The Art of Subtext: Beyond Plot

Overview

Charles Baxter inaugurates The Art of, a new series on the craft of writing, with the wit and intelligence he brought to his celebrated book Burning Down the House: Essays on Fiction.

Fiction writer and essayist Charles Baxter’s The Art of Subtext: Beyond Plot discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted. Using an array of examples from Melville and Dostoyevsky to ...

See more details below
Paperback
$9.62
BN.com price
(Save 19%)$12.00 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Paperback)
  • All (19) from $4.01   
  • New (7) from $6.42   
  • Used (12) from $4.01   
The Art of Subtext: Beyond Plot

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$8.56
BN.com price

Overview

Charles Baxter inaugurates The Art of, a new series on the craft of writing, with the wit and intelligence he brought to his celebrated book Burning Down the House: Essays on Fiction.

Fiction writer and essayist Charles Baxter’s The Art of Subtext: Beyond Plot discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted. Using an array of examples from Melville and Dostoyevsky to contemporary writers Paula Fox, Edward P. Jones, and Lorrie Moore, Baxter explains how fiction writers create those visible and invisible details, how what is displayed evokes what is not displayed.

The Art of Subtext is part of The Art of series, a new line of books by important authors on the craft of writing, edited by Charles Baxter. Each book examines a singular, but often assumed or neglected, issue facing the contemporary writer of fiction, nonfiction, or poetry. The Art of series means to restore the art of criticism while illuminating the art of writing.

Read More Show Less

Editorial Reviews

From the Publisher
“Baxter is smart about all aspects of craft.”—The Corresponder

“A wonderful new volume about writing that’s also about reading and the ways we make meaning in our lives.”—The Observer

Read More Show Less

Product Details

  • ISBN-13: 9781555974732
  • Publisher: Graywolf Press
  • Publication date: 7/24/2007
  • Series: Art of... Series
  • Pages: 120
  • Sales rank: 362,265
  • Product dimensions: 5.00 (w) x 7.04 (h) x 0.61 (d)

Meet the Author

CHARLES BAXTER is the author of ten books, including The Feast of Love, a finalist for the National Book Award, and Burning Down the House: Essays on Fiction. He teaches at the University of Minnesota and lives in Minneapolis.

Biography

Although his body of work includes poetry and essays, award-winning writer Charles Baxter is best known for his fiction -- brilliantly crafted, non-linear stories that twist and turn in unexpected directions before reaching surprising yet nearly always satisfying conclusions. He specializes in portraits of solid Midwesterners, regular Joes and Janes whose ordinary lives are disrupted by accidents, chance encounters, and the arrival of strangers; and his books have garnered a fierce and loyal following among readers and critics alike.

Born in Minneapolis in 1947, Baxter was barely a toddler when his father died. His mother remarried a wealthy attorney who moved the family onto a sprawling estate in suburban Excelsior. From prep school, Baxter was expected to attend Williams, but instead he chose Macalester, a small, liberal arts college in St. Paul. Intending to pursue a career in teaching and writing, he enrolled in the Ph.D. program at the State University of New York at Buffalo, attracted by a faculty that included such literary luminaries of the day as John Barth and Donald Barthelme.

After grad school, Baxter moved to Michigan to teach at Wayne State University in Detroit. He spent more than a decade concentrating on writing poetry, but after a particularly discouraging dry spell, he decided to try his hand at fiction. He labored long and hard over three novels, none of which was accepted for publication. Then, just as he was about to give up altogether, he attempted one last trick. He whittled the three novels down to short stories, replacing epic themes, extraordinary characters, and ambitious story arcs with the small, quiet stuff of ordinary life. It was a good decision, In 1984, his first collection of short fiction, Harmony of the World, was published. Another anthology followed, then a debut novel. Published in 1987, First Light charmed readers with its unusual structure (the story unfolds backwards in time) and a cast of richly, draw, fully human characters.

Baxter continued to publish throughout the 1990s, alternating between short and full-length fiction, and with each book he garnered larger, more appreciative audiences and better reviews. His breakthrough occurred in 2000 with Feast of Love, a novel composed of many small stories that form a single, cohesive narrative. Described by The New York Times as "...rich, juicy, laugh-out-loud funny and completely engrossing," Feast of Love was nominated for a National Book Award.

"Every time I've finished a book, it feels to me as if the washrag has been rung out," Baxter confessed in a 2003 interview. Yet he keeps on crafting absorbing stories infused with quiet (sometimes absurdist) wit and a compassionate understanding of the human condition. A longtime director of the creative writing program at the University of Michigan, he is known as a generous mentor, and several of his students have gone on to forge successful literary careers of their own.

Good To Know

In our exclusive interview, Baxter shared some fascinating insights with us:

"My novels are sometimes criticized for being episodic, or structurally weird. And they are! I like them that way. It's fairly late in the day -- 2003 as I write -- in the history of the novel, and I think it's fair for writers to mess around with that form, and to stop thinking that they have to write books that move smoothly from the first act to the second act, and then to the climax and the denouement. I like digressions, asides, intrusions, advice, anything that gets in the way of a smooth narcotic flow. New novels should not look like old novels, except when they want to."

"My father died when I was eighteen months old, and I expect the unexpected to happen in life and in art, and my fiction is full, or loaded down, with unexpected fatalities of one kind or another. For me, that's realism."

"I had an unhappy childhood that I thought was happy, and I dove into books as inspiration and relief and comfort and security and information about what people did and how they thought. I can still get happy and sentimental just over the thought of libraries -- the image of a woman sitting quietly and reading is a terrifically sexy image for me."

"Like many writers, I'm private and quiet and observant and bookish. For a physical outlet, I lift weights at the gym two or three times a week, and I don't quit unless and until I've worked up a fairly good sweat. Many writers need an outlet like that to counter the sedentary nature of what they do. I don't have any wild delusions about the greatness of my work: I am happy to work humbly in this field where so many writers have created so many immortal manifestations of the mind and spirit. As Henry James said, you work in the dark; you do what you can; the rest is the madness of art."

Read More Show Less
    1. Hometown:
      Minneapolis, Minnesota
    1. Date of Birth:
      May 13, 1947
    2. Place of Birth:
      Minneapolis, Minnesota
    1. Education:
      B. A., Macalester College, 1969; Ph.D., State University of New York at Buffalo, 1974
    2. Website:

Table of Contents


Introduction     3
The Art of Staging     7
Digging the Subterranean     33
Unheard Melodies     63
Inflection and the Breath of Life     89
Creating a Scene     115
Loss of Face     143
Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing 1 Customer Reviews
  • Posted March 6, 2012

    Informative but not easy reading

    The Art of SUBTEXT
    Beyond Plot
    Charles Baxter ©2001
    Graywolf Press, Minneapolis, MN 55401
    ISBN 978-1-55597-473-2
    175 pp. (ppbk.)


    Charles Baxter introduces his book as the way to ‘examine those elements that propel readers beyond the plot of a novel or short story into the realm of what haunts the imagination: the implied, the half-visible, the unspoken.” He says writers must know how to use a huge amount of details to accomplish these aims, details that imply as much as they show.


    This sounds like an important method for memorable writing. However, this book may need several readings to be clearly understood and applied.


    The key to subtext involves multiple details and metaphors that suggest several meanings in a scene, dialogue or incident. The placement of characters in a scene (staging) and creating “unheard melodies” are two concepts explained. The author also discusses ways to write scenes, gestures, speech and ‘slippage’ of speech as the ways to apply subtext.


    The book probably applies more to literary writing than to that with mass market appeal

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)