Arnold Wesker

Overview

The only collection of essays on one of Britain's Angry Young Men, this book contains discussions of most of Wesker's published plays with an emphasis on the more recent works. Essays reevaluate the plays that made Wesker a household name in Britain (the Trilogy, The Kitchen , and Chips with Everything). Clive Barker, co-director of Centre 42, gives a fresh account of that movement, and playwright Paul Levitt provides a previously unrecorded history of Caritas, Blood Libel, and Shylock. A personal profile of ...
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Overview

The only collection of essays on one of Britain's Angry Young Men, this book contains discussions of most of Wesker's published plays with an emphasis on the more recent works. Essays reevaluate the plays that made Wesker a household name in Britain (the Trilogy, The Kitchen , and Chips with Everything). Clive Barker, co-director of Centre 42, gives a fresh account of that movement, and playwright Paul Levitt provides a previously unrecorded history of Caritas, Blood Libel, and Shylock. A personal profile of Wesker by novelist Margaret Drabble is reprinted from an earlier article. Original essays cover the theory and practice of theatre-Wesker's in-text stage directions, British television's adaptation of his plays, and an actor's and a director's perspectives on working with the playwright.
Major international Weskerian critics are assembled here: Klaus Peter Mÿller and Heiner Zimmermann from Germany; Rossana Bonadei, Angela Locatelli, and Alessandra Marzola from Italy; Keith Gore, Glenda Leeming, Martin Priestman, Jeremy Ridgman, Margaret Rose, and Robert Wilcher from Great Britain; Menakshi Ponnuswami from India; Robert Gross, Kimball King, and Robert Skloot from the United States. These essays take a wide range of critical approaches from an exploration of gender, to semiotics, biography, and the New Historicism. This is the most comprehensive collection of criticism on Arnold Wesker to date. Every major Weskerian scholar writing in English has contributed a piece to this casebook. Originating in Germany, Italy, Great Britain, India, and the United States, their essays create an international cultural context for Wesker's plays.
They alsoposition his work among his contemporaries, in his historical era, and in the political and theatrical environment that defines his world. Furthermore, they form a biographical profile of Wesker, often giving us firsthand accounts of turning points in his career. Finally, some essays evaluate and interpret the major plays, dissecting and scrutinizing the formal elements that make them distinct. Their critical approaches are varied in that they make liberal use of semiotics, Bakhtinian and communication theory, cultural studies, and traditional readings. Their contributions compose a multi-faceted view of Wesker's life and work setting out fresh arguments for all his plays.
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Editorial Reviews

Booknews
A broad reference on London Jewish playwright Wesker (b. 1932) and his work, considering the politics in his plays, biographical aspects, historical perspectives, critical approaches, and the critical response. The 18 original essays discuss the failure and promise of socialism as personal contact in Roots, writing for radio in Yardsdale, the modernity of The Kitchen, women in his later plays, and other topics. Annotation c. by Book News, Inc., Portland, Or.
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Product Details

  • ISBN-13: 9780815311782
  • Publisher: Taylor & Francis Ltd
  • Publication date: 10/14/1998
  • Series: Casebooks on Modern Dramatists Series
  • Edition description: REPRINT
  • Pages: 304
  • Product dimensions: 5.50 (w) x 8.50 (h) x 0.81 (d)

Table of Contents

General Editor's Note
Acknowledgments
Introduction 1
Chronology 11
I The Politics in Arnold Wesker's Plays
The Trilogy, Forty Years On 15
The Failure and Promise of "Socialism as Personal Contact" in Arnold Wesker's Roots 34
Arnold Wesker and the Desire for Utopia: Utopia's Enemies and Wesker 49
II Biographical Notes
Arnold Wesker 75
Vision and Reality: Their Very Own and Golden City and Centre 42 89
Well-nigh Wesker 97
Writing for Radio and Radio for Writing: Yardsale by Arnold Wesker 109
III Historical Perspectives
The Modernity of The Kitchen 119
Wesker's One-Woman Plays as Part of a Popular Tradition 129
Histories of the New Left: Arnold Wesker and the Angrier Young Men 137
IV Critical Approaches
Whatever Happened to Betty Lemon? Theatre Translation: Theory and Practice 163
Dialogic and Monologic Contexts in Arnold Wesker's Monologues and Monodramas 179
Arnold Wesker and Women: His Later Plays 194
Realistic Directions for Wesker's Stage 209
Chips with Everything: A Snob's Progress? 221
Wisdom in Fragments: The Old Ones 233
V The Critical Response
The Four Seasons 253
Wesker: Searching the Oneness Time 263
Contributors 272
Index 276
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