The Art Question / Edition 1

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If an artist sends a live peacock to an exhibition, is it art?
'What is art?' is a question many of us want answered but are too afraid to ask. It is the very question that Nigel Warburton demystifies in this brilliant and accessible little book. With the help of varied illustrations and photographs, from C├ęzanne and Francis Bacon to Andy Warhol and Damien Hirst, best-selling author Warburton brings a philosopher's eye to art in a refreshing jargon-free style.
With customary clarity, he explains art theories, that are much discussed but little understood, by thinkers such as Clive Bell, R.G Collingwood and Wittgenstein. He illuminates other perplexing problems in art, such as the artist's intention, representation and emotion. Drawing on photographs of Cindy Sherman and Tiananmen Square, Warburton shows that, if we are ever to answer the art question, we must consider each work of art on its own terms.
A stimulating and handy guide through the art maze, The Art Question is essential reading for anyone interested in art, philosophy or those who simply like looking at and thinking about pictures.

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Editorial Reviews

From the Publisher
'Invaluable... a sound introduction.... Warburton guides the reader gently and accessibly through some of the most influential theories of the twentieth century... He deftly applies the standard tools of philosophy, such as counter-examples and the detection of circular reasoning, to a field that is prone to vagueness, pretentiousness and sometimes elastic notions of meaning and language.... an excellent introduction to the philosophy of art.' - Think

'Nigel Warburton brings a philosopher's eye to the debate ... to explore with admirable clarity, the factors that might turn a roomful of chocolate into a work of art, and why it matters.' - The Independent

'Nigel Warburton brings clarity, philosophical acuity, and conciseness to the long-standing problem of defining art...For readers new to the problem, the theories are explained in an engaging way and assessed systematically, whith discussion supported throughout by significant, up-to-date cases from the art world.' Emily Brady, The British Journal of Aesthetics

Library Journal
Noted philosopher and teacher Warburton (Open Univ.; Thinking from A to Z) examines analyses of art offered by various eminent philosophers and concludes that all are unsound. In an unpretentious style, he provides a careful examination of Clive Bell's formalism, R.G. Colingwood's expressionism, Ludwig Wittgenstein's denials of the possibility of definition, George Dickie's institutional theory, and Jerrold Levinson's intentional-historical definitions. Helpful illustrations, ranging from traditional paintings to contemporary pieces (e.g., Damien Hirst's The Physical Impossibility of Death in the Mind of Someone Living), augment his assessment and conclusion, which is that art "is indefinable not just at the exhibited level, but at the relational non-exhibited level." Warburton's contribution to this inquiry is that he steps outside the philosophizing on a general definition of art and provides some valid reasons for questioning specific works, especially in contemporary art. Further, he considers how defining art can affect our lives. Highly recommended for all academic libraries.-David A. Beron , Univ. of New Hampshire Lib., Durham Copyright 2003 Reed Business Information.
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Product Details

  • ISBN-13: 9780415174909
  • Publisher: Taylor & Francis
  • Publication date: 8/28/2003
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 160
  • Sales rank: 1,308,682
  • Product dimensions: 5.10 (w) x 7.70 (h) x 0.60 (d)

Table of Contents

Introduction: Art and Philosophy 1. Significant Form 2. Expression of Emotion 3. Family Resemblances 4. Institutional Contexts 5. So What? A Hypothesis. Notes. Further Reading. Bibliography. Index.

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