Articles of War

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"George Tilson is an eighteen-year-old Iowan farm boy who enlists in the army during World War II and is sent to Normandy shortly after D-Day. Nicknamed "Heck" because of his reluctance to curse, he is a typical soldier, willing to do his duty without fuss or much musing about grand goals. The night before he is trucked into the combat zone, Heck meets a young French refugee and her family, an encounter that unsettles him greatly." It is during his first, horrific exposure to combat that Heck discovers a dark truth about himself: He is a coward.
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Overview

"George Tilson is an eighteen-year-old Iowan farm boy who enlists in the army during World War II and is sent to Normandy shortly after D-Day. Nicknamed "Heck" because of his reluctance to curse, he is a typical soldier, willing to do his duty without fuss or much musing about grand goals. The night before he is trucked into the combat zone, Heck meets a young French refugee and her family, an encounter that unsettles him greatly." It is during his first, horrific exposure to combat that Heck discovers a dark truth about himself: He is a coward. Shamed by his fears and tortured by the never-ending physical dangers around him, he struggles to survive, to live up to the ideal of the American fighting man, and to make sense of his feelings for the young Frenchwoman. As the stark reality of combat - the knowledge that he could cease to exist at any moment - presses in on him, Heck makes a series of choices that would be rational in every human situation except war.
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Editorial Reviews

Janet Maslin
Articles of War isn't an ode to desertion; it by no means advocates flight as a response to combat. But it effectively summons the nightmare into which soldiers are suddenly thrown. Using a minimalist writing style and an exceedingly naïve main character to underscore its visions of stark horror, this short, furious novel describes the abrupt transformation that Heck undergoes. He comes to know fear so intimately that it feels "like an object, exactly as if someone had cut him open, stuffed this thing inside, and sewn the flesh closed again."
— The New York Times
Susan Adams
Articles of Waris a gem of a book about a horrific subject. First-time novelist Nick Arvin describes how it feels to be a naive 18-year-old sent off to fight in a brutal war.
— The Washington Post
Publishers Weekly
This fierce, compact tale of one grunt's war takes readers to the same time and place-the woods of northern France in 1944-where Vonnegut's Billy Pilgrim was captured by the Germans. George Tilson, aka Heck, is another awkward, uncertain American 18-year-old mobilized from America's heartland to the European theater. Disembarked in Normandy, he meets a struggling French family: a one-armed painter; his daughter, Claire; and son, Ives. Claire nearly takes Heck's virginity, but he fumbles her seduction in a fit of fear. He's then trucked off to battle, where he experiences real panic under bombardment: "The noise was like nothing he had ever experienced before, a noise such as might be used to herald the beginning of a terrible new world." Heck is halfway through his nightmarish advance through a forest peppered with German snipers and booby traps before he fires his gun in anger, and that's only to kill the company dog. His second shot comes when his company sergeant, Conlee, an ex-foxhole mate and one of many to mark Heck as a coward, enlists him in an unexplained but horrifying mission. Arvin's first novel is an elegant, understated testament to the stoicism, accidental cowardice and occasional heroics of men under fire. Agent, Eric Simonoff. (Feb. 15) Forecast: Some readers may feel this subject matter has been exploited too often to yield anything fresh, but those looking for quality war fiction will be amply rewarded. Copyright 2004 Reed Business Information.
Library Journal
In his first novel, Arvin (In the Electric Eden: Stories) recounts an 18-year-old Iowa farm boy's experience as he is overwhelmed by the violence of fighting the Nazis as a member of the 28th Infantry Division. George Tilson, called Heck because he never swears, is drafted and sent to Normandy a few months after D-day. Shortly after landing in France, while waiting to be assigned to a unit, he meets a young Frenchwoman who nearly takes his virginity. Arvin compresses a good deal of action, horror, and gripping battle scenes in this short, ambitious novel, marred somewhat by Heck's improbable relationship with the French girl. (Most GIs were lucky to find their combat boots, much less a lovely damsel in distress who wanted sex.) Still, Heck endures his fears, is wounded, and is later part of the firing squad that executes Pvt. Eddie Slovik for desertion. Although too brief, this generally solid effort is recommended for larger collections. [See Prepub Alert, LJ 10/1/04.]-Robert Conroy, Warren, MI Copyright 2005 Reed Business Information.
Kirkus Reviews
A vividly told first novel about a WWII soldier who never quite understands what's going on. When the good but vacuous George Tilson arrives at Omaha Beach (the landings are over), he's nicknamed "Heck" because that's his strongest swear word. Heck is from Iowa, 18, and naive, and at once he begins somehow to fall between the cracks, waiting for an assignment that never comes, while others around him are sent off to the front. In scenes only half-believable, he wanders from camp, helps a little French kid who's injured by a mine, ends up being seduced by the kid's pretty sister Claire-and, spastically embarrassed, runs away before consummation. Finally attached to a unit and under a night artillery barrage-rivetingly described-Heck discovers that he's a coward, huddles in his foxhole against orders, and gets separated from his unit. When he then gashes his leg in a fall before finding the others, he's sent rearward-where, as the seriously wounded suffer and die, he once again somehow goes all but unnoticed. Wandering into town one day, he comes upon Claire's father-who accuses him of having gotten Claire pregnant. Once again, Heck flees. He's sent to a unit on harrowing wintertime forest duty, sees death, finds himself once again under heavy fire-and holds his arm up until a bullet pierces it, sending him rearward again. But a ranking fellow soldier sees what he does, and later, after more turns of events, takes the opportunity to punish Heck in an unusual, apropos, and fiercely trying way-one that will hold the reader breathless. Arvin (stories: In the Electric Eden, 2003) opens and closes with references to a real-life Private Eddie D. Slovik, shot for desertion in 1944. Heck's poorstory, subtly enveloped inside Slovik's, becomes only the more lamentable and sad. Though stretching credibility at times, Arvin makes a worthy and felt addition to retrospective WWII fiction. Agent: Eric Simonoff/Janklow & Nesbit
The New York Times
. . . a tough and visceral vision of war as 'a universe unto itself and a moral crucible.
From the Publisher
"A short, furious novel. . . . Articles of War presents a tough and visceral vision of war as 'a universe unto itself' and a moral crucible." –The New York Times"Articles of War stands out as a surprising achievement for our times, a story that pulses with a heart-tugging revelation." –The Bloomsbury Review"Short, spare, and beautiful, guided by a precision and a sweeping imaginative intelligence that reminds one intensely of Stephen Crane's Red Badge of Courage." –O, The Oprah Magazine"Extraordinary. . . . Articles of War explores the emotional turmoil of war, with the spin of an adolescent forced to reckon with the role he plays in an act of brutality and violence." –Rocky Mountain News
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Product Details

