Artifacts (Faye Longchamp Series #1)

Artifacts (Faye Longchamp Series #1)

4.6 5
by Mary Anna Evans

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Faye Longchamp has lost nearly everything except for her quick mind and a grim determination to hang onto her ancestral home, Joyeuse, a moldering plantation hidden along the Florida coast. No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War. No one knows how her


Faye Longchamp has lost nearly everything except for her quick mind and a grim determination to hang onto her ancestral home, Joyeuse, a moldering plantation hidden along the Florida coast. No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War. No one knows how her descendants hung onto it through Reconstruction, world wars, the Depression, and Jim Crow, but Faye has inherited the island plantation—and the family tenacity. When the property taxes rise beyond her means, she sets out to save Joyeuse by digging for artifacts on her property and the surrounding National Wildlife Refuge and selling them on the black market. A tiny bit of that dead glory would pay a year's taxes. A big valuable chunk of the past would save her home forever.

But instead of potsherds and arrowheads, she uncovers a woman's shattered skull, a Jackie Kennedy-style earring nestled against its bony cheek. Faye is torn. If she reports the forty-year-old murder, she'll reveal her illegal livelihood, thus risking jail and the lose of Joyeuse. She doesn't intend to let that happen, so she probes into the dead woman's history, unaware that the past is rushing up on her like a hurricane across deceptively calm Gulf waters...

Editorial Reviews

Publishers Weekly
Few corners of Florida remain unmined for crime fiction and now, happily, there's one less. The shifting little isles along the Florida Panhandle-hurricane-wracked bits of land filled with plenty of human history-serve as the effective backdrop for Evans's debut, a tale of greed, archeology, romance and murder. The latest in a long line of courageous and resourceful women, Faye Longchamp can trace her mixed ancestry back to a slave and a once magnificent plantation house, Joyeuse, which she now claims by heritage and squatter's rights and whose very existence is a closely guarded secret. Faye ekes out a living by illegal "pothunting" and acting as an assistant on a legitimate archeological dig, but her discovery of a human skull and the subsequent murder of two archeology students threaten her precarious existence. While Evans stretches credulity with the sheer number of unlikely elements that make up the plot, including a mysterious Indian and a 19th-century diary, the rich setting and the lively characters that aid or bedevil Faye in her quest more than compensate. Readers should welcome this strong new heroine. (May 2) Copyright 2003 Reed Business Information.
Kirkus Reviews
Faye Longchamp feels bad that she’s using her position as field supervisor at her mentor Dr. Magda Stockard’s archaeological dig on Seagreen Island as a cover for excavating artifacts to Douglass Everett’s Museum of American Slavery--but not bad enough to stop. Though her legal title to the land and the magnificent dump of a house has been lost to the tides of history, Faye inherited Joyeuse Island, including lands since claimed by the National Parks Service, from her great-great-grandmother Cally Stanton. The woman who survived the degradation, misery, and hardships of slavery to become owner of Joyeuse would never want the plantation to be lost for back taxes, Faye reasons; surely she’d approve of her mixed-race great-great-granddaughter digging on what’s morally speaking her own property in order to keep the land that was deeded to the family. Unfortunately, everyone around Faye is an even bigger criminal than she is. Nguyen Hanh is poaching artifacts for more mercenary reasons; Stuart Sheffield has been hired to kill two locals; and now someone has shot two young data loggers on the dig and buried them in an unmarked grave. The earth will yield still more evidence of murder--first the body of Abigail Williford, a southern belle missing nearly 40 years, then an unidentified man, woman, and child. With so many malefactors infesting the north Florida coast, how can Faye pick out such a prolific killer? A capably written debut with perhaps too much history and not enough mystery for its high body count.
From the Publisher

"The shifting little isles along the Florida Panhandle--hurricane-wracked bits of land filled with plenty of human history--serve as the effective backdrop for Evans's debut, a tale of greed, archaeology, romance and murder.... Readers should welcome this strong new sleuth."
Publishers Weekly

"You will enjoy this book for the mystery story and the interesting history and archaeological information the author freely dispenses. Books from Poisoned Pen Press are always a good bet with an interesting twist be it a new author or an almost forgotten one."     --  I Love a Mystery

