerto No. 1 in F major, BWV 1046 - Johann Sebastian Bach & Fred Hamel (20:47)
  32. 32 Diex, comment porroie, rondeau for 3 voices - Adam de la Halle & Fred Hamel (1:54)
  33. 33 Trop desir a veoir, rondeau for 3 voices - Adam de la Halle & Fred Hamel (0:58)
  34. 34 Fi, maris, de vostre amour, rondeau for 3 voices - Adam de la Halle & Fred Hamel (1:01)
  35. 35 Dame, or sui trais, rondeau for 3 voices - Adam de la Halle & Fred Hamel (1:44)
  36. 36 Bonne amourete, rondeau for 3 voices - Adam de la Halle & Fred Hamel (0:21)
  37. 37 A Dieu commant amouretes, rondeau for 3 voices - Adam de la Halle & Fred Hamel (2:03)
  38. 38 Or est Baiars en la pasture, rondeau for 3 voices - Adam de la Halle & Fred Hamel (0:48)
  39. 39 Hé, Dieus, quant verrai, rondeau for 3 voices - Adam de la Halle & Fred Hamel (0:54)
  40. 40 Dieus soit en cheste maison, rondeau (ballade) for 3 voices - Adam de la Halle & Fred Hamel (1:35)
  41. 41 A jointes mains vous proi, chanson for 3 voices - Adam de la Halle & Fred Hamel (0:48)
  42. 42 Je muir, je muir d'amourete, rondeau for 3 voices - Adam de la Halle & Fred Hamel (1:52)
  43. 43 Li dous regars de me dame, rondeau for 3 voices (2 settings) - Adam de la Halle & Fred Hamel (0:47)
  44. 44 Le jeu de Robin et de Marion (The Play of Robin and Marion) - Adam de la Halle & Fred Hamel (7:44)
  45. 45 La Rotta - Italian Traditional & Fred Hamel (1:10)
  46. 46 Trotto, dance for instrumental ensemble - Anonymous & Fred Hamel (1:01)
  47. 47 A l'entrada del temps clar - Anonymous, Trouvères & Fred Hamel (1:10)
  48. 48 Lamento di Tristano, estampie - Anonymous, Italian & Fred Hamel (1:25)
  49. 49 Saltarello - Anonymous, Italian & Fred Hamel (1:32)
  50. 50 Danse - Anonymous & Fred Hamel (0:43)
  51. 51 Stantipes II - Anonymous & Fred Hamel (0:59)
  52. 52 Kalenda maia ni fueills de faia, estampie - Raimbaut de Vaqeiras & Fred Hamel (1:20)
  53. 53 La Quarte Estampie Royal - Anonymous, Manuscrit du Roi & Fred Hamel (1:56)
  54. 54 Nota - Anonymous & Fred Hamel (1:06)
  55. 55 C'est desoz l'olive - French Traditional & Fred Hamel (0:37)
  56. 56 C'est la gieus en mi les prez - French Traditional & Fred Hamel (0:28)
  57. 57 Stantipes I - Anonymous & Fred Hamel (1:39)
  58. 58 La Septime Estampie Real - Anonymous, Manuscrit du Roi & Fred Hamel (0:57)
  59. 59 Fines amouretes ai, rondeau (virelai) for 3 voices - Adam de la Halle & Fred Hamel (1:33)
  60. 60 O griefe, even on the bud, madrigal for 5 voices - Thomas Morley & Ambrosian Singers (1:34)
  61. 61 Sweet nimphe, come to thy lover, madrigal for 2 voices - Thomas Morley & Ambrosian Singers (1:35)
  62. 62 My lovely wanton jewell, madrigal for 5 voices - Thomas Morley & Ambrosian Singers (2:28)
  63. 63 Now is the gentle season, madrigal in 2 sections for 4 voices - Thomas Morley & Ambrosian Singers (2:45)
  64. 64 Hark, jolly shepheards, madrigal for 4 voices - Thomas Morley & Ambrosian Singers (1:51)
  65. 65 Farewell, disdainful, madrigal for 3 voices - Thomas Morley & Ambrosian Singers (3:04)
  66. 66 Good love, then flie thou toe her, madrigal for 6 voices - Thomas Morley & Ambrosian Singers (3:03)
  67. 67 The Cryes of London, consort song in 2 sections for 5 voices & 5 viols - Orlando Gibbons & Deller Consort (7:34)
  68. 68 Fantasia a 4, No.1, for viols, MB24 - Orlando Gibbons & Fred Hamel (4:36)
  69. 69 The silver swanne, madrigal for 5 voices - Orlando Gibbons & Deller Consort (1:59)
  70. 70 What is our life, madrigal for 5 voices - Orlando Gibbons & Deller Consort (5:03)
  71. 71 This Is the record of John, anthem for voices - Orlando Gibbons & Deller Consort (5:08)
  72. 72 O Lord, increase my faith, anthem for 4 voices (possibly by H. Loosemore) - Orlando Gibbons & Deller Consort (2:26)
  73. 73 The Hymnes and Songs of the Church (17 tunes by Gibbons): O my love, how comely now, hymn a 4 - Orlando Gibbons & Deller Consort (1:14)
  74. 74 Almighty and everlasting God, anthem for 4 voices - Orlando Gibbons & Deller Consort (2:46)
  75. 75 Thus angels sung, song (from "The Hymns and Songs of the Church") - Orlando Gibbons & Deller Consort (1:14)
  76. 76 O Lord, I lift my heart to thee, anthem for 5 voices - Orlando Gibbons & Deller Consort (1:53)
  77. 77 Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029 - Johann Sebastian Bach & Fred Hamel (15:03)
  78. 78 Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028 - Johann Sebastian Bach & Fred Hamel (15:11)