  • ISBN-13: 9780099486787
  • Publisher: Arrow Books, Limited
  • Publication date: 7/28/2006

Meet the Author

Nick Arvin studied mechanical engineering at the University of Michigan and Stanford and has worked in a variety of positions in automotive and forensic engineering. A graduate of the Iowa Writers’ Workshop and the recipient of the Michener Fellowship, he is the author of In the Electric Eden, a collection of short stories. He lives in Denver, Colorado.

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Read an Excerpt

1.

The boy they called Heck arrived at Omaha Beach in August 1944. Soon he would be sent to the front, but for now he waited for his papers to be processed at the Third Replacement Depot. He felt lonely, nervous, bored. Men were everywhere here, unloading supplies, bringing in artillery and armor, moving off for the front, coming back bandaged or in boxes, or, like Heck, waiting. The scene had a hivelike quality, vehicles and men streaming through this portal into and out of the interior of France. Amid all the activity, with everything in transition, it was easy to feel alone. Men were sent forward every day; every day new men arrived. While he awaited orders Heck had few demands on his time. He wandered the crowded, churned sand of the beach, watched the ships slowly come and go, watched the formations of Allied planes pass overhead, their multitudinous drone burrowing into his bones, their glinting wings and bodies like the crosses of cemeteries. Around him Heck saw men who had lost as much as a hand or an eye who smiled at the prospect of going home. He saw the drivers of the army's ubiquitous two-and-a-half ton trucks poring over their maps with the intensity of generals preparing for battle, and a GI told him that when getting off one of these deuce-and-a-half trucks an infantryman could calculate precisely how much danger he was in by watching how fast the driver turned around and got out of there. The landscape along and just beyond the beach had been reduced to a shambles of destruction—many locals had been living for a couple of months in tents set up inside houses without walls or ceilings while others patched their war-wounded homes with scavenged wood and bits of cloth. They stood sullenly in lines waiting for the soldiers to distribute food to them, and they looked at Heck without pleasure or greeting. It appeared they had had enough of armed combatants of any sort. Sometimes one could purchase from them a kind of hard cider with an under flavor like spoiled milk. Heck could not wait to be sent forward and he dreaded being sent forward: the two emotions alternated and on occasion commingled into a single piercing physical ache. He tried to listen only to his ennui and to have no other feeling.

At his first meal in the mess tent the men had been discussing a replacement who had shot himself in the foot. A large group of GIs were loud and indignant, and they hooted when one of them mocked in a simpering tone the wounded man's woeful tale of a weapon that had discharged while he was cleaning it. The comment of a sergeant, shaking his head over the mess that the replacement had made of his foot, was repeated: "You at least could have taken off your boot and sock first." However, Heck also heard four or five soldiers asking each other, softly: What were the chances that this man would have to go before a court-martial? Would his foot heal up? Would he be treated differently in the hospitals? If he got prison time, how much? Through the discussion ran an implication that whatever the wounded man's fate might be, it would likely be better than ending dead at the bottom of a muddy hole in an anonymous field in northern France. Heck listened and tried to give no sign of listening.

When he had been drafted Heck was already strong from summers of farm labor. He had always been tall. By nature he knew how to accept orders, even exasperating or obviously unnecessary orders, and he knew how to work uncomplainingly at tedious and exhausting tasks. He could shoot a gun. He felt a personal belief in the value of work and discipline. Watching some of the men struggle in training he had experienced a mild contempt. While others complained and swore bitterly, it all seemed to him simple, empty, dull. At the same time, however, he felt uncertain of himself. He knew that the training was just playacting, and the thought of a real battle created a fear in him—a fear he tried to avoid by directing his attention to the details of his tasks.

