Assignment: Shanghai: Photographs on the Eve of Revolution

Overview

Shipping out to China in December 1947 with three ten-year-old German cameras and a plum assignment from Life magazine, Jack Birns was fulfilling a boyhood dream. The reality was something else: refugees and prostitutes, soldiers and beggars, street executions and urban protests photographed in difficult and often dangerous circumstances amidst the poverty, corruption, and chaos of an expanding civil war. By then the ruling Nationalist Party had been battling the Communist threat for more than two decades, and ...

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Overview

Shipping out to China in December 1947 with three ten-year-old German cameras and a plum assignment from Life magazine, Jack Birns was fulfilling a boyhood dream. The reality was something else: refugees and prostitutes, soldiers and beggars, street executions and urban protests photographed in difficult and often dangerous circumstances amidst the poverty, corruption, and chaos of an expanding civil war. By then the ruling Nationalist Party had been battling the Communist threat for more than two decades, and Birns focused his camera on the human drama unfolding as war pressed ever closer to the country's financial, cultural, and commercial capital. His effort to show China's misery up close ran afoul of Time-Life publisher Henry R. Luce's fervent anti-communism, and for half a century many of these historic photographs lay unpublished in Time-Life's archives. Printed here for the first time, they offer a graphic vision of a great city, Shanghai, poised on the precipice of political revolution.

Seen through the lens of hindsight, Birns's photographs give us a sense not only of what China was like more than fifty years ago, but also of why the warfare, weariness, and desperation of the time proved such fertile soil for communist revolution. Today these everyday scenes of ordinary people—pedicab drivers, street vendors, bar girls, police, politicians, prisoners—tell a story of national resilience and dignity in the midst of enveloping poverty, repression, and fear. Birns's stark black and white photographs capture the dramatic end of an era, but they also look forward, letting us glimpse how Shanghai's past prefigures the city's commercial and cultural revival in the 1990s.

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Editorial Reviews

Publishers Weekly
Life photographer Birns was sent to Shanghai in the aftermath of WWII, as the Communist revolution in China gathered steam. The 100 tritones gathered in this 9" x 13" book, with an introduction by Orville Schell, capture troop movements, child mortality, poverty, American servicemen at an American bar, the severing and mounting of a Communist guerrilla's head, evacuations, executions in public parks, farmers being denied access to the city, "foreigners relax[ing] after tennis as the Communists draw closer"-and much more. (Oct.) Copyright 2003 Reed Business Information.
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Product Details

  • ISBN-13: 9780520239906
  • Publisher: University of California Press
  • Publication date: 10/1/2003
  • Series: Series in Contemporary Photography Series , #2
  • Edition number: 1
  • Pages: 144
  • Product dimensions: 9.00 (w) x 13.25 (h) x 0.63 (d)

Meet the Author

Jack Birns is a former Life photographer who was stationed in Shanghai during the final years of China's Civil War. Carolyn Wakeman is Associate Professor of Journalism and Asian Studies at the University of California, Berkeley, where she directs the Asia-Pacific Program at the Graduate School of Journalism. Ken Light is a teaching fellow and curator of the Center for Photography at the Graduate School of Journalism at the University of California, Berkeley. Orville Schell is the Dean of the Graduate School of Journalism at the University of California, Berkeley.

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Table of Contents

Foreword—Orville Schell
Preface—Jack Birns

Introduction—Carolyn Wakeman
Photographs

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