Art History: Fourteenth to Seventeenth Century Art / Edition 3

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Overview

Art History Portable Edition by Marilyn Stokstad offers exactly the same content as Art History, Third Edition but in smaller individual booklets for maximum student portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods.

Book 4: Art History: Fourteenth to Seventeenth Century Art can be used for such courses as:

  • Fourteenth-Century Art in Europe
  • Fifteenth-Century Art in Northern Europe and the Iberian Peninsula
  • Renaissance Art in Fifteenth Century Italy
  • Sixteenth-Century Art in Italy
  • Sixteenth-Century Art in Northern Europe and the Iberian Peninsula
  • Baroque Art

Book 1: Art History: Ancient Art

Book 2: Art History: Medieval Art

Book 3: Art History: A View of the World, Part One: Asian, African, and Islamic Art and Art of the Americas

Book 4: Art History: Fourteenth to Seventeenth Century Art

Book 5: Art History: A View of the World, Part Two: Asian, African, and Oceanic Art and Art of the Americas

Book 6: Art History: Eighteenth to Twenty-First Century

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Product Details

  • ISBN-13: 9780136054078
  • Publisher: Prentice Hall
  • Publication date: 1/13/2008
  • Edition description: Older Edition
  • Edition number: 3
  • Pages: 304
  • Product dimensions: 8.62 (w) x 11.45 (h) x 0.53 (d)

Table of Contents

Use Notes v

Starter Kit vi

Introduction xii

17. FOURTEENTH-CENTURY ART IN EUROPE 552

EUROPE IN THE FOURTEENTH CENTURY 554

ITALY 557

Florentine Architecture and Sculpture 557

Florentine Painting 559

Sienese Painting 567

FRANCE 572

Manuscript Illumination 572

Sculpture 573

ENGLAND 575

Embroidery: Opus Anglicanum 575

Architecture 576

THE HOLY ROMAN EMPIRE 578

The Supremacy of Prague 578

Mysticism and Suffering 580

IN PERSPECTIVE 582

TIMELINE 583

BOXES

THE OBJECT SPEAKS The Triumph of Death 556

TECHNIQUE

Cennino Cennini (c. 1370—1440) on Painting 564

Buon Fresco 569

ART AND ITS CONTEXT

A New Spirit in Fourteenth-Century Literature 561

18. FIFTEENTH-CENTURY ART IN NORTHERN EUROPE AND THE IBERIAN PENINSULA 584

HUMANISM AND THE NORTHERN RENAISSANCE 586

ART FOR THE FRENCH DUCAL COURTS 587

Painting and Sculpture for the Chartreuse de Champmol 588

Manuscript Illumination 590

The Fiber Arts 594

PAINTING IN FLANDERS 596

The Founders of the Flemish School 596

Painting at Midcentury: The Second Generation 604

EUROPE BEYOND FLANDERS 609

France 609

Spain and Portugal 611

Germany and Switzerland 613

THE GRAPHIC ARTS 614

Single Sheets 614

Printed Books 615

IN PERSPECTIVE 616

TIMELINE 617

BOXES

THE OBJECT SPEAKS Hans Memling’s Saint Ursula Reliquary 608

TECHNIQUE

Woodcuts and Engraving on Metal 615

ART AND ITS CONTEXT

Altars and Altarpieces 591

Women Artists in the Late Middle Ages and the Renaissance 592

19. RENAISSANCE ART IN FIFTEENTH-CENTURY ITALY 618

HUMANISM AND THE ITALIAN RENAISSANCE 620

FLORENCE 621

Architecture 623

Sculpture 628

Painting 634

Mural Painting in Florence after Masaccio 638

ITALIAN ART IN THE SECOND HALF OF THE FIFTEENTH

CENTURY 640

Urbino 640

Mantua 644

Rome 647

The Later Fifteenth Century in Florence 648

Venice 653

IN PERSPECTIVE 655

TIMELINE 657

BOXES

THE OBJECT SPEAKS The Foundling Hospital 626

TECHNIQUE

Brunelleschi, Alberti, and Renaissance Perspective 622

Ceramics 634

ART AND ITS CONTEXT

The Printed Book 652

20. SIXTEENTH-CENTURY ART IN ITALY 658

EUROPE IN THE SIXTEENTH CENTURY 660

ITALY IN THE EARLY SIXTEENTH CENTURY: THE HIGH

RENAISSANCE 662

Three Great Artists of the Early Sixteenth Century 662

Architecture in Rome and the Vatican 677

Architecture and Painting in Northern Italy 680

Venice and the Veneto 682

ART AND THE COUNTER-REFORMATION 687

Art and Architecture in Rome and the Vatican 688

MANNERISM 692

Painting 693

Manuscripts and Miniatures 696

Late Mannerism 698

LATER SIXTEENTH-CENTURY ART IN VENICE AND THE

VENETO 699

Oil Painting 699

Architecture: Palladio 703

IN PERSPECTIVE 704

TIMELINE 705

BOXES

THE OBJECT SPEAKS Veronese Is Called Before the Inquisition 700

ELEMENTS OF ARCHITECTURE

The Grotto 677

Saint Peter’s Basilica 679

ART AND ITS CONTEXT

Women Patrons of the Arts 688

DEFINING ART

The Vitruvian Man 665

21. SIXTEENTH-CENTURY ART IN NORTHERN EUROPE AND THE IBERIAN PENINSULA 706

THE REFORMATION AND THE ARTS 708

EARLY SIXTEENTH-CENTURY ART IN GERMANY 709

Sculpture 709

Painting 711

RENAISSANCE ART IN FRANCE 720

The Introduction of Italian Art 720

Art in the Capital 722

RENAISSANCE ART IN SPAIN AND PORTUGAL 725

Architecture 725

Painting 725

RENAISSANCE PAINTING IN THE NETHERLANDS 728

Art for Aristocratic and Noble Patrons 728

Antwerp 731

RENAISSANCE ART IN ENGLAND 734

Artists in the Tudor Court 735

Architecture 738

IN PERSPECTIVE 740

TIMELINE 741

BOXES

THE OBJECT SPEAKS Sculpture for the Knights of Christ

at Tomar 724

MATERIALS AND TECHNIQUES

German Metalwork: A Collaborative Venture 714

ART AND ITS CONTEXT

Chenonceau: The Castle of the Ladies 722

Armor for Royal Games 737

22. BAROQUE ART 742

THE BAROQUE PERIOD 744

ITALY 745

Architecture and Sculpture in Rome 745

Painting 754

THE HABSBURG LANDS 764

Painting in Spain’s Golden Age 764

Architecture in Spain and Austria 770

FLANDERS AND THE NETHERLANDS 772

Flanders 774

The Dutch Republic 779

FRANCE 793

Architecture and Its Decoration at Versailles 793

Painting 797

ENGLAND 801

Architecture and Landscape Design 801

English Colonies in North America 805

IN PERSPECTIVE 806

TIMELINE 807

BOXES

THE OBJECT SPEAKS Brueghel and Rubens’s Allegory of Sight 780

ELEMENTS OF ARCHITECTURE

French Baroque Garden Design 796

DEFINING ART

Grading the Old Masters 799

SCIENCE AND TECHNOLOGY

Science and the Changing Worldview 746

Glossary G1

Bibliography B1

Credits C1

Index I1

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