He felt self-conscious about his voice, which contained a rural Iowa accent. Most of the other GIs seemed far more sophisticated and worldly than himself, even if they hadn't fired a gun before. Heck tended to speak softly. He was balding already, and although he was just eighteen many of the other GIs assumed he was older than themselves. He listened to the conversations around him and watched the card games but rarely participated. But he did what he could to help, pointing out an open button on his neighbor's shirt prior to inspection, helping another who couldn't get the pieces of his M-1 together again after a cleaning. The other men didn't seem to know quite what to make of him, and accepted his help with uncertain smiles. They called him Heck because he never cussed. He knew he seemed an odd character, with his quiet and his air of indifference, but he felt he didn't know how to be otherwise. Sometimes he envied the men who talked and joked together so easily. But there were also times, numerous enough, when he scorned the easy and false companionships he saw among the men around him. Solitude seemed to him to be his natural condition.

When he had completed training he was given a short leave and he went home. He arrived alone at the familiar little house and waited the rest of the day for his father to come home from work. In the window the sky deepened to black. When his father finally came in, they embraced, and Heck felt uncomfortably large and strong. His father seemed pale and exhausted. He asked Heck why he had not turned on the lights, and Heck shrugged.

His father and a partner wrote and published the county newspaper. For as long as he could remember, Heck and his father had woken early every morning and eaten breakfast together. Then his father went to the newspaper office and most often he did not return again until eight or nine in the evening, or later. He kept books and magazines piled in stacks and heaps like small hills around the house. Heck had explored all of them. He was an only child. During the first dozen years of his life they had moved every year or two in search of work, around the Midwest and the Plains States, disrupting Heck's friendships each time; he had learned to do without.

His father had a small round potbelly, but otherwise was pale, thin, and rather short, so Heck's size seemed to have come from his mother. She had been a woman of great power in the shoulders and arms, taller than her husband by several inches, with a thick face and wide hips. She was moody. When her mood was good, she would joke and laugh with great energy, and whatever small thing was at hand she would toss over and over again into the air. When her mood was poor she said little, her expression turned dour, and her movements became economical. Heck always sought to keep her mood up. Even when he had grown as tall as she was, she never ceased to address him as though he were still very small. "Baby" was what she called him, fondly, and in her good moods she would narrate whatever she was doing as though he were in a swaddled bundle at her breast. "Now we're going to heat some water, Baby. And now while the water is heating we'll clean some space on the counter—" And Heck, sitting at the kitchen table with a magazine, felt reassured listening to her.

When he was fourteen, his mother died, very suddenly, of a cancer. It happened in the springtime, and Heck's father soon returned to his work. He hired a woman to clean on weekends, and he sometimes came home even later in the evenings with the smell of whiskey on him, but his established routines were otherwise unaffected. Heck, however, abruptly stopped reading the books and magazines and newspapers around the house that he had pored over in the past. The meanings of the words had suddenly become strangely variable, as if they crawled on the page like ants. That summer he began to find work on the farms outside town. He engaged the labor with steady resolve, and because he worked hard he found himself accepted. He felt he fit in. He often returned home nearly as late as his father did. He was already tall, and now the work created muscles that filled out his form.

After the daily, inflexible routines of army training camp, his week at home felt like nothing but a period of empty waiting. Heck did not tell his father about his new nickname, and everything here seemed to be just as it always had been. His father still had his way of smiling that appeared apologetic, or half sad. Heck went a couple of times to the little cemetery where his mother was buried. To earn extra money he worked for several days on one of the farms. It was summer and they were happy for the help.

He felt glad when the day to depart came. His father took the time off work, and Heck rode beside him in the old Packard toward the train station in Des Moines. Heck's duffel bag could be heard rolling and sliding in the trunk. The farmland around them curved like the fabric of a vast wind-whipped flag. His father said, "This war can't go on forever."

"No. It can't," Heck said. He added, "I'll be all right." His father had been too young for the Great War. When Pearl Harbor had been bombed and America had declared war, Heck had assumed that he would miss this war in the same way. He had not grasped then that a war could go on for years and years.

The windows were open and air tumbled into the Packard, moist and thick with the smell of earth. Waves of heat distorted the line of the road. Heck looked at his father and saw he was crying. He looked away. He had seen his father cry only two or three times before and the image now made him feel both heartbroken and strangely exhilarated. He was uncertain whether he ought to cry too.

After a moment, however, he realized that he did not feel any tears in himself. Instead he felt only a nervous agitation—a vibration in his stomach distinct from and more subtle than the rattling of the Packard. He had no real desire to go to war, but if he must then he wanted to do it quickly. He did not, after all, know what else he wanted to do with his life. Still, it seemed strange he could be sent to war. In truth, he thought of himself as hardly more than a boy, and he possessed an instinctive self-awareness of his own ignorance about many things.