  79. 79 Brandenburg Concerto No. 5 in D major, BWV 1050 - Johann Sebastian Bach & Fred Hamel (21:38)
  80. 80 Brandenburg Concerto No. 3 in G major, BWV 1048 - Johann Sebastian Bach & Fred Hamel (6:54)
  81. 81 Brandenburg Concerto No. 3 in G major, BWV 1048: 1. [Without tempo indication] - Johann Sebastian Bach & Fred Hamel (6:26)
  82. 82 Brandenburg Concerto No. 2 in F major, BWV 1047 - Johann Sebastian Bach & Fred Hamel (12:11)
  83. 83 St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Johann Sebastian Bach & Munich Bach Orchestra (197:05)
  84. 84 Suite for 5 instruments No. 3 in E minor (Banchetto musicale) - Johann Hermann Schein & Collegium Terpsichore (9:28)
  85. 85 Suite for 5 instruments No. 5 in G major (Banchetto musicale) - Johann Hermann Schein & Collegium Terpsichore (6:12)
  86. 86 Suite for 5 instruments No. 4 in G major (Banchetto musicale) - Johann Hermann Schein & Collegium Terpsichore (7:09)
  87. 87 Musikalischen Tugendspiegel: Regina (No. 12) - Erasmus Widmann & Collegium Terpsichore (1:10)
  88. 88 Musikalischen Tugendspiegel: Agatha (No. 15) - Erasmus Widmann & Collegium Terpsichore (2:14)
  89. 89 Musikalischen Tugendspiegel: Magdalena (No. 3) - Erasmus Widmann & Collegium Terpsichore (0:54)
  90. 90 Musikalischen Tugendspiegel: Clara (No. 16) - Erasmus Widmann & Collegium Terpsichore (2:25)
  91. 91 Musikalischen Tugendspiegel: Sophia (No. 13) / Anna (No. 4) - Erasmus Widmann & Collegium Terpsichore (2:22)
  92. 92 Terpsichore Dances: Volte 201 / 210 - Michael Praetorius & Collegium Terpsichore (2:45)
  93. 93 Terpsichore Dances: Ballet 268 - Michael Praetorius & Collegium Terpsichore (1:49)
  94. 94 Terpsichore Dances: La Bouree 32, 1/2 - Michael Praetorius & Collegium Terpsichore (1:57)
  95. 95 Terpsichore Dances: Spagnoletta 28 - Michael Praetorius & Collegium Terpsichore (1:29)
  96. 96 Terpsichore Dances: Gavotte 1, 1-3, 6 - Michael Praetorius & Collegium Terpsichore (2:29)
  97. 97 Terpsichore Dances: Entrée - Courante 183 / 117 - Michael Praetorius & Collegium Terpsichore (4:18)
  98. 98 Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130) - Johann Sebastian Bach & Ansbach Bach Week Soloists Union (25:32)
  99. 99 Cantata No. 45, "Es ist dir gesagt, Mensch, was gut ist," BWV 45 (BC A113) - Johann Sebastian Bach & Ansbach Bach Week Soloists Union (21:04)
  100. 100 Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8 (BC A137a) - Johann Sebastian Bach & Ansbach Bach Week Soloists Union (23:51)
  101. 101 Fanfares, for trumpets, drums, violins,oboes, bassoons & basses - Jean-Joseph Mouret & Georges Barboteu (7:35)
  102. 102 Quatrième suite, for orchestra (Symphonies pour les soupers du Roy) - Georges Barboteu & Michel-Richard Delalande (27:04)
  103. 103 Conclusion, sinfonia for oboe, trumpet, strings & continuo in D major (Tafelmusik II/6), TWV 50:9 - Georg Philipp Telemann & Merle Kersten (6:48)
  104. 104 Overture, suite for trumpet, oboe, strings & continuo in D major (Tafelmusik II:1), TWV 55:D1 - Georg Philipp Telemann & Merle Kersten (32:09)
  105. 105 Concerto for flute, violin, cello, strings & continuo in A major (Tafelmusik I/3), TWV 53:A2 - Georg Philipp Telemann & Merle Kersten (27:45)
  106. 106 Quartet for flute, oboe, violin & continuo in G major (Tafelmusik I/2), TWV 43:G2 - Georg Philipp Telemann & Merle Kersten (15:13)
  107. 107 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Heinrich Ignaz Franz von Biber & Concentus Musicus Wien (7:38)
  108. 108 Sonata for violin, 2 violas & continuo No. 8 in B flat major (Fidicinium Sacro-Profanum No. 8), C. 85 - Heinrich Ignaz Franz von Biber & Concentus Musicus Wien (5:20)
  109. 109 Sonata à 3, for 2 violins, trombone & continuo in D minor, C. App117 (attribution uncertain) - Heinrich Ignaz Franz von Biber & Concentus Musicus Wien (6:50)
  110. 110 Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 - Heinrich Ignaz Franz von Biber & Concentus Musicus Wien (6:25)
  111. 111 Concerto Grosso No. 1 in B minor ("Bona nova") (from Ausserlesene Instrumental-Music) - Georg Muffat & Concentus Musicus Wien (10:18)
  112. 112 Indissolubilis Amititia, suite for strings & continuo ad lib (Florilegium 2. No. 8) - Georg Muffat & Concentus Musicus Wien (16:37)
  113. 113 Concerto for oboe d'amore, strings & continuo in A major (reconstruction), BWV 1055R - Johann Sebastian Bach & Manfred Clement (15:09)