"First-novelist Evans introduces a strong female sleuth in this extremely promising debut, and she makes excellent use of her archaeological subject matter, weaving past and present together in a multi-layered, compelling plot."    -- Booklist

"Artifacts is a haunting, atmospheric story in which a mysterious island holds the clue to long-buried family secrets. Mary Anna Evans brings passion and insight to her subject and has written a modern southern gothic novel about a biracial woman's search for her heritage."   -- PJ Parrish, Edgar nominee and New York Times best-selling author

"A fresh contemporary protagonist, Faye Longchamp gives the phrase 'scraping to get by' a whole different meaning. Past and present merge in an intriguing story ably demonstrating that Miami doesn't have a monopoly on murder in Florida."   -- Aileen Schumacher, Anthony award nominated author

Product Details

Poisoned Pen Press
Publication date:
Faye Longchamp Series , #1
Sales rank:
Product dimensions:
5.40(w) x 8.40(h) x 0.80(d)

Read an Excerpt


A Faye Longchamp Mystery

By Mary Anna Evans

Poisoned Pen Press

Copyright © 2012 Mary Anna Evans
All rights reserved.
ISBN: 978-1-59058-990-8


Faye Longchamp was digging like a pothunter and she hated herself for it. Pothunters were a bare notch above grave robbers. They were vultures. Once a pothunter defiled an ancient site, archaeologists could only hope to salvage a fraction of the information it had once held. And information, not artifacts, was the goal of legitimate archaeology.

Pothunters, on the other hand, only sought artifacts with a hefty street value, and to hell with egg-headed academics who condemned them for trashing history as they dug. There was no more precise description of what she was doing; therefore, she had sunk to the level of a pothunter. The fact that she was desperate for cold, hard cash did not absolve her.

A narrow beach to her left and a sparse stand of sea oats to her right were all that stood between Faye and the luminous turquoise of the Gulf of Mexico. Since pothunters couldn't excavate in the open, in front of God and everybody, they worked in places like this, patches of sand too small to have names. Not a soul lived in the Last Isles, and the island chain paralleled a thinly populated stretch of Florida Panhandle coastline. It was a good place to do work that should not be seen.

Looking up from her lucrative but illegal hobby, she glanced furtively over her shoulder at Seagreen Island. Its silhouette loomed like a dark whale cresting in the distance.

She knew how to excavate properly. During her abortive college career, she had tried to learn everything about field technique that her idol, Dr. Magda Stockard, could teach her. Even ten years later, working as she did on Seagreen Island as a field supervisor under Magda's watchful eye, she still learned something new every day. And she loved it. She loved sifting soil samples through a quarter-inch mesh and cataloging the seeds, beads, and bones that stayed behind. She loved the fact that every day was a treasure hunt. She would have worked for free, if she could have ignored her inconvenient need for food and shelter. The paycheck she received for painstaking work performed amid the heat and the humidity and the mosquitoes was always welcome, but it was insufficient.

Her work on Seagreen Island was legitimate, but it disturbed her nonetheless. Unless Magda's archaeological survey turned up a culturally significant site, there would be nothing to stop the developers who wanted to build a resort there. The lush and tangled vegetation topping the island would be scraped off to make room for a hotel and tennis courts and a spa and a couple of swimming pools. As if Florida needed more swimming pools.

This islet where she stood was too tiny to interest developers, though the government had found it worth including in a national wildlife refuge. It was really no more than a sandbar sprinkled with scrubby vegetation, but Faye's instincts had always been reliable. The Last Isles were once awash in wealth. The wind and waves couldn't have carried it all away; they must have left some of it under the sand, ripe for discovery by a needy pothunter. A tiny bit of that dead glory would pay this year's property taxes. A big, valuable chunk of the past would save her home forever.

Home. The thought of losing her home made Faye want to hurl her trowel to the ground in frustration, but doing so would require her to stop digging, and she couldn't do that. Something in her blood would never let her quit. Faye did not intend to be the one who let the family down.

