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| Ella Fitzgerald | Primary Artist, Primary Artist, Vocals |
| Tommy Flanagan | Piano |
| Keter Betts | Bass |
| Bobby Durham | Drums |
| Percy Grainger | Composer |
| VinÃcius de Moraes | Composer |
| Irving Mills | Composer |
| Angel Balestier | Remixing |
| Keter Betts | Contributor |
| Norman Granz | Producer |
| Duke Ellington | Composer |
| Norman Gimbel | Composer |
| Porter Grainger | Composer |
| Nancy Hamilton | Composer |
| Antonio Carlos Jobim | Composer |
| Cole Porter | Composer |
| Jimmy Robins | Composer |
| John Luard Timperley | Engineer |
| Juan Tizol | Composer |
| Clarence Williams | Composer |
| Paul Beattie | Engineer |
| Morgan Lewis | Composer |
| Robert Prince | Composer |
| Eric Miller | Engineer |
| Traditional | Composer |
| Todd Weinstein | Cover Photo |
| Benny Green | Liner Notes |
| Grahm Prince | Composer |
| Grisham | Composer |
Editorial Reviews
All Music Guide - Ken Dryden
Although Ella Fitzgerald had been on the jazz scene for over four decades by the time of this 1975 concert at the Montreux Jazz Festival, she still knew how to swing and keep the audience in the palm of her hand. Backed by lyrical pianist Tommy Flanagan, the solid bassist Keter Betts and the driving drummer Bobby Durham, the vocalist wows the crowd with a mix of standards, popular jazz compositions and ballads in a way that only she could do it. Even though her voice shows evidence of a little more vibrato on her held notes at the end of a phrase (especially on the ballads), she still emotes like no one else, occasionally adding some playful scat in the up-tempo numbers and ...