  114. 114 Concerto for flute, violin, harpsichord, strings & continuo in A minor ("Triple"), BWV 1044 - Johann Sebastian Bach & Munich Bach Orchestra (23:00)
  115. 115 Symphony for orchestra in G major (Orchester-sinfonien No. 4), H. 666, Wq. 183/4 - Carl Philipp Emanuel Bach & Hedwig Bilgram (9:49)
  116. 116 Symphony for orchestra in F major (Orchester-sinfonien No. 3), H. 665, Wq. 183/3 - Carl Philipp Emanuel Bach & Hedwig Bilgram (9:47)
  117. 117 Symphony for orchestra in E flat major (Orchester-sinfonien No. 2), H. 664, Wq. 183/2 - Carl Philipp Emanuel Bach & Hedwig Bilgram (9:17)
  118. 118 Symphony for orchestra in D major (Orchester-sinfonien No. 1), H. 663, Wq. 183/1 - Carl Philipp Emanuel Bach & Hedwig Bilgram (10:05)
  119. 119 Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328 - Henry Purcell & Ambrosian Singers (55:06)
  120. 120 Israel in Egypt, oratorio, HWV 54 - George Frideric Handel & Patricia Clark (97:28)
  121. 121 Belle rose porporine, for voice & lute - Giulio Caccini & Anthony Bailes (2:50)
  122. 122 Perfidissimo volto, for voice & continuo (Le Nuove Musiche) - Giulio Caccini & Andreas Holschneider (3:25)
  123. 123 Mentre vaga Angioletta ogn'anima gentil cantando alletta, madrigal for 2 tenors (from Book 8), SV 157 - Claudio Monteverdi & Thomas Brandis (9:03)
  124. 124 Zefiro Torna, madrigal for 2 tenors and continuo (from Book 9 & Scherzi musicali), SV 251 - Claudio Monteverdi & Thomas Brandis (5:36)
  125. 125 O mio bene, o mia vita, madrigal for 2 tenors & bass (from Book 9), SV 178 - Claudio Monteverdi & Thomas Brandis (4:00)
  126. 126 Vaga su spina ascosa, madrigal for 2 tenors & bass, (from Book 7), SV 134 - Claudio Monteverdi & Thomas Brandis (2:46)
  127. 127 Non voglio amare per non penare, for 2 tenors and bass (from Book 9), SV 172 - Claudio Monteverdi & Thomas Brandis (1:12)
  128. 128 Se vittorie si belle, madrigal for 2 tenors (from Book 8 & 9), SV 149 - Claudio Monteverdi & Thomas Brandis (2:24)
  129. 129 Damigella Tutta Bella - Vincenzo Calestani & Anthony Bailes (2:45)
  130. 130 Indarno Febo il Suo Bell'oro Eterna - Francesco Rasi & Anthony Bailes (1:41)
  131. 131 Bellissima regina - Jacopo Peri & Anthony Bailes (2:53)
  132. 132 Da te parto - Claudio Saracini & Andreas Holschneider (3:38)
  133. 133 Valli profonde, song - Marco da Gagliano & Anthony Bailes (4:00)
  134. 134 Amarilli mia bella, for voice & continuo (from Le nuove musiche) - Giulio Caccini & Anthony Bailes (2:44)
  135. 135 Udite, udite, amanti - Giulio Caccini & Anthony Bailes (1:44)
  136. 136 Tra le donne onde s'onora - Jacopo Peri & Anthony Bailes (2:40)
  137. 137 O durezza di ferro - Jacopo Peri & Andreas Holschneider (1:58)
  138. 138 Quest'amore, quest'arsura - Claudio Saracini & Anthony Bailes (2:11)
  139. 139 Io moro, aria for voice & continuo - Claudio Saracini & Andreas Holschneider (3:47)
  140. 140 Intenerite Voi, Lagrime Mie for voice solo - Sigismondo d'India & Andreas Holschneider (2:41)
  141. 141 Sonata for keyboard in D major, K. 436 (L. 109) - Domenico Scarlatti & Merle Kersten (1:31)
  142. 142 Sonata for keyboard in B flat major, K. 249 (L. 39) - Domenico Scarlatti & Merle Kersten (4:18)
  143. 143 Sonata for keyboard in B flat major, K. 248 (L. S35) - Domenico Scarlatti & Merle Kersten (2:57)
  144. 144 Sonata for keyboard in G major, K. 455 (L. 209) - Domenico Scarlatti & Merle Kersten (3:34)
  145. 145 Sonata for keyboard in G major, K. 454 (L. 184) - Domenico Scarlatti & Merle Kersten (2:38)
  146. 146 Sonata for keyboard in F major, K. 525 (L. 188) - Domenico Scarlatti & Merle Kersten (2:54)
  147. 147 Sonata for keyboard in F major, K. 524 (L. 283) - Domenico Scarlatti & Merle Kersten (2:35)
  148. 148 Sonata for keyboard in D major, K. 479 (L. S16) - Domenico Scarlatti & Merle Kersten (2:28)
  149. 149 Sonata for keyboard in D major, K. 478 (L. 12) - Domenico Scarlatti & Merle Kersten (3:43)
  150. 150 Sonata for keyboard in C major, K. 527 (L. 458) - Domenico Scarlatti & Merle Kersten (3:55)
  151. 151 Sonata for keyboard in C minor, K. 526 (L. 456) - Domenico Scarlatti & Merle Kersten (2:34)
  152. 152 Sonata for keyboard in C major, K. 357 (L. S45) - Domenico Scarlatti & Merle Kersten (2:37)
  153. 153 Sonata for keyboard in C major, K. 356 (L. 443) - Domenico Scarlatti & Merle Kersten (3:51)
  154. 154 Sonata for keyboard in E major, K. 381 (L. 225) - Domenico Scarlatti & Merle Kersten (3:19)
