Art, War, and Revolution in France, 1870-1871: Myth, Reportage, and Reality

Art, War, and Revolution in France, 1870-1871: Myth, Reportage, and Reality

by John Milner
     
 

ISBN-10: 0300084072

ISBN-13: 9780300084078

Pub. Date: 11/28/2000

Publisher: Yale University Press

During a brief and ferociously violent ten-month period between 1870 and 1871, the last Napoleonic empire was destroyed, France was plunged into a hopeless war with Prussia, Paris was besieged, and the Paris Commune revolted and was suppressed by a new Republic. This engrossing book surveys the responses made by artists to these cataclysmic events.

John Milner

Overview

During a brief and ferociously violent ten-month period between 1870 and 1871, the last Napoleonic empire was destroyed, France was plunged into a hopeless war with Prussia, Paris was besieged, and the Paris Commune revolted and was suppressed by a new Republic. This engrossing book surveys the responses made by artists to these cataclysmic events.

John Milner investigates not only what the war and the Commune meant to the artists concerned but also how artists defined the character and nature of events and presented them to the public, thereby influencing their reception, interpretation, and impact. Milner explains the evolving positions of artists during that year. Under Napoleon III, artists received major commissions from patrons and were centrally involved in the image of empire. In wartime, artists called up for duty recorded the horrors of war and became politicized, some loyal to the emperor, others violently against. When the war was over, the uprising of the Paris Commune set the French against themselves. Some artists--in particular Gustave Courbet—declared themselves Communards and rejected the government, producing powerful canvases that portrayed the final slaughter that suppressed the Commune. A new image—of the Republic, of military defeat, and of the significance of the Commune—was needed, and fresh opportunities arose for artists who were able to redraw or reinterpret history.

About the Author:
John Milner is professor of art history at the University of Newcastle and author of Kazimir Malevich and the Art of Geometry and Studios of Paris: The Capital of Art in the Late Nineteenth Century, both published by Yale University Press.

Product Details

ISBN-13:
9780300084078
Publisher:
Yale University Press
Publication date:
11/28/2000
Series:
Art, War, and Revolution Series
Pages:
256
Product dimensions:
9.50(w) x 11.25(h) x (d)

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