His father said, "Keep your hands clean. Do what they tell you; don't do anything stupid. Remember there's a difference between being brave and being stupid."

"I will." The advice seemed a sign of his father's distress; his father never gave general advice like this. His advice was rare and always specific.

"Look sharp and be sharp."

"I will."

They came into town and drove between long rows of two-story brick buildings and storefronts. They parked at the train station and sat on a bench in the sun and waited. The train was late. They sat fidgeting, the duffel bag between them. Heck's father got up and paced and kicked small stones with the toe of his shoe. His tears were gone.

"Dad," Heck said, "why don't you go on home."

"Ah, no," said his father.

"You don't need to wait here with me, doing nothing."

His father glanced at his watch.

"I know you have work that needs to be done," Heck said.

"Maybe I better," said his father.

Heck stood, they shook hands, and his father got in the Packard and left. Heck was relieved. He waited for the train alone and when it came the car he sat in was empty and this made him happy.

He traveled by train to Chicago, then New Jersey, and a Liberty ship carried him from a Hudson River pier into the Atlantic. He had never seen the ocean before. It was an incredible sight, the sea, which he had read of so often, more vast and mutable than anything he had imagined. When the enormous ship heaved and moved under him he had the sensation of transition, of leaving behind not only a continent but all his past as well. He felt the life he was abandoning now to be a mystery to him, as if he were somehow disassociated from it, and it appeared very small to him and easily left behind. And yet, the open space and the immeasurable sky at sea also reminded him of home. He stood on deck and gazed, recalling intensely the brown-black fields, furrowed and moist with spring rain, things happening invisibly beneath the surface, seeds exploding in slow motion, life struggling toward open air. Open spaces seemed to him particularly ennobled, as if God hovered down closer to such places. Many of the soldiers on the ship were violently seasick, wracked with convulsions and fevers and diarrhea and retching such that they could not even crawl from their bunks to the mess for food, food that anyway would not have remained long in their stomachs. Heck was surprised he did not share their fate, but the motion of the ship did not bother him at all.

What he moved toward, however, remained a great enigma. He understood he might never return to America, that indeed he might die. These were true possibilities. He looked around and said to himself, These men don't truly understand that they might die—they don't truly believe it, in their hearts they believe It won't be me—but I understand, it is true, I could die. Understanding this made him especially quiet and still. He began smoking cigarettes. As often as possible he went up to the deck and stood at the rail to watch the sea. On a cloudless day, with horizon in all directions, it appeared they had arrived into the center of eternity. At night it would have been easy to believe that the innumerable stars themselves, not the ship, were swaying. Below him, the wave tips caught the moonlight and winked with the patterns of a complex intelligence. By day the waves carved countless, relentless, boundless sculptural forms, and the water acquired every conceivable shade from black to white and blue to green and, lit by the fires of sunset or the embers of sunrise, violet to scarlet to gold to mud to orange. Heck could gaze upon this extraordinary expanse and achieve a quietude from within which he might contemplate his approaching fate without fear. Indeed, he thought he had defeated his fear entirely, but he was wrong in this, for as soon as he was below decks, away from the hypnotic quality of the waters, the fears resurged. I should have been a sailor, he thought, and I never would have been afraid.

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First Chapter

1.



The boy they called Heck arrived at Omaha Beach in August 1944. Soon he would be sent to the front, but for now he waited for his papers to be processed at the Third Replacement Depot. He felt lonely, nervous, bored. Men were everywhere here, unloading supplies, bringing in artillery and armor, moving off for the front, coming back bandaged or in boxes, or, like Heck, waiting. The scene had a hivelike quality, vehicles and men streaming through this portal into and out of the interior of France. Amid all the activity, with everything in transition, it was easy to feel alone. Men were sent forward every day; every day new men arrived. While he awaited orders Heck had few demands on his time. He wandered the crowded, churned sand of the beach, watched the ships slowly come and go, watched the formations of Allied planes pass overhead, their multitudinous drone burrowing into his bones, their glinting wings and bodies like the crosses of cemeteries. Around him Heck saw men who had lost as much as a hand or an eye who smiled at the prospect of going home. He saw the drivers of the army's ubiquitous two-and-a-half ton trucks poring over their maps with the intensity of generals preparing for battle, and a GI told him that when getting off one of these deuce-and-a-half trucks an infantryman could calculate precisely how much danger he was in by watching how fast the driver turned around and got out of there. The landscape along and just beyond the beach had been reduced to a shambles of destruction—many locals had been living for a couple of months in tents set up inside houses without walls or ceilings while others patched their war-wounded homes with scavenged woodand bits of cloth. They stood sullenly in lines waiting for the soldiers to distribute food to them, and they looked at Heck without pleasure or greeting. It appeared they had had enough of armed combatants of any sort. Sometimes one could purchase from them a kind of hard cider with an under flavor like spoiled milk. Heck could not wait to be sent forward and he dreaded being sent forward: the two emotions alternated and on occasion commingled into a single piercing physical ache. He tried to listen only to his ennui and to have no other feeling.