  155. 155 Sonata for keyboard in E major, K. 380 (L. 23) "Cortège" - Domenico Scarlatti & Merle Kersten (2:55)
  156. 156 Sonata for keyboard in F sharp major, K. 319 (L. 35) - Domenico Scarlatti & Merle Kersten (1:53)
  157. 157 Sonata for keyboard in F sharp major, K. 318 (L. 31) - Domenico Scarlatti & Merle Kersten (1:53)
  158. 158 Sonata for keyboard in D major, K. 214 (L. 165) - Domenico Scarlatti & Merle Kersten (2:15)
  159. 159 Sonata for keyboard in D minor, K. 213 (L. 108) "The Lover" - Domenico Scarlatti & Merle Kersten (3:43)
  160. 160 Sonata for keyboard in G major, K. 348 (L. 127) - Domenico Scarlatti & Merle Kersten (2:28)
  161. 161 Sonata for keyboard in G minor, K. 347 (L. 126) - Domenico Scarlatti & Merle Kersten (2:14)
  162. 162 Sonata for violin & continuo in D minor ("La Follia"), Op.5/12 - Arcangelo Corelli & Garbis Atmacayan (11:54)
  163. 163 Sonata for violin & continuo in E major, Op. 5/11 - Arcangelo Corelli & Garbis Atmacayan (9:01)
  164. 164 Sonata for violin & continuo in A major, Op. 5/9 - Arcangelo Corelli & Garbis Atmacayan (9:49)
  165. 165 Sonata for violin & continuo in E minor, Op. 5/8 - Arcangelo Corelli & Garbis Atmacayan (9:54)
  166. 166 Sonata for violin & continuo in D minor, Op. 5/7 - Arcangelo Corelli & Francesco Geminiani (6:07)
  167. 167 Sonata for violin & continuo in C major, Op. 5/3 - Arcangelo Corelli & Garbis Atmacayan (9:31)
  168. 168 Sonata for violin & continuo in B flat major, Op. 5/2 - Arcangelo Corelli & Garbis Atmacayan (8:31)
  169. 169 Sonata for violin & continuo in D major, Op. 5/1 - Arcangelo Corelli & Garbis Atmacayan (10:14)
  170. 170 Salve crux arbor vitae, motet for 5 voices - Jacob Obrecht & Andreas Holschneider (12:23)
  171. 171 Beata es Maria, motet for 4 voices - Jacob Obrecht & Andreas Holschneider (5:05)
  172. 172 Salve regina, motet for 6 voices - Jacob Obrecht & Andreas Holschneider (11:20)
  173. 173 Huc me sydereo/Plangent eum, motet for 5 or 6 parts - Josquin Desprez & Andreas Holschneider (7:36)
  174. 174 Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts - Josquin Desprez & Andreas Holschneider (5:38)
  175. 175 Requiem (Missa pro Defunctis), for 3-4 voices (introit, Kyrie, gradual, offertory only) - Johannes Ockeghem & Hamburger Bläserkreis für Alte Musik (35:51)
  176. 176 Trio Sonata for 2 oboes, bassoon & continuo No. 4 in G minor, ZWV 181/4 - Heinz Holliger & Jan Dismas Zelenka (19:21)
  177. 177 Overture à 7 Concertanti 2 oboes, bassoon, 2 violins, viola & continuo in F major, ZWV 188 - Jan Dismas Zelenka & Camerata Bern (21:50)
  178. 178 Hipocondrie à 7 Concertanti for 2 oboes, bassoon, 2 violins, viola & continuo in A major, ZWV 187 - Jan Dismas Zelenka & Camerata Bern (9:48)
  179. 179 Simphonie à 8 Concertanti for 2 oboes, bassoon, 2 violins, viola, cello & continuo in A minor, ZWV 189 - Jan Dismas Zelenka & Camerata Bern (24:05)
  180. 180 Nouvelles suites de pièces de clavecin, for harpsichord: L'Égyptienne - Jean-Philippe Rameau & Kenneth Gilbert (2:52)
  181. 181 Nouvelles suites de pièces de clavecin, for harpsichord: L'Enharmonique - Jean-Philippe Rameau & Kenneth Gilbert (3:41)
  182. 182 Nouvelles suites de pièces de clavecin, for harpsichord: Les Sauvages - Jean-Philippe Rameau & Kenneth Gilbert (1:58)
  183. 183 Nouvelles suites de pièces de clavecin, for harpsichord: La Poule - Jean-Philippe Rameau & Kenneth Gilbert (3:10)
  184. 184 Nouvelles suites de pièces de clavecin, for harpsichord: Gavotte - Doubles de la Gavotte (1 - 6) - Jean-Philippe Rameau & Kenneth Gilbert (7:44)
  185. 185 Nouvelles suites de pièces de clavecin, for harpsichord: Fanfarinette - Jean-Philippe Rameau & Kenneth Gilbert (1:55)
  186. 186 Nouvelles suites de pièces de clavecin, for harpsichord: Les Trois Mains - Jean-Philippe Rameau & Kenneth Gilbert (3:49)
  187. 187 Nouvelles suites de pièces de clavecin, for harpsichord: Sarabande - Jean-Philippe Rameau & Kenneth Gilbert (3:09)
  188. 188 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Les Cyclopes (Rondeau) - Jean-Philippe Rameau & Kenneth Gilbert (3:26)
  189. 189 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Les Tourbillons (Rondeau) - Jean-Philippe Rameau & Kenneth Gilbert (2:44)
  190. 190 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: L'Entretien des Muses - Jean-Philippe Rameau & Kenneth Gilbert (4:58)
