At Action Parkby Shellac
Shellac's first three singles (especially Uranus) suggested that Steve Albini was moving into more subtle and dynamic territory after the musical and lyrical brutality of Big Black and Rapeman, but the group's first full-length album, At Action Park, proved that the misanthropic noisemaker responsible/i>/a>/a>/i>… See more details below
Shellac's first three singles (especially Uranus) suggested that Steve Albini was moving into more subtle and dynamic territory after the musical and lyrical brutality of Big Black and Rapeman, but the group's first full-length album, At Action Park, proved that the misanthropic noisemaker responsible for Atomizer and Songs About Fucking was still very much present. "My Black Ass," "Dog and Pony Show," and "Il Porno Star" revealed Albini was still obsessed with sex, violence, and anti-social behavior, and the hard, metallic guitar figures of "Pull the Cup" and "Song of the Minerals" were as uncompromisingly abrasive as ever, with Albini's trademark engineering (dry, stark, and crystal clear) making the rough edges all the more punishing. But At Action Park does reveal a band more musically intelligent and imaginative than Big Black, and while it hits a good bit harder than the 7"ers that preceded it, Shellac is still significantly more concerned with the space between the notes than any of Albini's earlier projects. Just as importantly, in drummer Todd Trainer and bassist Bob Weston, Albini had found a human rhythm section that lived up to his exacting specifications, with Weston adding both melody and force with his thick, meaty tone and Trainer displaying both precision and an expressive abstraction behind the kit. And while Shellac's idea of a good time would still make most folks uncomfortable, there's a dark but genuine humor to a few of the cuts (especially "Il Porno Star"), and "Song of the Minerals" suggests Albini may actually feel compassion for one of his protagonists. At Action Park made it clear that Steve Albini was slowly but surely maturing, while stubbornly refusing to compromise in the process.
- Release Date:
- Touch & Go Records
Performance CreditsShellac Primary Artist
Steve Albini Guitar,Vocals
Bob Weston Bass,Vocals
Todd Trainer Drums
Technical CreditsIain Burgess Engineer
Peter Diemel Engineer
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To be sure, Shellac can be catagorized as "Albini advanced," meaning that they are mostly for the seasoned Albini fan who still needs a fix after Big Black and Rapeman. You either love his music or you hate it, and while your opinion means nothing to Steve, Shellac is obviously designed for fans of his musical persona. That being said, Shellac are a more challenging band, but "At Action Park" (whether a fan's favorite or not) is easily their most accessible album. Albini junkies will revel in the chaos that is "My Black *ss," enjoy the ambitious, progressive track that is "Crow," and take a liking to what is probably the best quiter Shellac track, "The Idea of North." Shortly after this album was released, Steve joked in an interview that all Shellac songs are either about baseball or Canada. Now that you've been warned, watch for references to Satchel Paige, Babe Ruth, ballplayers, and Canadian ties. It's pretty amusing. Albini has also said that "The Idea of North" is about Canada. Only "Dog and Pony Show" dares to venture south of the border, describing a trip to Tijuana gone wrong. If you can respect challenging math rock, with weird time signatures and strange starts and stops, you'll enjoy this album.