At his first meal in the mess tent the men had been discussing a replacement who had shot himself in the foot. A large group of GIs were loud and indignant, and they hooted when one of them mocked in a simpering tone the wounded man's woeful tale of a weapon that had discharged while he was cleaning it. The comment of a sergeant, shaking his head over the mess that the replacement had made of his foot, was repeated: "You at least could have taken off your boot and sock first." However, Heck also heard four or five soldiers asking each other, softly: What were the chances that this man would have to go before a court-martial? Would his foot heal up? Would he be treated differently in the hospitals? If he got prison time, how much? Through the discussion ran an implication that whatever the wounded man's fate might be, it would likely be better than ending dead at the bottom of a muddy hole in an anonymous field in northern France. Heck listened and tried to give no sign of listening.



When he had been drafted Heck was already strong from summers of farm labor. He had always been tall. By nature he knew how to accept orders, even exasperating or obviously unnecessary orders, and he knew how to work uncomplainingly at tedious and exhausting tasks. He could shoot a gun. He felt a personal belief in the value of work and discipline. Watching some of the men struggle in training he had experienced a mild contempt. While others complained and swore bitterly, it all seemed to him simple, empty, dull. At the same time, however, he felt uncertain of himself. He knew that the training was just playacting, and the thought of a real battle created a fear in him—a fear he tried to avoid by directing his attention to the details of his tasks.

He felt self-conscious about his voice, which contained a rural Iowa accent. Most of the other GIs seemed far more sophisticated and worldly than himself, even if they hadn't fired a gun before. Heck tended to speak softly. He was balding already, and although he was just eighteen many of the other GIs assumed he was older than themselves. He listened to the conversations around him and watched the card games but rarely participated. But he did what he could to help, pointing out an open button on his neighbor's shirt prior to inspection, helping another who couldn't get the pieces of his M-1 together again after a cleaning. The other men didn't seem to know quite what to make of him, and accepted his help with uncertain smiles. They called him Heck because he never cussed. He knew he seemed an odd character, with his quiet and his air of indifference, but he felt he didn't know how to be otherwise. Sometimes he envied the men who talked and joked together so easily. But there were also times, numerous enough, when he scorned the easy and false companionships he saw among the men around him. Solitude seemed to him to be his natural condition.

When he had completed training he was given a short leave and he went home. He arrived alone at the familiar little house and waited the rest of the day for his father to come home from work. In the window the sky deepened to black. When his father finally came in, they embraced, and Heck felt uncomfortably large and strong. His father seemed pale and exhausted. He asked Heck why he had not turned on the lights, and Heck shrugged.

His father and a partner wrote and published the county newspaper. For as long as he could remember, Heck and his father had woken early every morning and eaten breakfast together. Then his father went to the newspaper office and most often he did not return again until eight or nine in the evening, or later. He kept books and magazines piled in stacks and heaps like small hills around the house. Heck had explored all of them. He was an only child. During the first dozen years of his life they had moved every year or two in search of work, around the Midwest and the Plains States, disrupting Heck's friendships each time; he had learned to do without.

His father had a small round potbelly, but otherwise was pale, thin, and rather short, so Heck's size seemed to have come from his mother. She had been a woman of great power in the shoulders and arms, taller than her husband by several inches, with a thick face and wide hips. She was moody. When her mood was good, she would joke and laugh with great energy, and whatever small thing was at hand she would toss over and over again into the air. When her mood was poor she said little, her expression turned dour, and her movements became economical. Heck always sought to keep her mood up. Even when he had grown as tall as she was, she never ceased to address him as though he were still very small. "Baby" was what she called him, fondly, and in her good moods she would narrate whatever she was doing as though he were in a swaddled bundle at her breast. "Now we're going to heat some water, Baby. And now while the water is heating we'll clean some space on the counter—" And Heck, sitting at the kitchen table with a magazine, felt reassured listening to her.

When he was fourteen, his mother died, very suddenly, of a cancer. It happened in the springtime, and Heck's father soon returned to his work. He hired a woman to clean on weekends, and he sometimes came home even later in the evenings with the smell of whiskey on him, but his established routines were otherwise unaffected. Heck, however, abruptly stopped reading the books and magazines and newspapers around the house that he had pored over in the past. The meanings of the words had suddenly become strangely variable, as if they crawled on the page like ants. That summer he began to find work on the farms outside town. He engaged the labor with steady resolve, and because he worked hard he found himself accepted. He felt he fit in. He often returned home nearly as late as his father did. He was already tall, and now the work created muscles that filled out his form.

After the daily, inflexible routines of army training camp, his week at home felt like nothing but a period of empty waiting. Heck did not tell his father about his new nickname, and everything here seemed to be just as it always had been. His father still had his way of smiling that appeared apologetic, or half sad. Heck went a couple of times to the little cemetery where his mother was buried. To earn extra money he worked for several days on one of the farms. It was summer and they were happy for the help.

He felt glad when the day to depart came. His father took the time off work, and Heck rode beside him in the old Packard toward the train station in Des Moines. Heck's duffel bag could be heard rolling and sliding in the trunk. The farmland around them curved like the fabric of a vast wind-whipped flag. His father said, "This war can't go on forever."