  191. 191 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: La Follette (Rondeau) - Jean-Philippe Rameau & Kenneth Gilbert (1:49)
  192. 192 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Les Niais de Solonge - Doubles des Niais (1 & 2) - Jean-Philippe Rameau & Kenneth Gilbert (5:41)
  193. 193 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Les Tendres Plaintes (Rondeau) - Jean-Philippe Rameau & Kenneth Gilbert (3:10)
  194. 194 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: La Villageoise (Rondeau) - Jean-Philippe Rameau & Kenneth Gilbert (2:27)
  195. 195 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Le Rappel des oiseaux - Jean-Philippe Rameau & Kenneth Gilbert (2:50)
  196. 196 Hoquetus David, double hocket for 3 voices - Guillaume de Machaut & James Bowman (3:16)
  197. 197 Inter densas deserti meditans/Imbribus irriguis/Admirabilem est, motet - Anonymous, Codex Chantilly & James Bowman (3:16)
  198. 198 Lasse! comment oublieray/Se j'aim mon loyal/Pour quoy me bat mes maris?, motet for 3 voices - Guillaume de Machaut & James Bowman (4:03)
  199. 199 Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet, motet for 3 voices - Guillaume de Machaut & James Bowman (1:53)
  200. 200 Febus mundo oriens, motet - Anonymous & James Bowman (3:28)
  201. 201 Clap clap par un matin, for 3 voices - Anonymous & James Bowman (1:29)
  202. 202 Cum statua/Hugo/Magister invidie, motet - Philippe de Vitry & James Bowman (2:26)
  203. 203 Impudenter circumivi/Virtutis laudabilis/Alma, motet - Philippe de Vitry & James Bowman (3:09)
  204. 204 La Mesnie fauveline, motet - Anonymous & James Bowman (1:16)
  205. 205 J'os bien a m'amie parler, motet for 3 voices - Adam de la Halle & James Bowman (1:53)
  206. 206 De ma dame vient, motet for 3 voices - Adam de la Halle & James Bowman (2:24)
  207. 207 Aucun Ont Trouve - Petrus de Cruce & James Bowman (3:11)
  208. 208 O Mitissima - Anonymous & James Bowman (1:27)
  209. 209 In mari miserie, motet (Le Roman de Fauvel) - Anonymous, French & James Bowman (1:50)
  210. 210 S'On Me Regarde, motet - Anonymous & James Bowman (2:23)
  211. 211 Amor potest conqueri, motet - Anonymous & James Bowman (1:00)
  212. 212 Viderunt omnes, organum for 4 voices - Pérotin & James Bowman (11:47)
  213. 213 Viderunt omnes, 2 part organum (attrib. to Leonin) - Léonin & Anonymous, 11th century French Polyphony (9:05)
  214. 214 Concerto Grosso in B minor, Op.6/12, HWV 330 - George Frideric Handel & The English Concert (12:15)
  215. 215 Concerto Grosso in A major, Op.6/11, HWV 329 - George Frideric Handel & The English Concert (17:17)
  216. 216 Concerto Grosso in D minor, Op.6/10, HWV 328 - George Frideric Handel & The English Concert (14:37)
  217. 217 The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ("Il cimento" Nos. 1-4) , Op. 8/1 - 4 - Antonio Vivaldi & Micaela Comberti (37:59)
  218. 218 Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9) - Johann Sebastian Bach & Andreas Holschneider (60:29)
  219. 219 Concerto for 2 chalumeaux (clarinets) & strings in D minor, TWV 52:d1 - Georg Philipp Telemann & Reinhard Goebel (11:19)
  220. 220 Septet (Concerto), for 3 oboes, 3 violins & continuo in B flat major, TWV 44:43 - Georg Philipp Telemann & Reinhard Goebel (9:01)
  221. 221 Septet (Concerto), for 2 flutes, 2 oboes, 2 violins & continuo in A minor, TWV 44:42 - Georg Philipp Telemann & Reinhard Goebel (7:05)
  222. 222 Septet (Concerto à 7), for 2 flutes, 3 oboes, 2 violins & continuo in F major, TWV 44:41 - Georg Philipp Telemann & Reinhard Goebel (7:22)
  223. 223 Concerto for 2 recorders (or flutes), 2 oboes, strings & continuo in B flat major, TWV 54:B2 - Georg Philipp Telemann & Reinhard Goebel (10:32)
  224. 224 Wasser Overture, for 2 recorders, flute, 2 oboes, bassoon, strings & continuo in C major ("Hamburger Ebb und Fluth"), TWV 55:C3 - Georg Philipp Telemann & Reinhard Goebel (24:07)
  225. 225 Jubilate Deo for chorus - Ruggiero Giovannelli & Choir of Westminster Abbey (3:03)
  226. 226 Haec Dies, Quam Fecit Dominus - Giovanni Maria Nanino & Choir of Westminster Abbey (2:16)
  227. 227 Venite Ad Me Omnes - Felice Anerio & Choir of Westminster Abbey (3:10)
  228. 228 Miserere mei Deus (Psalm 51), motet for chorus - Gregorio Allegri & Choir of Westminster Abbey (11:52)
  229. 229 Tu es petrus, motet (unspecified of 2) - Giovanni Pierluigi da Palestrina & Choir of Westminster Abbey (6:38)
