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As I Am

As I Am

by Alicia Keys

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Alicia Keys worked with hitmakers Linda Perry and Swizz Beatz on her third and perhaps most innovative album to date. As I Am draws inspiration from a diverse sampling of music, including hip-hop, soul, rock, and classical and features the reggae-tinged first single "No One."


Alicia Keys worked with hitmakers Linda Perry and Swizz Beatz on her third and perhaps most innovative album to date. As I Am draws inspiration from a diverse sampling of music, including hip-hop, soul, rock, and classical and features the reggae-tinged first single "No One."

Editorial Reviews

All Music Guide - Marisa Brown
By now established as a major and talented force in the mainstream music world, Alicia Keys has perhaps earned the right to explore a little, to venture into new genres while still keeping a foot firmly planted in the R&B
eo-soul she grew out of. On her third full-length, As I Am, Keys takes a step closer toward the soul revival popularized by John Legend, with full-band arrangements and bright horn hooks, only occasionally falling back into the piano/melisma combination that drove the singles off her first two albums. Instead, here, as evidenced in "No One" -- which sounds all too ready to take on a "reggae dance mix" -- the guitar-driven "I Need You," "Wreckless Love," or "Where Do We Go from Here," which pays tribute to both Stax and Motown ("All I can do/Is follow the tracks of my tears," she sings, after a sample of Wendy Rene's "After Laughter [Comes Tears]" crackles through the first few bars), this is music that owes as much to pop as it does R&B, highlighted no less by the fact that the queen of radio rock herself, Linda Perry, co-writes three of the songs with Keys, including the straight-from-the-Stripped-sessions "The Thing About Love" and "Superwoman." It is on the latter, in fact, that Keys, unsurprisingly, turns furthest away from the style that brought her initial success (more so even than on the John Mayer collabo, "Lesson Learned," which is actually not bad) toward the generic-pop world, sliding in between corny and sincere, sometimes even in the same breath. "When I'm breaking down/And I can't be found/...'Cause no one knows/Me underneath these clothes/But I can fly/We can fly," she sings in the bridge, flatly. Keys has never been a brilliant lyricist, but she's always been able to write simple yet affective and honest words that don't seem trite, something that is forgotten here, and makes the track one of the weakest on the album. Fortunately, this doesn't happen too often, and as As I Am weaves its way through the drums and various keyboards and vocal harmonies that make up the backbone of her work here, punctuated by the great, hooky melodies and strings, you get the impression that this is in fact the sign of an artist who's not content to only follow the path that's brought her previous acclaim, an artist who's looking to find more, both about herself and her music, and an artist who carries these developments, these insights, with her. And so even though As I Am is a flawed work -- a little too poppy, a little too clichéd -- it is also indicative of what Keys can and will do, and that she is someone, thanks to her curiosity, intelligence, and natural talent, who will be able to mature and grow for years to come.
Rolling Stone - Robert Christgau
...the prevailing mood is reflectively soulful and the prevailing tempo mid.
Boston Globe - Sarah Rodman
Hip-hop rhythms, scratchy LP samples, bright Southern soul horns, and slices of funk still factor into the overall mix on tracks like "No One" and the dynamite Stevie Wonder-inspired tune "Go Ahead," the angry but controlled get-to-stepping opener.

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Album Credits

Performance Credits

Alicia Keys   Primary Artist,Piano,Harpsichord,Vocals,Background Vocals,Moog Synthesizer,Mellotron,Vocoder,fender rhodes,Synthesizer Bass,Wurlitzer
Harry Kim   Trombone
Trevor Lawrence   Percussion,Drums
Linda Perry   Piano,Background Vocals
Sean Hurley   Bass Guitar
Mark Batson   Piano,Hammond Organ,Clavinet,Moog Bass
Rony Henry   Guitar
David Ryan Harris   Guitar
Duane Eubanks   Trumpet
Steve Jordan   Drums
Carl Maraghi   Baritone Saxophone
Steve Mostyn   Acoustic Guitar,Bass Guitar
L.C. Green   Background Vocals
Harold Lilly   Background Vocals
Damon Fox   Hammond Organ,Moog Synthesizer,Mellotron
Paul Ill   Bass Guitar
Ryan Keberle   Tenor Trombone
Michael Dease   Bass Trombone,Tenor Trombone
John Salvatore Scaglione   Guitar,Rhythm Guitar
Jumaane Smith   Trumpet
Jason Sugata   French Horn

Technical Credits

Paul Green   Composer
Ray Chew   Horn Arrangements
Carl Hampton   Composer
Manny Marroquin   Engineer
Linda Perry   Composer,Producer,Engineer
Tom Nixon   Composer
Mark Batson   Composer,Producer,Horn Arrangements,drum programming
Kim Biggs   Art Direction
Alli Truch   Art Direction
Mary Frierson   Composer
Ann Mincieli   Engineer
Kerry Brothers   Composer
Peter Edge   Executive Producer
Steve Mostyn   Composer
Alicia Keys   Arranger,Composer,Producer,Executive Producer,Vocal Arrangements,Horn Arrangements,Concept,Vocal Producer
Chad Franscoviak   Engineer
Ron Haney   Composer
Marsha Ambrosius   Composer
Harold Lilly   Composer
Chris LeBeau   Creative Producer
Jack Splash   Arranger,Composer,Programming,Producer
Jeanine McLean Griffin   Management
Joseph Conrad Robinson   Management
George M. Harry   Composer

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