"No. It can't," Heck said. He added, "I'll be all right." His father had been too young for the Great War. When Pearl Harbor had been bombed and America had declared war, Heck had assumed that he would miss this war in the same way. He had not grasped then that a war could go on for years and years.

The windows were open and air tumbled into the Packard, moist and thick with the smell of earth. Waves of heat distorted the line of the road. Heck looked at his father and saw he was crying. He looked away. He had seen his father cry only two or three times before and the image now made him feel both heartbroken and strangely exhilarated. He was uncertain whether he ought to cry too.

After a moment, however, he realized that he did not feel any tears in himself. Instead he felt only a nervous agitation—a vibration in his stomach distinct from and more subtle than the rattling of the Packard. He had no real desire to go to war, but if he must then he wanted to do it quickly. He did not, after all, know what else he wanted to do with his life. Still, it seemed strange he could be sent to war. In truth, he thought of himself as hardly more than a boy, and he possessed an instinctive self-awareness of his own ignorance about many things.

His father said, "Keep your hands clean. Do what they tell you; don't do anything stupid. Remember there's a difference between being brave and being stupid."

"I will." The advice seemed a sign of his father's distress; his father never gave general advice like this. His advice was rare and always specific.

"Look sharp and be sharp."

"I will."

They came into town and drove between long rows of two-story brick buildings and storefronts. They parked at the train station and sat on a bench in the sun and waited. The train was late. They sat fidgeting, the duffel bag between them. Heck's father got up and paced and kicked small stones with the toe of his shoe. His tears were gone.

"Dad," Heck said, "why don't you go on home."

"Ah, no," said his father.

"You don't need to wait here with me, doing nothing."

His father glanced at his watch.

"I know you have work that needs to be done," Heck said.

"Maybe I better," said his father.

Heck stood, they shook hands, and his father got in the Packard and left. Heck was relieved. He waited for the train alone and when it came the car he sat in was empty and this made him happy.

He traveled by train to Chicago, then New Jersey, and a Liberty ship carried him from a Hudson River pier into the Atlantic. He had never seen the ocean before. It was an incredible sight, the sea, which he had read of so often, more vast and mutable than anything he had imagined. When the enormous ship heaved and moved under him he had the sensation of transition, of leaving behind not only a continent but all his past as well. He felt the life he was abandoning now to be a mystery to him, as if he were somehow disassociated from it, and it appeared very small to him and easily left behind. And yet, the open space and the immeasurable sky at sea also reminded him of home. He stood on deck and gazed, recalling intensely the brown-black fields, furrowed and moist with spring rain, things happening invisibly beneath the surface, seeds exploding in slow motion, life struggling toward open air. Open spaces seemed to him particularly ennobled, as if God hovered down closer to such places. Many of the soldiers on the ship were violently seasick, wracked with convulsions and fevers and diarrhea and retching such that they could not even crawl from their bunks to the mess for food, food that anyway would not have remained long in their stomachs. Heck was surprised he did not share their fate, but the motion of the ship did not bother him at all.

What he moved toward, however, remained a great enigma. He understood he might never return to America, that indeed he might die. These were true possibilities. He looked around and said to himself, These men don't truly understand that they might die—they don't truly believe it, in their hearts they believe It won't be me—but I understand, it is true, I could die. Understanding this made him especially quiet and still. He began smoking cigarettes. As often as possible he went up to the deck and stood at the rail to watch the sea. On a cloudless day, with horizon in all directions, it appeared they had arrived into the center of eternity. At night it would have been easy to believe that the innumerable stars themselves, not the ship, were swaying. Below him, the wave tips caught the moonlight and winked with the patterns of a complex intelligence. By day the waves carved countless, relentless, boundless sculptural forms, and the water acquired every conceivable shade from black to white and blue to green and, lit by the fires of sunset or the embers of sunrise, violet to scarlet to gold to mud to orange. Heck could gaze upon this extraordinary expanse and achieve a quietude from within which he might contemplate his approaching fate without fear. Indeed, he thought he had defeated his fear entirely, but he was wrong in this, for as soon as he was below decks, away from the hypnotic quality of the waters, the fears resurged. I should have been a sailor, he thought, and I never would have been afraid.
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Reading Group Guide

“A short, furious novel. . . . Articles of War presents a tough and visceral vision of war as ‘a universe unto itself’ and a moral crucible.” –The New York Times

The introduction, discussion questions, suggestions for further reading, and author biography that follow are designed to enhance your group’s discussion of Articles of War, Nick Arvin’s harrowing novel about one’s soldier’s confrontation with his own fear during World War II.

1. In what ways does Articles of War differ from most literary and cinematic depictions of war? What is the value of writing about war not from a heroic point of view but from the perspective of someone who is paralyzed by fear? What does the novel tell us about the essential nature of war and what it does to those who are asked to engage in battle?

2. What does George Tilson’s nickname, Heck, reveal about his character? In what sense is his refusal to curse a harbinger of his actions?

3. Why does Heck run away from Claire instead of making love to her? How does this turning away affect his later actions? What is the symbolic significance that the encounter takes place in a cave?  

