At Carnegie Hall, Vol. 1-4 (Chicago IV) [Bonus Tracks]

At Carnegie Hall, Vol. 1-4 (Chicago IV) [Bonus Tracks]

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by Chicago
     
 

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Recorded in April 1971 and drawn from a then-unprecedented five-night stand at this hallowed New York City venue, Chicago at Carnegie Hall has been substantially expanded from its original four-LP length for this CD reissue. Forget the soft-rock icons whose reputation was made via heavy airplay on MOR stations throughout the '60s and '70s. Chicago in a liveSee more details below

Overview

Recorded in April 1971 and drawn from a then-unprecedented five-night stand at this hallowed New York City venue, Chicago at Carnegie Hall has been substantially expanded from its original four-LP length for this CD reissue. Forget the soft-rock icons whose reputation was made via heavy airplay on MOR stations throughout the '60s and '70s. Chicago in a live setting, particularly so early in the group's history, was an entirely different animal -- an ensemble of accomplished musicians adept at delivering a gritty mélange of rock, jazz, pop, and classical nuances goosed along by an awesome horn section. The set list draws from the three studio albums that preceded this live collection, including an extended version of the bouncy "Does Anybody Really Know What Time It Is," featuring a soul-jazz-flavored free-form intro by pianist Robert Lamm, and the early hit "Beginnings," enhanced by the late guitarist Terry Kath's fluid riffing and Lee Loughnane's spicy trumpet phrasing. Even amid more complex arrangements like the multi-part "Ballet for a Girl in Buchannon," there are recognizable movements -- such as the gentle ballad "Colour My World," featuring Walter Parazaider's wistful flute accompaniment, and the brassy, up-tempo opener, "Make Me Smile." Kath's playing, in particular, stands out and reaffirms his status as one of the era's unsung guitar heroes. His impassioned solo on the version of "25 or 6 to 4" from Disc 4's assortment of previously unreleased material breathes new life into this classic rock warhorse. There's also a reading of the Spencer Davis Group's "I'm a Man," rife with Kath's howling guitar, which complements the tribal and hypnotic rhythm arrangements that lend this cover so much punch. Given the abundance of material here, the best listening approach is to parse out manageable doses while basking in the greatness of an outfit whose musical prowess has often been overshadowed by its decades-long commercial success.

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Editorial Reviews

All Music Guide - Lindsay Planer
After issuing three consecutive studio double LPs, Chicago topped themselves with this four-album live box set. As the title suggests, At Carnegie Hall, Vols. 1-4 (Chicago IV) (1971) finds the band at the venerable New York City venue during a five-night stand (April 5-April 10) in the spring of 1971. The septet -- which includes the respective talents of Terry Kath (lead guitar/vocals), Robert Lamm (keyboards/vocals), Peter Cetera (bass/vocals), Danny Seraphine (drums), Lee Loughnane (trumpet/vocals), James Pankow (trombone), and Walter Parazaider (woodwinds/vocals) -- were at their unquestionable peak of initial popularity. Their previous three double LPs continued extended runs on the pop album chart and likewise spawned a number of hit singles. So by the time the group hit the Big Apple for these shows, they were among the hottest things happening. Chicago's set list is wholly representative of the material from Chicago Transit Authority (1969), Chicago II (1970), and Chicago III (1971) and includes several extended multi-song medleys from each. The band winds its way through muscular versions of the epic "Ballet for a Girl in Buchannon," "Travel Suite," as well as lengthy renderings of deeper cuts such as "South California Purples," "Fancy Colours," and the ten-minute-plus opening "In the Country." One of the set's most notable highlights is the politically charged "For Richard and His Friends." The lengthy and well-jammed-out cut is both groovy and propulsive. However, the acoustics at Carnegie Hall are quite frankly not (and really never have been) properly suited for heavily amplified music. While the percussion and electric guitars are clearly audible, the woodwind and brass section come off sounding extremely thin and devoid of any real timbre. This is unfortunate, as a primary component of the band is the contrasting textures between the two. Enthusiasts seeking a much more sonically accurate portrait should by whatever means necessary locate the Live in Japan 1972 two-CD set -- which also includes tracks from Chicago's fifth effort.

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Product Details

Release Date:
08/23/2005
Label:
Rhino
UPC:
0081227617424
catalogNumber:
76174

Related Subjects

Tracks

Disc 1

  1. In the Country
  2. Fancy Colours
  3. Does Anybody Really Know What Time It Is? (Free Form Intro)
  4. Does Anybody Really Know What Time It Is?
  5. South California Purples
  6. Questions 67 and 68
  7. Sing a Mean Tune Kid
  8. Beginnings

Disc 2

  1. It Better End Soon: 1st Movement
  2. It Better End Soon: 2nd Movement (Flute Solo)
  3. It Better End Soon: 3rd Movement (Guitar Solo)
  4. It Better End Soon: 4th Movement (Preach)
  5. It Better End Soon: 5th Movement
  6. Introduction
  7. Mother
  8. Lowdown
  9. Flight 602
  10. Motorboat to Mars
  11. Free
  12. Where Do We Go from Here
  13. I Don't Want Your Money

Disc 3

  1. Happy 'Cause I'm Going Home
  2. Ballet for a Girl in Buchannon: Make Me Smile
  3. Ballet for a Girl in Buchannon: So Much to Say, So Much to Give
  4. Ballet for a Girl in Buchannon: Anxiety's Moment
  5. Ballet for a Girl in Buchannon: West Virginia Fantasies
  6. Ballet for a Girl in Buchannon: Colour My World
  7. Ballet for a Girl in Buchannon: To Be Free
  8. Ballet for a Girl in Buchannon: Now More Than Ever
  9. A Song for Richard and His Friends
  10. 25 or 6 to 4
  11. I'm a Man

Disc 4

  1. Listen
  2. Introduction
  3. South California Purples
  4. Loneliness Is Just a Word
  5. Free Form Intro (Naseltones)
  6. Sing a Mean Tune Kid
  7. An Hour in the Shower: A Hard Risin' Morning Without Breakfast/Off to ...
  8. 25 or 6 to 4

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Album Credits

Performance Credits

Chicago   Primary Artist
Robert Lamm   Keyboards,Vocals,Group Member
Peter Cetera   Bass,Vocals,Group Member
Terry Kath   Guitar,Vocals,Group Member
Lee Loughnane   Guitar,Percussion,Trumpet,Vocals,Group Member
James Pankow   Percussion,Trombone,Group Member
Walter Parazaider   Percussion,Vocals,Woodwind,Group Member
Daniel Seraphine   Drums,Group Member
Beverly Scott   Handwriting

Technical Credits

Steve Winwood   Composer
Robert Lamm   Composer
Don Heckman   Liner Notes
Jimmy Miller   Composer
Hank Altman   Engineer
Aaron Baron   Engineer
Hugh Brown   Art Direction
Peter Cetera   Composer
Larry Dahlstrom   Engineer
Bud Graham   Engineer
James William Guercio   Producer
Terry Kath   Composer
James Pankow   Composer
Walter Parazaider   Composer
Don Puluse   Engineer
Daniel Seraphine   Composer
John Berg   Art Direction
Maria Villar   Art Direction
Ron Coro   Poster Design
Fuding Cheng   Drawing
Nick Fasciano   Logo
Jeff Magid   Liner Notes

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