* * *

Two eager archaeology students had volunteered to stay behind the rest of their field crew on mosquito-infested Seagreen Island. Tomorrow would have been soon enough to catalog the day's finds and mark the next swath of dig spots, but these two were too dedicated to their work for their own good. If the student archaeologists had cleared out on the stroke of five, they could have been enjoying Tuesday-night sitcoms and beer with their colleagues. Instead, they were conscientiously digging their own graves.

The sun kept sliding toward the Gulf of Mexico, and the red-haired girl kept squinting through the viewfinder of her surveyor's transit. She barked directions to her partner as he slowly — so slowly — placed one flag after another in yet another nice neat row. They checked and rechecked the grid of sampling spots, careful to ensure that everything was exactly as their supervisor had recorded in the field notebook that the young woman clutched like a bible.

The young man, standing in the shade of an ancient tree, twisted the surveyor's flag, yelling, "Hey, Krista, there's so many roots here, I can hardly get it in the ground."

The young man grunted as he pushed the flag into the soil, ignorant of what lay beneath his feet. The base probed deeper. It struck something horrible, but the young man and his companion remained unaware of it, so they were allowed to continue breathing.

* * *

Faye knelt at the edge of the evening's excavation. She'd put in a full day on Seagreen Island. Then, after her colleagues' boat was safely out of sight, she'd worked nearly another half-day here. It seemed like she had displaced half the little islet's soil, and her biceps quivered from the strain. She had been so sure. Her instincts had screamed, "This is the spot," the moment she dragged her skiff onto the bedraggled beach. This was a place for buried treasure, a place to dig up the find that would change her life. She still felt that electric anticipation, but her shovel had turned over nothing but sand.

The aluminum-on-sand groan of Joe's flat-bottomed johnboat being dragged onto the beach caught her ear, but his presence didn't disturb her dogged work. She hardly looked up when he said, "It's about dark, Faye. If you ain't already found anything worth digging up, you won't be finding it tonight."

Joe was right, so she ignored him.

He tried again. "Faye, the day's gone. Come home and eat some supper. You can try again tomorrow."

Faye continued to ignore him.

Joe sighed, glanced at the last scrap of sun melting into the Gulf and squatted on his haunches beside her. "Okay, you want to dig in the dark? Let's dig in the dark. You got another one of those little hand-shovel things?"

Faye could steel herself against displaying her emotions, even on those occasions when outbursts were expected. At funerals, Faye was the competent one who made sure that the other mourners had comfortable chairs and fresh handkerchiefs. She grieved later, alone in her car, undone by the sight of a woman sitting at the bus stop with her head cocked at her mother's angle.

Sometimes, when forced to carry on long past any sane person's breaking point, she found herself weeping at dog food commercials. Now, since she no longer had a TV, she was denied even that cheap outlet, so she was defenseless in the face of Joe's chivalrous offer. The sudden tears surprised her.

"Why are you crying? Don't do that!" Joe cried.

Faye, in her state of emotional upheaval, found Joe's panicked squeak uproarious. She dropped to the ground, laughing.

Joe bent over her with his brow furrowed in confusion and demanded, "Why are you laughing? What's wrong?"

"I'm laughing because you think I'm an idiot for digging in the dark, but you're willing to be an idiot, too, rather than leave me alone with the sand fleas."

Joe put his hand on her shoulder. His solicitous tone did nothing to quench her giggles. "And why are you crying?"

Her giggles subsided. "Because you're the best friend I ever had."

Joe brushed his ponytail over his shoulder and looked at the few stars bright enough to penetrate the early evening haze. "Aw, Faye. Smart, pretty girl like you — you're bound to have bunches of friends."

"No, not many. You don't know how hard it is. ..." She swallowed the suggestion that Joe wouldn't understand how hard life could be for a child who wasn't really white or black, who didn't fit neatly into any racial pigeonhole at all, because she knew better. The bronze tint of the skin over his high cheekbones said that Joe Wolf Mantooth knew all about it.