4. Should Heck be considered a coward, a young man unsure of himself, or a victim of the stresses of war? At what moments in the novel does he make cowardly decisions? At what points does he demonstrate bravery?

5. When he is at the hospital, Heck is so “mired in his own problems” that “the men around him had remained more or less indistinguishable” [p. 81]. Why doesn’t Heck feel a greater sense of camaraderie with his fellow soldiers? How does this lack of a bond influence his behavior during combat? Why doesn’t he seem to be aware of or committed to the purpose of the war?

6. Why does Conlee order Heck to join the firing squad executing the deserter Private Eddie D. Slovik? Is he trying to teach him a lesson, or does he want to punish him for his cowardice? In what ways is it poetic justice for Heck to execute a solider for failing to do his duty? How does the experience affect Heck?  

7. The sergeant overseeing the execution of Slovik tells the men who are to shoot him that “the responsibility for this decision lay with a higher authority, and this authority was not theirs to question. Theirs was to carry out orders to the best of their ability” [p. 159]. How does this statement echo the defense of Nazi war criminals like Adolf Eichmann who said that they were simply following orders? Under what circumstances should soldiers question or disobey orders?

8. The narrator tells us that after the execution, Heck returned to battle and found that he “had no fear–or at least he could very easily control himself in spite of it–and fought reasonably well until the end of the war. He didn’t understand this change, did not want to understand it, and took no pride in it” [p. 171]. How can this change be explained? Why doesn’t Heck want to understand it or take any pride in it?

9. After the execution, Heck “tried to move himself toward what had been in the mind of the man under the hood in the moment before he died, the moment when the last heartbeat was heard faintly in the doctor’s stethoscope. But he had no access to imagination and could conceive only emptiness” [p. 169]. What does the narrator mean when he says that Heck has “no access to imagination”? Is his lack of imagination a kind of moral failure? What is the value of Arvin’s ability to imagine both the experience of war and the consciousnesses of those who are thrust into it?

10. Albert tells Heck, “War makes thieves and liars of everyone. Dishonor is everywhere. People will do anything–loot a neighbor’s home, murder a grandmother–anything they can think of to help them live a day or two longer. And people are stupid. . . . One or two people are manageably stupid. A handful of people are, collectively, dumb as your average dog. A mob: stupid as an insect. Armies, nations: stupidest things on this earth” [p. 26]. Is this an accurate view of human beings and how they behave during wartime?

11. The author’s note reveals that there was a real Private Eddie D. Slovik who was executed for desertion on January 31, 1945. Why didn’t Arvin make Slovik, who on the surface might seem a more interesting character, the protagonist of his novel? Why focus on Heck instead? In what ways might Heck’s story be more representative than Slovik’s? The author’s note reveals that there was a real Private Eddie D. Slovik who was executed for desertion on January 31, 1945. Why didn’t Arvin make Slovik, who on the surface might seem a more interesting character, the protagonist of his novel? Why focus on Heck instead? In what ways might Heck’s story be more representative than Slovik’s?

12. How might Heck’s life unfold after the novel ends? Is it likely that he will keep the baby? What effect might raising a child have on him? Why has Arvin chosen to end the novel in this way?

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Sort by: Showing all of 6 Customer Reviews
  • Anonymous

    Posted February 17, 2005

    powerful, honest and real

    Whether you have been to war or you have wondered about the experience, this novel transports the reader to such a time and place through direct and unflinching prose. The main character's voice is the human quality each soldier brings to war. A reminder of the contributions individuals. And, a must read.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 9, 2006

    So very awesome

    I couldn't put this book down until I finished the last page... Very amazing. You can feel what the main character is feeling. Everyone should have to read this book...

