The Arts of Deception: Playing with Fraud in the Age of Barnum

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Ingenious automatons which appeared to think on their own. Dubious mermaids and wild men who resisted classification. Elegant sleight-of-hand artists who routinely exposed the secrets of their trade. These were some of the playful forms of fraud which astonished, titillated, and even outraged nineteenth-century America's new middle class, producing some of the most remarkable urban spectacles of the century.

In The Arts of Deception, James W. Cook explores this distinctly modern...

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Overview

Ingenious automatons which appeared to think on their own. Dubious mermaids and wild men who resisted classification. Elegant sleight-of-hand artists who routinely exposed the secrets of their trade. These were some of the playful forms of fraud which astonished, titillated, and even outraged nineteenth-century America's new middle class, producing some of the most remarkable urban spectacles of the century.

In The Arts of Deception, James W. Cook explores this distinctly modern mode of trickery designed to puzzle the eye and challenge the brain. Championed by the "Prince of Humbug," P. T. Barnum, these cultural puzzles confused the line between reality and illusion. Upsetting the normally strict boundaries of value, race, class, and truth, the spectacles offer a revealing look at the tastes, concerns, and prejudices of America's very first mass audiences.
We are brought into the exhibition halls, theaters, galleries, and museums where imposture flourished, and into the minds of the curiosity-seekers who eagerly debated the wonders before their eyes. Cook creates an original portrait of a culture in which ambiguous objects, images, and acts on display helped define a new value system for the expanding middle class, as it confronted a complex and confusing world.

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Editorial Reviews

Library Journal
Cook has written a fascinating analysis of mass entertainment in 19th-century America, with the all-time master of marketing ploys as one of the main players. P.T. Barnum, the "Prince of Humbug," is the most prominent figure in a series of slippery presentations that captured the imagination (and the paid attendance) of unsuspecting audiences. Beginning with the Joice Heath story in 1835, Barnum used a combination of exaggeration, trickery, clever rumor-spreading, and manipulation of the press to exhibit Heath as the 161-year-old former slave of George Washington's father and therefore "the first person who put clothes on the unconscious infant," George. When after Heath's death it became clear that she was hardly 80 years old, Barnum even managed to profit from the embarrassment by charging a 50-cent entrance fee to Heath's public autopsy. This story is a model for the several other melodramatic mass-entertainment hoaxes described in the book. Despite the seeming lightness of the topic, this is essentially a scholarly book. Cook analyzes the social milieu and the audiences, as well as the phenomenon of entertainment fraud itself, which he sees as "one of the most pervasive currents" in 19th-century popular culture. Recommended for public and academic libraries. Bonnie Collier, Yale Law Lib. Copyright 2001 Cahners Business Information.
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Product Details

  • ISBN-13: 9780674004573
  • Publisher: Harvard University Press
  • Publication date: 7/28/2001
  • Pages: 336
  • Product dimensions: 6.34 (w) x 9.50 (h) x 1.09 (d)

Meet the Author

James W. Cook is Assistant Professor of History and American Culture at the University of Michigan.

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Table of Contents

Introduction: Thinking with Tricks 1
1 The Death and Rebirth of the Automaton Chess-Player 30
2 The Feejee Mermaid and the Market Revolution 73
3 Describing the Nondescript 119
4 Modern Magic 163
5 Queer Art Illusions 214
Epilogue: Barnum's Ghosts 256
Notes 269
Index 309
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