Athena Sings: Wagner and the Greeks

Overview

Richard Wagner's knowledge of and passion for Greek drama was so profound that for Friedrich Nietzsche, Wagner was Aeschylus come alive again. Surprisingly little has been written about the pervasive influence of classical Greece on the quintessentially German master. In this book, renowned opera critic Father Owen Lee describes for the contemporary reader what it might have been like to witness a dramatic performance of Aeschylus in the theatre of Dionysus in Athens in the fifth century B.C. - something that ...
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Overview

Richard Wagner's knowledge of and passion for Greek drama was so profound that for Friedrich Nietzsche, Wagner was Aeschylus come alive again. Surprisingly little has been written about the pervasive influence of classical Greece on the quintessentially German master. In this book, renowned opera critic Father Owen Lee describes for the contemporary reader what it might have been like to witness a dramatic performance of Aeschylus in the theatre of Dionysus in Athens in the fifth century B.C. - something that Wagner himself undertook to do on several occassions, imagining a performance of The Oresteia in his mind, reading it aloud to his friends, providing his own commentary, and relating the Greek classic drama to his own romantic view.

Father Lee also uses Wagner's writings on Greece and entries from his wife's diaries to cast new light on Tristan und Isolde, Die Meistersinger, Parsifal, and especially the mighty Ring cycle, where Wagner made extensive use of Greek elements to give structural unity and dramatic credibility to his Nordic and Germanic myths. No opera fan, argues Father Lee, can really understand Wagner saving Brunhilde without knowing the Athena who, in Greek drama, first brought justice to Athens. Athena Sings traces the profound influence - an influence few music lovers are aware of - that Greek theatre and culture had on the most German of composers and his revolutionary musical dramas.

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Product Details

  • ISBN-13: 9780802085801
  • Publisher: University of Toronto Press, Scholarly Publishing Division
  • Publication date: 9/28/2003
  • Edition number: 2
  • Pages: 80
  • Sales rank: 1,045,401
  • Product dimensions: 5.50 (w) x 8.49 (h) x 0.33 (d)

Meet the Author

M. Owen Lee, CSB, is a Catholic priest and Professor Emeritus of Classics at St. Michael's College, University of Toronto. He is a commentator for the Texaco Metropolitan Opera radio broadcasts and the author of a number of books on opera, including A Season of Opera: From Orpheus to Ariadne (UTP 1998) and Wagner: The Terrible Man and His Truthful Art (UTP 199).
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