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| Blue Rodeo | Primary Artist |
| Jim Cuddy | Guitar, Piano, Vocals, Pump Organ, Group Member |
| Bazil Donovan | Bass, Group Member |
| Greg Keelor | Guitar, Piano, Vocals, Group Member |
| Paddy Moloney | uillean pipes, tin whistle |
| Glenn Milchem | Drums, Shaker, Group Member |
| James Gray | Organ, Piano, Group Member |
| Bob Egan | Guitar, Pedal Steel Guitar, national steel guitar, Group Member |
| Travis Good | Acoustic Guitar, Mandolin, Electric Guitar |
| Bryden Baird | Trumpet |
| Paddy Malone | uillean pipes, tin whistle |
| Real Priscillas | Background Vocals |
| Jim Cuddy | Composer |
| Greg Keelor | Composer |
| Rick White | Paintings |
| Patrick Duffy | Illustrations |
| Joao Carvalho | Mastering |
| Chris Shreenan-Dyck | Producer, Engineer |
| Bronwin Parks | Illustrations |
Editorial Reviews
All Music Guide - Hal Horowitz
The Canadian band's tenth studio album follows 2002's Palace of Gold, which found Blue Rodeo reinvigorated and ready to occasionally break out of the country-pop-rock mold that they are inextricably linked to. The ostentatious horns and strings of the group's previous release are gone except for the stray solo trumpet on the closing two tracks, replaced with a British Invasion feel for the opening cuts. But after the twangy guitars appear on the third song, Rodeo play to their strengths. That's not a bad thing, though, as both founding guitarist/vocalists Greg Keelor and Jim Cuddy have crafted some particularly earnest and soulful country-rock that stands with their best ...