Whether he knew what she was thinking or just sensed it was time to change the subject, Joe took the trowel from her hand. Humming in his monotone way, he aimlessly moved soil around the bottom of the pit Faye had excavated. They both heard the muted click when the trowel struck something that wasn't rock, nor metal, nor plastic. On their hands and knees immediately, they saw the object at once. It was the color of the sand that nearly buried it, but its sleek, gleaming curve attracted the eye. Faye, instinctively falling back on her archaeological training, reached into her back pocket for a fine paintbrush to work the sand gently away from the surface of this human skull.

Joe jumped up, saying, "We have to go home and get my stuff, Faye. There's a lot of things I need to do."

Joe believed in the old ways from his skin-clad feet to his pony-tailed head and Faye respected his desire to consecrate this old grave. He fumbled in the large leather pouch that always hung from his belt. "I've got tobacco here, but nothing else. I need to go home and get some food, and a clay pot to put it in. And some coals from my fire and some cleansing herbs for washing. Faye —"

Faye held up a hand for him to be quiet, because she was busy assessing the skull's archaeological context. It was unusual to find a burial like this one, one unassociated with other graves or signs of human habitation, but it wasn't a complete aberration. She'd read that Choctaw warriors killed in battle were buried by their wives on the very spot where they fell. The burial had to be accomplished without disturbing the corpse, without even touching it. As Faye brushed sand away from a sizeable fracture radiating from the skull's temple, she wondered whether she was the first person to touch this man since his killer had bashed his brains out.

"Faye, let's go. This guy's rested here a long time and we've disturbed him. We got to help him rest again. It's the right thing to do. It ain't respectful to wait."

Faye didn't answer Joe, because she was busy. She would discuss this with him in a minute; he'd just have to be patient with her. She was wholeheartedly glad he knew how to treat this burial with respect. She may have become a common pothunter, but she was no grave robber and disturbing the dead chilled her bones. Joe's makeshift funeral rites assuaged her guilt a bit.

Still, she wished that he would hush for just a minute while she examined this skull.

* * *

The cabbage palms of Seagreen Island cast jagged shadows on the red-haired girl's face as she initialed her field notebook with a flourish. She ran her fingers through an inch-long crop of spiky hair.

"Done," she said. "I can't believe we finished before dark."

"Dr. Stockard would probably say 'Quick work is imprecise work.'"

"I don't care," was the girl's airy reply. "Let's go check the sample bags so we can eat supper and go to bed."

They crossed the crest of the small hill that ran down the spine of Seagreen Island. In their wake stood a tidy row of surveyor's flags, each consisting of a simple length of wire topped with a rectangle of orange vinyl. The flags marched straight toward a mammoth live oak tree and the last one stood in the shade of the oak's moss-draped branches.

Early the next morning, the rest of the field crew would arrive to dig a test pit at each spot marked by a flag. If they were to dig under the live oak, their shovels would turn over more than just dirt.

* * *

Faye picked up a twig and rested it on the bone that had once underlain somebody's upper lip. She tried to slide it into the skull's former nostril, but the twig butted up against a bony ridge.

"You're off the hook, Joe. There's no need for any mystic tobacco-and-corn ceremony. This is a Caucasian skull. I'll just cover him up and say a Christian prayer over him. If he was a European invader of the rape-and-pillage variety, even my puny prayer would be too good for him."

Faye traced her fingertips over the soil surface, looking for artifacts she might have disturbed while digging, and was rewarded with a clod of soil that was too heavy for its size. She worked the dirt away from the solid center of the clod while she listened to Joe argue his point.

"Everybody deserves a comfortable grave, Faye. Just let me go get my —"

Somewhere in the direction of Seagreen Island, Faye heard a boat motor turn over. Pointing at the sound, she barked, "Help me cover her up. Somebody's coming."

Joe tended to obey authoritative voices, so he dropped his argument and began shoveling dirt back into the excavation, but he didn't stop talking. "Why did you say 'her'? I thought you said 'him' before. How do you know that this was a girl?"

Faye kept shoving dirt over the skull without answering Joe. Getting caught would be an outright disaster. First, she was digging in a national wildlife preserve and removing archaeological materials from federal lands was a felony. Second, a brush with the law — and the fines and legal expenses that would accompany such trouble — would hasten the inevitable loss of her home. And third, the artifact in her hand suggested that she might be treading on legal quicksand far more serious than simple pothunting.