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 22, 2005

    Articles of War

    In ARTICLES OF WAR Nick Arvin has, in this first Novel (he has previously published short stories under the name of 'In the Electric Eden: Stories') stepped into the echelon of writers who are able to credibly recreate the horrors of war without finding the need to justify the concept of war as a viable means for resolution of issues. This is an exceptional novel that relentlessly defines the passion, the fear, the atrocities, the visceral responses to the annihilation of fellow human beings, and places those responses squarely in the body of one terrified eighteen-year-old boy. The effect is devastating and the result is one of the most vehement antiwar novels ever written. George Tilson, nicknamed 'Heck' because of his refusal to use profanity, is a simple Iowa boy who by draft enlists in the Army to please his newspaper publisher father. He has no political fervor, no adolescent need to prove his virility: Heck simply knows how to follow orders, place training camp in the role of playacting, and accept his shipment to Omaha Beach, Normandy in 1944. A loner by nature, Heck observes his environment, is shipped to various campaigns, and remains a passive severely frightened youth. Once he is in battle he is horrified by the killing, the strewn dead bodies, witnessing the implosion of a recruit from a land mine, the stinging deaths of fellow soldiers, the look in the eyes of dead Germans, discovering the bodies of French victims, inadvertently sludging through corpses, the decimation of the landscape, the filth of living in rain-gutted foxholes. At one point he encounters a French family who befriends him and he is shown kindness by the young Claire with whom he finds momentary solace in the caves of France, becoming tangent to his emerging sexuality yet fearful of fulfilling his desires. The little family disappears and his quests to find them again are useless. His encounter with Claire and her gift of a tiny silver music box are his constant attachments to hope, to the concept that he may survive to find Claire again. The war eats Heck's soul and mind and eventually he follows the urge to find a way out of the battlefield by arranging his own gunshot wound to the wrist inflicted by a German sniper. This act of cowardice joined by his inability to find justice in the idea of war weakens Heck to the point that he is unable to eat without vomiting, and unable to hide from his shame of being a coward. Heck begins to harden after a certain incident and when he is assigned to a secret mission, he consents to go. The mission is to be a part of the firing squad that will execute deserter Pvt. Eddie D. Slovik, a mission that will forever haunt young Heck. (This incident is based on fact, as the author informs us at the beginning and end of the book.) How Heck deals with all these inward damages inflicted upon him by the war forms the final chapters of this intense book. The war ends and Heck is so incapacitated by his guilt that he signs up for another tour of duty in France and it is during this tour that the unsettling events of the post-war effects take on significant meaning and draw an end to the story. Nick Arvin writes in spare sentences, much the way his main character would process information. But that is not to say that Arvin cannot wax eloquent or burn images into our minds that become as indelible as the effects of the war on Heck. 'Heck began to understand that this was hell: a rainy woods, a place of mud and standing water and deep cold, made complete by the explosions that forced you to burrow into the muck and lie in it and be glad for it....The damaged trees were stricken, ossified. When it rained the trees dripped, providing no protection. A fog was trapped or confused in the forest and dwelled there all day, at its thickest creating a white darkness. The mists seem to absorb the night, and eventually night reconquered the mists, and in this fashion the idea of sunlight was erased.' As poetic as the

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 24, 2005

    Articles of War

    In ARTICLES OF WAR Nick Arvin has, in this first Novel (he has previously published short stories under the name of 'In the Electric Eden: Stories') stepped into the echelon of writers who are able to credibly recreate the horrors of war without finding the need to justify the concept of war as a viable means for resolution of issues. This is an exceptional novel that relentlessly defines the passion, the fear, the atrocities, the visceral responses to the annihilation of fellow human beings, and places those responses squarely in the body of one terrified eighteen-year-old boy. The effect is devastating and the result is one of the most vehement antiwar novels ever written.George Tilson, nicknamed 'Heck' because of his refusal to use profanity, is a simple Iowa boy who by draft enlists in the Army to please his newspaper publisher father. He has no political fervor, no adolescent need to prove his virility: Heck simply knows how to follow orders, place training camp in the role of playacting, and accept his shipment to Omaha Beach, Normandy in 1944. A loner by nature, Heck observes his environment, is shipped to various campaigns, and remains a passive severely frightened youth. Once he is in battle he is horrified by the killing, the strewn dead bodies, witnessing the implosion of a recruit from a land mine, the stinging deaths of fellow soldiers, the look in the eyes of dead Germans, discovering the bodies of French victims, inadvertently sludging through corpses, the decimation of the landscape, the filth of living in rain-gutted foxholes. At one point he encounters a French family who befriends him and he is shown kindness by the young Claire with whom he finds momentary solace in the caves of France, becoming tangent to his emerging sexuality yet fearful of fulfilling his desires. The little family disappears and his quests to find them again are useless. His encounter with Claire and her gift of a tiny silver music box are his constant attachments to hope, to the concept that he may survive to find Claire again. The war eats Heck's soul and mind and eventually he follows the urge to find a way out of the battlefield by arranging his own gunshot wound to the wrist inflicted by a German sniper. This act of cowardice joined by his inability to find justice in the idea of war weakens Heck to the point that he is unable to eat without vomiting, and unable to hide from his shame of being a coward. Heck begins to harden after a certain incident and when he is assigned to a secret mission, he consents to go. The mission is to be a part of the firing squad that will execute deserter Pvt. Eddie D. Slovik, a mission that will forever haunt young Heck. (This incident is based on fact, as the author informs us at the beginning and end of the book.)How Heck deals with all these inward damages inflicted upon him by the war forms the final chapters of this intense book. The war ends and Heck is so incapacitated by his guilt that he signs up for another tour of duty in France and it is during this tour that the unsettling events of the post-war effects take on significant meaning and draw an end to the story.Nick Arvin writes in spare sentences, much the way his main character would process information. But that is not to say that Arvin cannot wax eloquent or burn images into our minds that become as indelible as the effects of the war on Heck. 'Heck began to understand that this was hell: a rainy woods, a place of mud and standing water and deep cold, made complete by the explosions that forced you to burrow into the muck and lie in it and be glad for it....The damaged trees were stricken, ossified. When it rained the trees dripped, providing no protection. A fog was trapped or confused in the forest and dwelled there all day, at its thickest creating a white darkness. The mists seem to absorb the night, and eventually night reconquered the mists, and in this fashion the idea of sunlight was erased.'As poetic as the writing just quoted

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 29, 2010

    No text was provided for this review.

  • Anonymous

    Posted February 9, 2009

    No text was provided for this review.

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