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First Good [ No Hassle 30 Day Returns ] Publisher: Press 53 Pub Date: 10/16/2009 Binding: Paperback Pages: 152.

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Overview

"Comedy alongside heartache, these stories croon honky-tonk ballads after closing-time. They wade in loss but keep scanning for a Coast Guard rescue copter. Astute about the nuances of sliding social class, the stories are tough, direct, grimly funny .... The writing is adult: it acknowledges how much has been lost already. But the tone remains fresh with sweet (or bruising) sensation. Every character comes rigged with a crazed belief-as the title suggests-that Luck is still somehow bound this way-after an unexpected delay in another time-zone .... The tales are set in trailer suburbia. But their actions seem played out across the Wal-Mart parking lot's only clover-covered median. Sexual relief can be found, but out near the dumpsters of a closed strip-mall steak house .... The writer's steadying empathy and talent for doom, drive the characters toward reckless chance-takings. This creates a tender suspense as hard to shake as the stories' betraying faith in Luck itself." Allan Gurganus, Citation for Runner Up in The Grace Paley Prize Competition.

Editorial Reviews

Stefanie Freele
Seven stories clearly created by a woman who knows the unruliness between men and women. We read about the lost, the struggling, the weak, the neglected, the uneasy. But, none are victims, they are stronger than hopelessness. The characters are tough, true and gloriously unpredictable. The writing is smoothly fine-tuned, balanced, and full of fresh metaphor.

Product Details

  • ISBN-13: 9780982576007
  • Publisher: Press 53
  • Publication date: 10/16/2009
  • Pages: 152
  • Product dimensions: 0.35 (w) x 8.50 (h) x 5.50 (d)

Meet the Author

Jane Bradley’s short story collection, Power Lines, was listed as a “Notable Book” by The New York Times Book Review. Her stories and essays have appeared in numerous journals and anthologies. Her novella, Living Doll, has been used in numerous educational and mental health programs dealing with adolescent dysfunction. She is also the author of a screenwriting textbook, Screenwriting 101: Small Steps While Thinking Big. She has received National Endowment for the Arts and Ohio Arts Council Individual Artists Fellowships. Her screenplay, Blood Sisters, was a finalist in the Diane Thomas Screenwriting Competition, sponsored by ULCA and Dreamworks, Inc., and she has won awards for her stage plays. Originally from the hills of Tennessee, she is currently a professor of creative writing at the University of Toledo where she is still trying to make sense of all the pavement and parking lots around her.

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