As they sprinted toward their boats, she held out her hand to show Joe the single item she had removed from the grave. "This is how I knew she was a girl."

A corroded pearl dangled from an ornate diamond-studded platinum earring. Her practiced eye saw that it was machine-made and recent, but no archaeological knowledge was required to date this artifact. Any woman alive who ever played in her mother's jewelry box could guess its age. The delicate screw-back apparatus dated it to the mid-twentieth century and the style pinpointed the period still further. The woman who wore this earring had wished very much to look like Jackie Kennedy.

Somebody had buried her in a spot where she was unlikely to ever be found. Most likely, that somebody had killed her.

* * *

Walking up the wooden stairs and onto the broad porch of her home never failed to settle Faye's soul. Even tonight, after violating her professional ethics, breaking several laws, and disturbing the dead, she was soothed by the gentle sea breeze that blew through the open front door.

The old house and its island had both been named Joyeuse by one of Faye's ancestors whose name she didn't know. The old plantation house on Joyeuse Island was more than home to her. It was a treasure entrusted to her by her mother and her grandmother and her grandmother's mother and, most of all, by her great-great-grandmother Cally, the former slave who had somehow come to own the remnants of a great plantation.

Cally's story was lost to time. No one remembered how a woman of color had acquired Joyeuse Island and held onto it for seventy years, but Cally had done it, and her descendants had preserved her legacy and her bloodline. Something of Cally lived on in Faye, maybe in her dark eyes or her darker hair, but another, essential, part of Cally survived in the home she fought to keep. Joyeuse was a decrepit relic of antebellum plantation culture, built by human beings laboring for people who believed they owned them. Even so, it was a calm, beautiful place and Faye had learned to live with the ambiguity of that. Sometimes Faye thought Ambiguity should have been her middle name.

If race is the abiding conflict of the Americas, then Faye considered herself the physical embodiment of that conflict. Her great-great-grandmother Cally had been born a slave on Joyeuse plantation, the product of the master's assault on her mother. Unprovable family lore said that the master himself was not as white as he might have believed; his grandmother was half-Creek. There were surely people who died on the Trail of Tears with no more Native American blood than he.

Faye's ancestors had sprung from Europe and the Americas and Africa and God-knew-where-else. The casual observer, noting her darker-than-olive skin, tiny build, delicate features, and stick-straight black hair, would be hard-pressed to name her racial affiliation. Faye was never too sure herself.


Excerpted from Artifacts by Mary Anna Evans. Copyright © 2012 Mary Anna Evans. Excerpted by permission of Poisoned Pen Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Mary Anna Evans has degrees in Physics and Chemical Engineering, but her heart is in the past. Her background includes stints as an environmental consultant and a youth choir director. She has also worked offshore and wrapped gifts for pay. Writing lets her indulge her passion for history, archaeology, and architecture, while giving her a great excuse for making up stories. Simply put, writing novels is fun. Mary Anna lives in Florida with her husband, three children, at least sixteen musical instruments, and a cat. Artifacts is her debut novel.

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Artifacts 4.6 out of 5 based on 0 ratings. 5 reviews.
Rosedale More than 1 year ago
This author is fresh and exciting -- if you like mysteries this is a MUST READ. Her books are real page turners and while that is perhaps a tired fits too well not to use. Her books are not offensive in content or language.
WendyB More than 1 year ago
Indiana Jones move over! Faye Longchamp is a biracial, undegreed, house poor archaeologist with guts and a determination to save her anchestral home. Her friends range from the shady to the powerful but all of them are loyal to Faye. In this, her first adventure, Faye uncovers the remains of a 40 year old mystery that quickly seeps into the present. Ms. Evans' well researched writing brings us characters to really care about, a sense of history and thought provoking racial questions. I bet if you read this one you'll want the next one.
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Guest More than 1 year ago
Mary Anna Evans if you are new, I cannot wait to read more of your books! Please let me know where I can obtain them. Artifacts is a well written mystery and I am a fan of the herione Faye already. I highly recommend it!