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Anonymous
Posted August 11, 2006
After reading The Woman in White, No Name and The Moonstone, I became a huge Wilkie Collins fan. I, too, stumbled on this book by accident and read it out of my appreciation for his writing style and the way Collins works up a good drama. I was not disappointed. This book has the best writing and most-developed plot as compared to his other novels. It kept me on the edge of my seat and reading long after I should have gone to bed. It is a long read (thank goodness) and I was sorely disappointed when the story finally came to a conclusion. If I could only be so lucky as to find another book as enjoyable as this one.
3 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Sadly, this was pretty bad. Written mostly as a diary, there wasn't enough dialogue between characters. Too much description, diary reading. Strange, because when Collins was dying and couldn't finish his last novel "Blind Love" he asked another author to finish it for him with lots of dialogue. My recommendations are the first in a series of mysteries.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.After reading the Moonstone and Woman in White I became a huge Wilkie Collins fan. The storyline is amazing and quite thick. Its a little long due to the fact that it was first published as a serial work but it's worth it and the ending is quite explosive and satisfying.
1 out of 1 people found this review helpful.
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Posted July 2, 2001
I stumpled accross this book and bought it by chance, I began to read it as a challenge due to it's length and style but found after the first few pages utterly engaging. I think the most beautiful aspect of this book is the authors character construction, it is timeless and empathetic and very intellegent. One of the best books I have honestly ever read with an intriguing facinating plot.
1 out of 1 people found this review helpful.
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Posted June 20, 2011
A lot of typos and character deciphering to get word puzzle worked out good story but weak ending
0 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted July 27, 2011
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Posted March 24, 2011
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Posted October 20, 2010
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Posted June 27, 2011
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Posted December 27, 2010
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Posted August 23, 2010
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Posted January 10, 2011
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Posted January 10, 2011
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Posted December 26, 2011
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Posted August 22, 2011
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Posted August 22, 2011
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Posted June 14, 2011
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Posted May 16, 2011
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Posted January 17, 2010
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Posted January 1, 2010
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Overview
T. S. Eliot's appreciation of Armadale still stands. The third of Wilkie Collins's four great novels of the 1860s, coming after The Woman in White and No Name and immediately before The Moonstone, Armadale is quintessentially a novel of its decade. It deals with the emergence of the autonomous, sexually active woman from the dichotomies of Madonna and Magdalen; with the legal tangles of the unsatisfactory marriage laws; with the perception of the growing role of scientific intrusion into the privacy of the individual psyche. Above all, it explores the divided self, and the need to acknowledge the darker side of the personality: a modern theme grafted on to a traditional melodrama, and worked out with all Collins's skill ...