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| General Editor's Note | ||
| Acknowledgments | ||
| Introduction | 1 | |
| Chronology | 11 | |
| I | The Politics in Arnold Wesker's Plays | |
| The Trilogy, Forty Years On | 15 | |
| The Failure and Promise of "Socialism as Personal Contact" in Arnold Wesker's Roots | 34 | |
| Arnold Wesker and the Desire for Utopia: Utopia's Enemies and Wesker | 49 | |
| II | Biographical Notes | |
| Arnold Wesker | 75 | |
| Vision and Reality: Their Very Own and Golden City and Centre 42 | 89 | |
| Well-nigh Wesker | 97 | |
| Writing for Radio and Radio for Writing: Yardsale by Arnold Wesker | 109 | |
| III | Historical Perspectives | |
| The Modernity of The Kitchen | 119 | |
| Wesker's One-Woman Plays as Part of a Popular Tradition | 129 | |
| Histories of the New Left: Arnold Wesker and the Angrier Young Men | 137 | |
| IV | Critical Approaches | |
| Whatever Happened to Betty Lemon? Theatre Translation: Theory and Practice | 163 | |
| Dialogic and Monologic Contexts in Arnold Wesker's Monologues and Monodramas | 179 | |
| Arnold Wesker and Women: His Later Plays | 194 | |
| Realistic Directions for Wesker's Stage | 209 | |
| Chips with Everything: A Snob's Progress? | 221 | |
| Wisdom in Fragments: The Old Ones | 233 | |
| V | The Critical Response | |
| The Four Seasons | 253 | |
| Wesker: Searching the Oneness Time | 263 | |
| Contributors | 272 | |
| Index | 276 |
Overview