  230. 230 Missa Papae Marcelli, for 6 voices - Giovanni Pierluigi da Palestrina & Choir of Westminster Abbey (32:01)
  231. 231 Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Johann Sebastian Bach & English Baroque Soloists (106:07)
  232. 232 Vespro della beata vergine, for chorus & instruments, SV 206 - Claudio Monteverdi & Michael Chance (105:34)
  233. 233 Piano Concerto No. 19 in F major, K. 459 - Wolfgang Amadeus Mozart & Malcolm Bilson (26:01)
  234. 234 Piano Concerto No. 18 in B flat major, K. 456 - Wolfgang Amadeus Mozart & Malcolm Bilson (29:38)
  235. 235 Alessandro, Ballet - Christoph Willibald Gluck & Peter Czornyj (23:31)
  236. 236 Sonata for 2 violins & continuo in E minor, TWV 42:e8 - Georg Philipp Telemann & Peter Czornyj (14:49)
  237. 237 Les Éléments, simphonie nouvelle for 2 violins, 2 flutes & continuo - Jean-Féry Rebel & Peter Czornyj (24:10)
  238. 238 Symphony No. 6 in F major ("Pastoral"), Op. 68 - Ludwig van Beethoven & John Eliot Gardiner (40:54)
  239. 239 Symphony No. 5 in C minor ("Fate"), Op. 67 - Ludwig van Beethoven & Peter Czornyj (31:52)
  240. 240 Symphony No. 65 in A major, H. 1/65 - Franz Joseph Haydn & The English Concert (16:57)
  241. 241 Symphony No. 48 in C major ("Maria Theresia"), H. 1/48 - Franz Joseph Haydn & The English Concert (22:46)
  242. 242 Symphony No. 41 in C major, H. 1/41 - Franz Joseph Haydn & The English Concert (18:40)
  243. 243 Symphony No. 39 in G minor ("The Fist"), H. 1/39 - Franz Joseph Haydn & The English Concert (17:51)
  244. 244 Magnificat for 33 voices (incomplete) - Giovanni Gabrieli & Gabrieli Consort & Players (5:55)
  245. 245 Sonata No. 20, for 22 parts - Giovanni Gabrieli & Gabrieli Consort & Players (6:52)
  246. 246 Misericordia tua, Domine, motet for 12 voices - Giovanni Gabrieli & Gabrieli Consort & Players (4:14)
  247. 247 Sonata No. 18, for 14 parts - Giovanni Gabrieli & Gabrieli Consort & Players (6:13)
  248. 248 Jubilate Deo, motet for 10 voices - Giovanni Gabrieli & Gabrieli Consort & Players (4:39)
  249. 249 Intonazione del duodecimo tono, for organ, C. 250 - Giovanni Gabrieli & Gabrieli Consort & Players (0:32)
  250. 250 Timor et tremor, motet for 6 voices (1615) - Giovanni Gabrieli & Gabrieli Consort & Players (6:44)
  251. 251 Ardens est cor meum - Bartolomeo Barbarino ("Il Pesarino") & Gabrieli Consort & Players (2:43)
  252. 252 Sonata No. 21 ("con tre violini"), for 4 or 5 parts - Giovanni Gabrieli & Gabrieli Consort & Players (3:51)
  253. 253 Audi, dulcis amica mea - Bartolomeo Barbarino ("Il Pesarino") & Gabrieli Consort & Players (3:39)
  254. 254 Domine, Deus Meus, motet for 6 voices - Giovanni Gabrieli & Gabrieli Consort & Players (7:18)
  255. 255 Intonazione del nono tono, for organ, C. 247 - Giovanni Gabrieli & Gabrieli Consort & Players (0:39)
  256. 256 Buccinate in neomenia tuba, motet for 19 voices - Giovanni Gabrieli & Gabrieli Consort & Players (3:38)
  257. 257 Suscipe clementissime Deus, motet for 12 voices - Giovanni Gabrieli & Gabrieli Consort & Players (4:54)
  258. 258 Sonata No. 19, for 15 parts - Giovanni Gabrieli & Gabrieli Consort & Players (5:09)
  259. 259 In Ecclesiis, motet for 14 voices - Giovanni Gabrieli & Gabrieli Consort & Players (6:59)
  260. 260 Toccata for organ a 4, C. 237 - Giovanni Gabrieli & Gabrieli Consort & Players (1:10)
  261. 261 La Resurrezione, oratorio, HWV 47 - George Frideric Handel & John Mark Ainsley (108:16)
  262. 262 Messiah, oratorio, HWV 56 - George Frideric Handel & Peter Czornyj (131:44)
  263. 263 Der Winter ist vergangen, song - German Traditional & Peter Czornyj (2:25)
  264. 264 Fortis cum quevis actio - Johannes Brassart & Peter Czornyj (4:07)
  265. 265 Les larmes - Johannes Pullois & Peter Czornyj (2:01)
  266. 266 T'andernaken al op den Rijn - Anonymous & Peter Czornyj (1:52)
  267. 267 Ave mundi spes Maria - Jacobus Clemens Non Papa & Peter Czornyj (3:41)
  268. 268 O Crux benedicta - Jacobus Clemens Non Papa & Peter Czornyj (3:03)
  269. 269 Bergerette (La Brosse) (from Dansereye) - Tylman Susato & Peter Czornyj (1:41)
  270. 270 Branles (4) for brass ensemble - Tylman Susato & Peter Czornyj (0:58)
  271. 271 Allemaigne & Recoupe (Danserye): Allemaigne - Tylman Susato & Peter Czornyj (1:43)
  272. 272 Wij sheyt edel vrouwe - Anonymous & Peter Czornyj (1:30)
  273. 273 Pavane La Dona - Tylman Susato & Peter Czornyj (2:05)
