Art, Activism, and Oppositionality: Essays from Afterimage

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Overview

There is a common perception in the arts today that overtly activist art—often seen to sacrifice an aesthetic pleasure for a subversive one—is no longer in fashion. In bringing together sixteen of the most important essays on activist and community-based art from the pages of Afterimageæone of the most influential journals in the media and visual arts fields for more than twenty-five years Grant H. Kester demonstrates that activist art, far from being antithetical to the true meaning of the aesthetic, can be its most legitimate expression.

Forging a style of criticism where aesthetic, critical, theoretical, and activist concerns converge, Afterimage has shaped American debates around the politics of visual production and arts education while offering a voice to politically involved artists and scholars. Art, Activism, and Oppositionality insists not only on the continuing relevance of an activist stance to contemporary art practice and criticism, but also on the significance of an engaged art practice that is aligned with social or political activism. With essays that span fifteen years roughly from Ronald Reagan’s 1980 presidential win to the 1994 Republican victories in Congress, a period marked by waning public support for the arts and growing antagonism toward activist art æArt, Activism, and Oppositionality confronts issues ranging from arts patronage, pedagogy, and the very definitions of art and activism to struggles involving AIDS, reproductive rights, sexuality, and racial identity.

Art, Activism, and Oppositionality will interest students and scholars of contemporary art history, media studies, cultural studies, and the fine arts, as well as, arts activists, critics, and arts administrators.

Contributors. Maurice Berger, Richard Bolton, Ann Cvetkovich, Coco Fusco, Brian Goldfarb, Mable Haddock, Grant H. Kester, Ioannis Mookas, Chiquita Mullins Lee, Darrell Moore, Lorraine O’Grady, Michael Renov, Martha Rosler, Patricia Thomson, David Trend, Charles A. Wright Jr., Patricia R. Zimmerman

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Editorial Reviews

From the Publisher
“This collection is a real testimonial to the intelligence of the editing of Afterimage, a journal that has showcased throughtful critics and commentators for years.”—Patricia Aufderheide, American University
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Product Details

  • ISBN-13: 9780822320951
  • Publisher: Duke University Press
  • Publication date: 3/28/1998
  • Edition description: New Edition
  • Pages: 328
  • Sales rank: 1,445,930
  • Product dimensions: 6.03 (w) x 9.21 (h) x 0.92 (d)

Meet the Author

Grant H. Kester is Assistant Professor of Art History at Washington State University and was the editor of Afterimage from 1990 to 1995.

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Table of Contents

Acknowledgments
Ongoing Negotiations: Afterimage and the Analysis of Activist Art 1
Enlightened Self-Interest: The Avant-Garde in the '80s 23
White Men Can't Program: The Contradictions of Multiculturalism 51
Fantasies of Oppositionality 60
The Mythology of Difference: Vulgar Identity Politics at the Whitney 76
Theses on Defunding 94
Rhetorical Questions: The Alternative Arts Sector and the Imaginary Public 103
Whose Multiculturalism? PBS, the Public, and Privilege 136
Video Activism and Critical Pedagogy: Sexuality at the End of the Rainbow Curriculum 148
Cultural Struggle and Educational Activism 169
Video, AIDS, and Activism 182
Early Newsreel: The Construction of a Political Imaginary for the Left 199
Interview with Adrian Piper 215
Video and Electoral Appeal 232
Fetal Tissue: Reproductive Rights and Activist Video 248
Olympia's Maid: Reclaiming Black Female Subjectivity 268
Fault Lines: Homophobic Innovation in Gay Rights, Special Rights 287
Contributors 305
Index 307
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