A's B's & Rarities

Editorial Reviews

All Music Guide - Dave Thompson
It seems strange to see the output of Mickie Most's RAK label finally being taken seriously by record labels as well as collectors, 30-plus years after the imprint established itself as the epitome of disposable pop tunes. Yet EMI's ongoing As, Bs & Rarities series offers nothing less than the same thorough treatment that any other, more hallowed, label could expect. The format is essentially the same throughout: a gathering up of every RAK single A-sides and B-sides released by a given band, with the remainder of the CD filled with choice outtakes and oddities -- an approach that the average Mud fan will relish. This is not the first time around for the bulk of the ...
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Editorial Reviews

All Music Guide - Dave Thompson
It seems strange to see the output of Mickie Most's RAK label finally being taken seriously by record labels as well as collectors, 30-plus years after the imprint established itself as the epitome of disposable pop tunes. Yet EMI's ongoing As, Bs & Rarities series offers nothing less than the same thorough treatment that any other, more hallowed, label could expect. The format is essentially the same throughout: a gathering up of every RAK single A-sides and B-sides released by a given band, with the remainder of the CD filled with choice outtakes and oddities -- an approach that the average Mud fan will relish. This is not the first time around for the bulk of the band's As and Bs -- the German Repertoire label long ago created a masterful two-CD set around the same theme. But they still missed one B-side, 1973's "Do You Love Me," which now makes its CD debut here, and besides, two CDs of Mud can be a daunting prospect for the average consumer. Hacking away the dead wood that preceded and followed the band's greatest-hits period, As, Bs & Rarities follows the band through the delirious three years that opened with "Crazy," closed with "One Night," and bristled amidships with some of the most effervescent singles of the early to mid-'70s: "Tiger Feet," "The Cat Crept In," "Lonely This Christmas." And some of the greatest B-sides, too. Some historical anomalies are corrected: "Moonshine Sally," an apparent return-to-form hit in 1975, opens this collection, to remind listeners that it was, in fact, recorded in 1972. A cover of "In the Mood," issued in 1974 under the not-altogether deceptive pseudonym of Dum, slips in, together with the song planned for the band's final RAK single, "Hula Love." No real rarities, then, and little that the compulsive Mud collector won't already own. But it's a great compilation all the same, and if you're looking to spend an hour or so feeling delightfully, extraordinarily, happy...this is for you.
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Product Details

  • Release Date: 4/5/2005
  • Label: Caroline
  • UPC: 724356022225
  • Catalog Number: 60222

Tracks

Disc 1
  1. 1 Moonshine Sally (3:23)
  2. 2 Crazy (3:12)
  3. 3 Do You Love Me (3:17)
  4. 4 Hypnosis (2:47)
  5. 5 Last Tango in London (3:00)
  6. 6 Dyna-Mite (2:57)
  7. 7 Do It All Over Again (2:39)
  8. 8 Tiger Feet (3:52)
  9. 9 Mr. Bagatelle (3:15)
  10. 10 The Cat Crept In (4:01)
  11. 11 Morning (2:55)
  12. 12 Rocket (4:08)
  13. 13 The Ladies (3:42)
  14. 14 In the Mood (3:40)
  15. 15 Watching the Clock (2:07)
  16. 16 Lonely This Christmas (3:35)
  17. 17 I Can't Stand It (2:42)
  18. 18 The Secrets That You Keep (3:11)
  19. 19 Still Watching the Clock (2:49)
  20. 20 Oh Boy (2:52)
  21. 21 One Night (2:56)
  22. 22 Hula Love (3:22)
  23. 23 Shake Rattle & Roll/See You Later Alligator (Medley) (4:00)
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Album Credits

Performance Credits
Mud Primary Artist
Technical Credits
Earl King Composer
Buddy Knox Composer
Dave Bartholomew Composer
Alan Merrill Author
Suzi Quatro Author
Norman Petty Composer
Andy Razaf Composer
Chip Davis Composer
Errol Brown Author
Nicky Chinn Composer
Rob Davis Author
Joe Garland Composer
Dave Mount Author
Mike Chapman Composer
Robert Guidry Composer
Anita Steiman Composer
Bill Tilghman Composer
Sonny West Composer
Charles E. Calhoun Composer
Martin Hutchinson Liner Notes
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