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German Studies Review
"A very stimulating, educative asset for all scholars of German art history, philosophy, music, and literature who are interested in the postmodern paradigm shift."—German Studies Review
Adorno's diagnosis of the crisis of modernist values points back to Hegel's thesis of the end of art and also forward to the postmodernist debate. Thus the paradoxes of Adorno's negative aesthetics return to haunt the current discussion by representatives of the second generation of the Frankfurt School, Anglo-American Marxism, and French poststructuralism. Going beyond Adorno's dialectic of musical enlighten-ment, Roberts proposes an alternative model of the enlightenment, of art applied to literature and exemplified in the outline of a theory of parody. In its critique of Adorno, Art and Enlightenment clears the way for a reconsideration of twentieth-century artistic theory and practice and also, in offering a model of postmodern art, seeks to disentangle critical issues in the discussion of the avant-garde, modernism, and postmodernism.
David Roberts, Reader in German at Monash University in Melbourne, Australia, is coeditor of the journal Thesis Eleven. He is the author of The Indirections of Desire: Hamlet in Goethe's "Wilhelm Meister" (1980) and other books.