  274. 274 T'Andernacken a 5, Bassedance - Pierre Alamire & Peter Czornyj (2:45)
  275. 275 Basse Danse No. 10, "Mon desir" - Tylman Susato & Peter Czornyj (1:23)
  276. 276 Basse Danse No. 7, "Entre du fol" - Tylman Susato & Peter Czornyj (1:49)
  277. 277 Laet u ghenoughen, liever Johan, chanson for 4 voices - Jacob Obrecht & Peter Czornyj (1:41)
  278. 278 Tandernaken, chanson for 3 voices (text incipit only) - Jacob Obrecht & Peter Czornyj (2:23)
  279. 279 Crions Noel - Jacob Obrecht & Alexander Agricola (1:28)
  280. 280 J'ay pris amours, chanson for 4 voices - Jacob Obrecht & Peter Czornyj (1:25)
  281. 281 J'ay pris amours, chanson for 4 voices - Jacob Obrecht & Peter Czornyj (4:31)
  282. 282 Mohrentanz (La Mourisque), for 4-part instrumental ensemble - Tylman Susato & Peter Czornyj (1:31)
  283. 283 Gaillardes for winds - Tylman Susato & Peter Czornyj (2:09)
  284. 284 Passe et medio & Reprinse Le Pingue (Danserye) - Tylman Susato & Peter Czornyj (2:17)
  285. 285 Pourquoi non - Pierre de la Rue & Peter Czornyj (2:00)
  286. 286 Ave Regina caelorum - Pierre de la Rue & Peter Czornyj (2:36)
  287. 287 O solitude, my sweetest choice, song, Z. 406 - Henry Purcell & Peter Czornyj (4:58)
  288. 288 Chiaconna - Alessandro Piccinini & Peter Czornyj (1:51)
  289. 289 Incassum, Lesbia, incassum rogas (The Queen Epicedium), song, Z. 383 - Henry Purcell & Peter Czornyj (7:26)
  290. 290 Lamento d'Arianna, for voice & continuo ("Lasciatemi morire"), SV 22 - Claudio Monteverdi & Peter Czornyj (11:06)
  291. 291 Cessate, omai cessate (I), cantata for voice, strings & continuo, RV 684 - Antonio Vivaldi & Peter Czornyj (10:51)
  292. 292 Lamento della Regina d'Inghilterra - Antonio Bertali & Peter Czornyj (15:23)
  293. 293 Con che soavità, labbra odorate, madrigal for soprano and instruments (from Book 7), SV 139 - Claudio Monteverdi & Peter Czornyj (4:41)
  294. 294 Tra le Fiamme (Il consiglio), cantata, HWV 170 - George Frideric Handel & Merle Kersten (16:13)
  295. 295 La Lucrezia (O Numi Eterni), cantata for soprano & continuo, HWV 145 - George Frideric Handel & Mirella Giardelli (17:01)
  296. 296 Il Delirio Amoroso (Da Quel Giorno Fatale), cantata for soprano & instruments, HWV 99 - George Frideric Handel & Merle Kersten (34:12)
  297. 297 Inviolata, integra et casta es, motet for 5 parts - Josquin Desprez & Merle Kersten (5:44)
  298. 298 Huc me sydereo/Plangent eum, motet for 5 or 6 parts - Josquin Desprez & Merle Kersten (7:06)
  299. 299 O bone et dulcissime Jesu, motet for 4 parts - Josquin Desprez & Merle Kersten (4:00)
  300. 300 Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts - Josquin Desprez & Merle Kersten (4:32)
  301. 301 Vultum tuum deprecabuntur, 7-section motet cycle for 4 parts - Josquin Desprez & Merle Kersten (20:59)
  302. 302 O virgo virginum, motet for 6 parts - Josquin Desprez & Andrew Carwood (7:43)
  303. 303 Christi, Fili Dei, motet for 4 parts (7th part of motet cycle "Vultum tuum") - Josquin Desprez & Merle Kersten (2:59)
  304. 304 Concertino in E flat major for two horns, two transverse flutes, two clarinets, bassoon and strings - Josef Myslivecek & Concerto Köln (14:42)
  305. 305 Symphony (Overture) in C major, F 26 - Josef Myslivecek & Concerto Köln (8:07)
  306. 306 Sinfonia in E flat major for two horns, two oboes and strings - Josef Myslivecek & Concerto Köln (8:47)
  307. 307 Sinfonia in G major for two horns, two oboes and strings - Josef Myslivecek & Concerto Köln (8:22)
  308. 308 Sinfonia in C major for two horns, two transverse flutes, two oboes, two violins - Josef Myslivecek & Concerto Köln (7:18)
  309. 309 Sinfonia in F major for two horns, two oboes and strings - Josef Myslivecek & Concerto Köln (9:59)
  310. 310 Symphony (Overture) in A major, F 27 - Josef Myslivecek & Concerto Köln (9:42)
  311. 311 Les Boréades (Abaris), tragédie en musique: Act 5. Scene 1. Prélude - Jean-Philippe Rameau & Merle Kersten (1:18)
  312. 312 Platée ou Junon jalouse, opera: Act 1. Scene 6. Orage - Jean-Philippe Rameau & Merle Kersten (2:31)
  313. 313 Les Boréades (Abaris), tragédie en musique: Act 4. Scene 4. Gavottes 1 & 2 pour les Heures et - Jean-Philippe Rameau & Merle Kersten (2:43)
  314. 314 La Naissance d'Osiris ou La Fête Pamilie, acte de ballet: Air gracieux - Jean-Philippe Rameau & Merle Kersten (2:18)
  315. 315 Les Boréades (Abaris), tragédie en musique: Act 1. Scene 4. Contredanse en Rondeau - Jean-Philippe Rameau & Merle Kersten (3:05)
