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| Pete Brown | Primary Artist |
| Ephraim Lewis | Background Vocals |
| Helen Hardy | Background Vocals |
| John MacKenzie | Bass, Guitar |
| Phil Ryan | Keyboards |
| Bimbo Acock | Alto Saxophone |
| Paul Gamblin | Guitar, Electric Guitar |
| Robert Bond | Percussion, Drums |
| Dave Watkins | Acoustic Guitar, Guitar |
| Jessica Walker | Background Vocals |
| Robert Band | Drums |
| Ephraim Lewis | Vocal Arrangements |
| Pete Brown | Composer |
| Adam Fuest | Engineer |
| Pete Kerr | Remixing |
| John MacKenzie | Programming, Producer, Vocal Arrangements |
| Phil Ryan | Composer, Programming |
| James Wraith | Vocal Arrangements |
| Damon Jones | Programming, Engineer |
| Dave Wilcox | Engineer |
| Valerie Allen | Graphic Design |
Editorial Reviews
All Music Guide - Chris Nickson
Originally released in 1991 on Brown's own Interoceter label, the first of the pairings between Brown and Ryan they'd played together in Piblokto! and Ryan had also been a member of jam band Man is a minor jazz-pop joy. Brown is in wicked form with his lyrics on all eight tracks, as elliptical as ever, but with a cutting sense of humor that shines through. If there's a problem with the disc, however, it's in the music, which has a dated edge throughout. Had it been released 20 years earlier it would have sounded perfectly of its time. As it is, that time is history. It's no secret that Brown hated punk and the shift in the musical climate that it wrought, but the simple ...