  316. 316 Le Temple de la Gloire, fête lyrique: Act 1. Air tendre pour les Muses - Jean-Philippe Rameau & Merle Kersten (4:24)
  317. 317 Les Fêtes d'Hébé ou Les Talents lyriques, ballet héroïque: Deuxième Entrée: La Musique, scène 5. Air tendre - Jean-Philippe Rameau & Merle Kersten (1:52)
  318. 318 Castor et Pollux, tragédie en musique: Act 2. Scene 2. Scène funèbre - Jean-Philippe Rameau & Merle Kersten (3:24)
  319. 319 Zaïs, pastorale-héroïque: Ouverture qui peint le debrouillement de Cahos et - Jean-Philippe Rameau & Merle Kersten (5:46)
  320. 320 Les Indes galantes, opéra-ballet: Quatrième Entrée: Les Sauvages. Chaconne - Jean-Philippe Rameau & Merle Kersten (6:16)
  321. 321 Les Boréades (Abaris), tragédie en musique: Act 4. Scene 4. Entrée de Polymnie - Jean-Philippe Rameau & Merle Kersten (6:04)
  322. 322 Les Indes galantes, opéra-ballet: Quatrième Entrée: Les Sauvages. Danse des Sauvages - Jean-Philippe Rameau & Merle Kersten (2:17)
  323. 323 Naïs, pastorale héroïque: Prologue: L'Accord des dieux. Rigaudons 1 & 2 - Jean-Philippe Rameau & Merle Kersten (2:21)
  324. 324 Hippolyte et Aricie, tragédie lyrique: Act 3. Ritournelle - Jean-Philippe Rameau & Merle Kersten (2:08)
  325. 325 Les Fêtes d'Hébé ou Les Talents lyriques, ballet héroïque: Troisième Entrée: La Danse. Musette en Rondeau (Da - Jean-Philippe Rameau & Merle Kersten (3:21)
  326. 326 La Poule, for 3 violins, viola & 2 cellos (Six concerts): La Poule - Jean-Philippe Rameau & Merle Kersten (4:30)
  327. 327 Double Violin Concerto, for 2 violins, strings & continuo in A Minor, RV 523 - Antonio Vivaldi & Merle Kersten (9:03)
  328. 328 Double Violin Concerto, for 2 violins, strings & continuo in C Minor, RV 509 - Antonio Vivaldi & Merle Kersten (8:48)
  329. 329 Double Violin Concerto, for 2 violins, strings & continuo in B flat Major, RV 524 - Antonio Vivaldi & Merle Kersten (10:39)
  330. 330 Double Violin Concerto, for 2 violins, strings & continuo in D Minor, RV 514 - Antonio Vivaldi & Merle Kersten (10:50)
  331. 331 Double Violin Concerto, for 2 violins, strings & continuo in D Major, RV 511 - Antonio Vivaldi & Merle Kersten (12:52)
  332. 332 Double Violin Concerto, for 2 violins, strings & continuo in G Major, RV 516 - Antonio Vivaldi & Merle Kersten (8:41)
  333. 333 Alcina, opera, HWV 34 - Alan Curtis & George Frideric Handel (202:42)
  334. 334 Violin Concerto, for violin, strings & continuo in D major, RV 232 - Antonio Vivaldi & Merle Kersten (12:41)
  335. 335 Responsories (9) for Holy Saturday, for 6 voices: Responsorium 3: Plange quasi virgo - Carlo Gesualdo & Merle Kersten (5:08)
  336. 336 Responsories (9) for Holy Saturday, for 6 voices: Responsorium 1: Sicut ovis ad occisionem - Carlo Gesualdo & Merle Kersten (3:53)
  337. 337 La Calisto, opera: Restino imbalsamante - Francesco Cavalli & Merle Kersten (3:48)
  338. 338 Rinaldo, opera, HWV 7: Furie terribili - George Frideric Handel & Merle Kersten (1:53)
  339. 339 Ardens est cor meum, motet for 6 voices - Tomás Luis de Victoria & Merle Kersten (2:50)
  340. 340 Quem vidistis, pastores, motet for 6 voices - Tomás Luis de Victoria & Merle Kersten (5:04)
  341. 341 Dum complerentur dies Pentecostes, motet for 5 voices - Tomás Luis de Victoria & Merle Kersten (6:29)
  342. 342 Ascendens Christus in altum, motet for 5 voices - Tomás Luis de Victoria & Merle Kersten (5:01)
  343. 343 O magnum mysterium, motet for 4 voices - Tomás Luis de Victoria & Merle Kersten (3:26)
  344. 344 Veni Creator Spiritus, hymn for 4 voices - Tomás Luis de Victoria & Merle Kersten (6:29)
  345. 345 Duo seraphim clamabant, motet for 4 voices - Tomás Luis de Victoria & Merle Kersten (3:38)
  346. 346 Vadam, et circumibo civitatem, motet for 6 voices - Tomás Luis de Victoria & Merle Kersten (8:02)
  347. 347 Conditor alme siderum, hymn for 4 voices - Tomás Luis de Victoria & Merle Kersten (5:31)
  348. 348 Magi viderunt stellam, motet for 4 voices - Tomás Luis de Victoria & Merle Kersten (3:27)
  349. 349 O regem coeli, motet for 4 voices - Tomás Luis de Victoria & Merle Kersten (4:41)
  350. 350 O Lux et Decus Hispaniae, motet for 5 voices - Tomás Luis de Victoria & Merle Kersten (2:28)
  351. 351 Surrexit Pastor Bonus, motet for 6 voices - Tomás Luis de Victoria & Merle Kersten (3:00)
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